THE FRENCH EXISTENTIALIST LOOKS PHENOMENONOLOGICALLY AT THE EMOTIONS
Jean-Paul Sartre (1905-1980) was a French existentialist philosopher, playwright, novelist, and political activist, who wrote many other books such as 'Being and Nothingness,' 'The Transcendence of the Ego,' 'Search for a Method', 'Critique of Dialectical Reason,' 'The Psychology of the Imagination,' 'Between Existentialism and Marxism,' etc.
[NOTE: page numbers below refer to the 94-page hardcover edition.]
He wrote in the Introduction to this 1939 book, “Applied to a particular example the study of the emotions, for example, what will the principles and the methods of the psychologist give us? First of all, our knowledge of the emotion will be added FROM WITHOUT to other knowledge about the physical being. The emotion will present itself as an irreducible novelty in relation to the phenomena of attention memory, perception, etc. You can, indeed, inspect these phenomena and the empirical notion of them we build following the psychologists; you can turn them about again and again as you please and you will not discover the slightest essential connection with emotion. All the same, the psychologist grants that man has emotions because experience teaches him so.” (Pg. 6-7)
He says, “The task of a phenomenologist, therefore, will be to study the signification of emotion. What are we to understand by that?... We shall not first lose ourselves in the study of physiological facts, precisely because, taken by themselves and in isolation, they signify almost nothing. They are---that’s all. But on the contrary, we shall try, by developing the signification of behavior and of the affected consciousness, to make explicit the thing which is signified.” (Pg. 16-17)
He summarizes, “We have now arrived… at a functional conception of anger. Anger is … an abrupt solution of a conflict… Being unable, in the state of high tension, the find the delicate and precise solution of a problem we act upon ourselves, we lower ourselves, and we transfer ourselves into the kind of being who is satisfied with crude and less well adapted solutions… Thus, anger appears here as an escape…” (Pg. 36-37) Later, he adds, “Therefore there is a single process, namely, transformation of form. But I cannot understand this transformation without first supposing consciousness, which, alone, by its synthetic activity, can break and reconstitute forms ceaselessly. It alone can account for the finality of emotion.” (Pg. 39-40)
He observes, “Insofar as consciousness MAKES ITSELF, it is never anything but what it appears to be. Therefore, if it possesses a signification it should contain it in itself as a structure of consciousness… we should not examine consciousness from without as one examines the traces of the fire or the encampment, but from within, that one should find signification IN IT. If the cogito is to be possible, consciousness is itself the FACT, the SIGNIFICATION, and the THING SIGNIFIED.” (Pg. 46) He continues, “a theory of emotions which insists on the signifying character of emotive facts should seek this signification in consciousness itself. In other words, it is consciousness which makes itself consciousness, being moved to do so by the needs of an inner signification.” (Pg. 48-49)
He says, “At present, we can conceive of what an emotion is. It is a transformation of the world. When the paths traced out become too difficult, or when we see no path, we can no longer live in so urgent and difficult a world. All the ways are barred. However, we must act. So we try to change the world, that is, to live as if the connection between things and their potentialities were not ruled by deterministic processes, but by magic… this attempt is not conscious of being such… Before anything else, it is the seizure of new connections and new exigencies. The seizure of an object being impossible or giving rise to a tension which cannot be sustained, consciousness simply seizes it or tries to seize it otherwise.” (Pg. 58-59) He continues, “In short, in emotion it is the body which, directed by consciousness, changes its relations with the world in order that the world may change its qualities.” (Pg. 61)
He contends, “Thus, the true meaning of fear is apparent; it is a consciousness which, through magical behavior, aims at denying an object of the external world, and which will go so far as to annihilate itself in order to annihilate the object with it… Sadness aims at eliminating the obligation to seek new ways, to transform the structure of the world by a totally undifferentiated structure… it is a question of making of the world an affectively neutral reality…” (Pg. 64-65)
He concludes, “the few examples we have just cited are far from exhausting the variety of emotions. There can be many other kinds of fear, many other kinds of sadness. We merely state that they all are tantamount to setting up a magical world by using the body as a means of incantation.” (Pg. 70)
He argues, “emotion is a phenomenon of belief. Consciousness does not limit itself to projecting affective signification upon the world around it. It LIVES the new world which it has just established… This signifies that when, with all paths blocked, consciousness precipitates itself into the magical world of emotion, it does so by degrading itself; it is a new consciousness facing the new world, and it establishes this new world with the deepest and most inward part of itself, with this point of view on the world present to itself without distance. The consciousness which is roused rather resembles the consciousness which is asleep… In other words, consciousness changes the body, or, if you like, the body---as a point of view on the universe immediately inherent in consciousness---puts itself on the level of behavior.” (Pg. 75-76)
He summarizes, “Thus the origin of emotion is a spontaneous and lived degradation of consciousness in the face of the world. What it cannot endure in one way it tries to grasp in another by going to sleep, by approaching the consciousness of sleep, dream, and hysteria. And the disturbance of the body is nothing other than the lived belief of consciousness, insofar as it is seen from the outside.” (Pg. 77) He concludes, “we hope that we have managed to show that a psychic fact like emotion, which is usually held to be a lawless disorder, has a proper signification and cannot be grasped in itself without the understanding of this signification.” (Pg. 92-93)
This relatively brief book is one of the studies which led up to Sartre’s major work, ‘Being and Nothingness.’ It will be of great interest to anyone studying Sartre and the development of his thought.