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Vanessa Angélica Villarreal

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Vanessa Angélica Villarreal

Goodreads Author


Born
in McAllen, TX, The United States
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Member Since
December 2010

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Vanessa Angélica Villarreal was born in the Rio Grande Valley to Mexican immigrants. She is the author of the essay collection Magical/Realism: Essays on Music, Memory, Fantasy, and Borders (Tiny Reparations Books, an imprint of Dutton Books and Penguin Random House, 2024) and the poetry collection Beast Meridian (Noemi Press, 2017). She is a recipient of a 2019 Whiting Award, a Kate Tufts Discovery Award nomination, and winner of the John A. Robertson Award for Best First Book of Poetry from the Texas Institute of Letters. Her work has appeared in the New York Times, New York Magazine’s The Cut, Harper’s Bazaar, Oxford American, Paris Review, Poetry Magazine, and elsewhere. She is a recipient of a 2021 National Endowment for the Arts Fello ...more

Average rating: 4.11 · 1,554 ratings · 337 reviews · 8 distinct worksSimilar authors
Magical/Realism: Essays on ...

4.26 avg rating — 800 ratings — published 2024 — 3 editions
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Embodied: An Intersectional...

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3.65 avg rating — 536 ratings — published 2021 — 3 editions
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Beast Meridian

4.44 avg rating — 241 ratings — published 2017
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The Long Devotion: Poets Wr...

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4.58 avg rating — 31 ratings — published 2022 — 2 editions
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Bettering American Poetry 2015

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4.69 avg rating — 16 ratings — published 2017
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Bettering American Poetry, ...

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4.57 avg rating — 14 ratings — published 2017
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Cassette 68

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really liked it 4.00 avg rating — 5 ratings — published 2016
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Sporklet 8

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it was amazing 5.00 avg rating — 2 ratings — published 2017
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Magical/Realism by Vanessa Angélica Villarreal
" Hi, and thank you so much for reading Magical/Realism! I never check reviews, much less comment here, but for a fellow nerd, I just wanted to clarify ...more "
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Quotes by Vanessa Angélica Villarreal  (?)
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“A haunting is the earth in the act of remembering, a repeating record of the past that collapses time, shining its echoes into the present and future. To be haunted is to remember with the earth.”
Vanessa Angélica Villarreal, Magical/Realism: Essays on Music, Memory, Fantasy, and Borders

“I Was a Good Wife

for helios, not yet a collapsed star

and an even better
wolf, jawed to a thicket of lonely
lungs trees I mean breathing, comet
come to me, come
a lone light, like the fire
that rips the mountainside’s
dress, I was a good
ununderstood, a wrist
of bent light, undressing
alone an even quieter violence. I am
remembering how to want
my life, how to want to come
even closer to the wolf I was
you wanted this to be about borders

it is”
Vanessa Angélica Villarreal

“Something vital about language-how we make, read, understand the world, communicate, see one another-is slipping away. Language is a threat to power, and if avenues for discourse and truth-telling disappear, without the relation language makes possible, it is harder to create the allegories that help us see others' struggles as our own.”
Vanessa Angélica Villarreal, Magical/Realism: Essays on Music, Memory, Fantasy, and Borders

“Do not mourn the dead. They know what they are doing.”
Clarice Lispector, The Hour of the Star

“My mother forbade us to walk backwards. That is how the dead walk, she would say. Where did she get this idea? Perhaps from a bad translation. The dead, after all, do not walk backwards but they do walk behind us. They have no lungs and cannot call out but would love for us to turn around. They are victims of love, many of them.”
Anne Carson

“You know, they straightened out the Mississippi River in places, to make room for hourse and livable acreage. Occasionally the river floods these places. "Floods" is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, that valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory--what the nerves and the skin remember as well as how it appeared. And a rush of imagination is our "flooding.”
Toni Morrison

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