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Federico Campagna

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Federico Campagna

Goodreads Author


Born
in Italy
Website

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Member Since
August 2013


Federico Campagna is an Italian philosopher based in London.
He is the author of 'Otherworlds: Mediterranean lessons on escaping history' (Bloomsbury, 2025), 'Prophetic Culture: recreation for adolescents' (Bloomsbury, 2021), and 'Technic and Magic: the reconstruction of reality' (Bloosmbury, 2018), ‘The Last Night: antiwork, atheism, adventure’, (Zero Books, 2013).
He is lecturer in World-building at The Architectural Association (London), Associate Fellow at the Warburg Institute (London), and lecturer in Intellectual History at ECAL (Lausanne).
He works as director of rights at the UK/US radical publisher Verso Books, as editorial consultant for philosophy and anthropology at the Italian publisher Einaudi, and is a co-founder and senior
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Federico Campagna hasn't written any blog posts yet.

Average rating: 4.1 · 471 ratings · 67 reviews · 16 distinct worksSimilar authors
Technic and Magic: The Reco...

4.33 avg rating — 222 ratings9 editions
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The Last Night: Anti-Work, ...

3.42 avg rating — 104 ratings — published 2013 — 10 editions
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Prophetic Culture: Recreati...

4.41 avg rating — 61 ratings — published 2023 — 6 editions
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Atlas of Anomalous AI

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4.46 avg rating — 35 ratings3 editions
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What We Are Fighting For: A...

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3.79 avg rating — 29 ratings — published 2012 — 10 editions
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Otherworlds: Mediterranean ...

4.64 avg rating — 14 ratings3 editions
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Happy Precarity

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2.33 avg rating — 3 ratings — published 2013
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The New Public

0.00 avg rating — 0 ratings — published 2012
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PEDRO WIRZ

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Last Night: Anti-Work, Athe...

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Kingship and Sacrifice by Valerio Valeri
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The Anthropology of Time by Alfred Gell
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Tristan by Gottfried von Strassburg; T...
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Unearthly Powers by Alan Strathern
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The Great Game by Peter Hopkirk
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Star Maker by Olaf Stapledon
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Quotes by Federico Campagna  (?)
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“The empty dishes on the kitchen table. A glass over the corner of a napkin. The liquid at its bottom, vibrating at the rhythm of my drumming.
There it was, in all its splendour: Reality. All the mysteries and any possible revelation were in that domestic glass, sleeping under a veil. Every possible adventure, already taking place at the point where a gaze encounters an object, or a mind a thought.
I looked at the shadow-lines that the table lamp cast on the napkin and followed their trajectory beyond their mark. I looked at the reflections on the glass and slid the back of my hand against its cold body. I wondered if it might feel me, the same as I felt it. If it was staring at me and receiving as silent an answer as the one I got from it.
Maybe I was doing it wrong. I should have proceeded with order: cataloguing what I could see and all its qualities, while looking for a gap where my reason could break in. Or maybe I should have done the opposite: becoming pure awareness, staring at my surroundings devoid of any intentions, with the clear eye of a hanging mirror.
The cigarette embers licked my fingers and I put it out in the ashtray. I had done that countless times already: looking and looking and finding nothing else than what I knew. I was surrounded by a library, encased within each speck of space and time, and yet I was blind to its words. I felt tired. The glass was still there. I closed my eyes to look for the image of it that I had impressed in my memory. I found it. I lost it. I found it again, and soon it faded. I stretched my legs under the table and I rested my head on the palm of my hands. The glass was still there in my memory. I found it. I lost it. I looked again.”
Federico Campagna, Prophetic Culture: Recreation for Adolescents

“Finally, we now have at our disposal a set of technologies that would be able to make most of human labour redundant. Instead of profiting from the ease allowed by a production devolved to machines, humans find themselves competing against technology and are thus forced to reduce their demands and expectations to the level of the machine. We try to work as much and as tirelessly as machines do, and by doing so we turn ourselves into second-rate production machines, never as efficient as the real ones.”
Federico Campagna, The Last Night: Anti-Work, Atheism, Adventure

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