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Irwin Allen's Lost in Space: The Authorized Biography of a Classic Sci-Fi Series, Volume 1
Marc Cushman

Irwin Allen's Lost in Space: The Authorized Biography of a Classic Sci-Fi Series, Volume 1
Marc Cushman
Publisher: Jacob Brown Media Group; 1 edition (August 1, 2016)
ISBN-10: 0692750185
ISBN-13: 978-0692750186
https://www.amazon.com/Irwin-Allens-L...


This review first appeared at BookPleasures.com on July 19, 2017:
goo.gl/ywuyvA

Once again, media historian Marc Cushman pulls out his magnifying glass to explore a television classic just like he did with I Spy and his definitive three volume These Are the Voyages tomes on the original Star Trek.

Once again, Cushman doesn’t leave the smallest of stones unturned. He begins his exhaustive book by fleshing out the pre-Lost in Space career of producer/ director Irwin Allen, most notably his films released throughout the 1950s. One spotlighted film, naturally, is Voyage to the Bottom of the Sea which Allen re-imagined into his first sci fi television series. Of course, Cushman gives each of the main stars of Lost in Space the same in-depth treatment, as when he offers a detailed history of June Lockhart’s years on Lassie and an even more detailed review of Guy Williams tenure as Zorro, including the ratings numbers for the show’s run, comparing it to its competition on other networks.

Cushman demonstrates how workaholic Allen saw himself as a P.T. Barnum figure who offered escapist sci fi full of action and spectacle without the more cerebral tones of The Twilight Zone, The Outer Limits, or Star Trek. Still, many of Lost in Space’s better episodes bordered on being morality tales or fables. When Cushman dives into his title subject, the minutia continues when he provides a day-by-day history of the show’s pre-production, filming, and post-production. He provides the contributions of each director, writer, and many of the guest stars. He shares the cost for each episode, including the overruns. He presents the often bizarre notes from network censors. It’s hard to believe that, in those days, the thought of two adults, even a married couple, showing more than casual affection on television could arouse fears in the CBS Standards and Practices office that children could be disturbed by any such displays. In fact, the Standards censors seemed preoccupied with anything and everything that might disturb a child.

Cushman provides no shortage of announcements and commentary culled from trade periodicals, especially Variety, and a wealth of reviews from national newspapers. Week by week, we see how Lost in Space fared against its competition during its first year, which was ABC’s The Adventures of Ozzie and Harriet and The Patty Duke Show and NBC’s The Virginian. That was until a little hit called Batman took over the Nelson family’s ABC time slot at 7:30 on Wednesdays.

But the book is far more than a compilation and synthesis of documents and figures. We also get insights into the creative process, as in showing how actor Jonathan Harris, who played evil Doctor Zachary Smith, helped altar and shape his dialogue in the show as well as adding a needed comic dimension to his character.

Clearly, only a diehard fan base will want to read this Authorized Biography from cover to cover. Other readers, such as TV sci fi fans or those curious about television history or production, would likely enjoy skimming through the sections that focus on discussions of their area of interest. All libraries should absolutely shelve this book. All readers should enjoy the bounty of photographs that, on their own, make the book worth the price of admission. And this is but volume one—the first of three.

Irwin Allen's Lost in Space, The Authorized Biography of a Classic Sci-Fi Series (Volume 3)
Marc Cushman
Paperback: 542 pages
Publisher: Jacob Brown Media Group; 1 edition (February 1, 2017)
ISBN-10: 0692814264
ISBN-13: 978-0692814260
https://www.amazon.com/Irwin-Allens-L...

Reviewed by Dr. Wesley Britton

Whew, I made it! I finally finished all three volumes of Marc Cushman’s exhaustive history of Irwin Allen’s Lost in Space TV series. I now realize much of what I have to say about volume three is much the same as what I said about volumes one and two.

This time around, the preliminary material is much shorter than before with little to talk about other than the unhappiness of stars Guy Williams and June Lockhart about their diminished roles in season two of LIS. We get two forwards by former cast members, Mark Goddard (Don West) and Marta Kristen (Judy Robinson). We’re told season three was designed to be less comic and feature more action and, allegedly, more of the cast beyond Jonathan Harris, Bill Mumy and the robot than before. Well, not so much, as it turned out.

Then, as usual, Cushman pushes TMI to its utter extreme. For example, he still lists all the script rewrites including noting what color paper they were written on— blue, red, green, yellow. We see how each broadcast’s ratings fared against its competition, which was still The Virginian on NBC and ABC’s replacement for the Batman, Patty Duke pairing, the short-lived Custer. Then in January 1967, Custer was replaced by the first color season of The Avengers.

Cushman still provides many of the strange memos from the network brass, such as the inexplicable request Angela Cartwright’s long hair be hidden in a short hair wig. He still adds his commentary on each episode, including praising “Space Beauty” for its parodying of beauty pageants and his defense of “The great Vegetable Rebellion,” apparently considered by many to be the series’ lowest point. It could have been even lower had plans to add a purple lama as a permanent cast member been fulfilled.

Without question, it takes a strong reader to plow through the blow-by-blow accounts of all the episode analyses and synopses. It’s really the after-LIS section where we get a really good discussion of what happened after CBS didn’t so much cancel the show as much as let it die. The network wanted a lower budget for a fourth season; Allen wasn’t willing to accept any cuts. He had other irons in the fire.

So, after the obligatory mini-biographies of what happened to the major participants after LIS went off the air, we get a very revealing narrative about Allen’s attempts to bring the franchise to the big screen and see how LIS was kept alive in cast reunions, at cons, in syndication and on cable, on video and DVD, and in comic books. And ultimately, of course, the disappointing New Line 1998 big screen incarnation produced after Allen’s death.

Added content includes an odd recap of the relationship between actor Jonathan Harris and his secretive, reclusive wife Gertrude and an overview of the aborted WB TV remake that would have been targeted to adolescents and focused on a romance between a new Judy Robinson and Major Don West. Finally, Cushman offers a few notes on the 2017 Netflix reboot.

As I said in my reviews of Volumes 1 and 2 of these Authorized Biographies, you gotta be a diehard, serious fan of Lost in Space to want these no-stones-unturned tomes. As these are mainly research books, no library with a decent media section should miss them. TV sci fi fans might also like to have access to these books, especially for the color photo fests each volume includes.

This review first appeared at BookPleasures.com on Fri. Aug. 11 at:
http://dpli.ir/lbTXfP