Pub 2015-01-01 412 Chinese People's Literature Publishing House. there is no truth. I do not know. but at the local. local time and local space. I think the so-called truth. it close to the truth. but because our culture subtle sex. although she is very clear. but the mouth often reluctant to say it as a writing man. I keep telling myself. so-called truth. do not say it is equal to lie ;-called truth. do not say it is equal to lie - Bi Feiyu 'teeth are the second criterion for testing truth is an in-depth writer Bi Feiyu and academics between ZHANG but open to talk about the main content of the talk is about. Bi Feiyu creative experience and reading history. oral history Bi Feiyu creative process. but also his creative experience of caring for a share. which recalled reading about the history of the writer. but also to show readers a teenage...
Bi Feiyu, born 1964 in Xinghua, Jiangsu, is a Chinese writer. He is a resident of Nanjing. His name, Feiyu, means "one who flies across the universe".
His works are known for their complex portrayal of the "female psyche." Feiyu's novel The Moon Opera (青衣), translated by Howard Goldblatt, was longlisted for the 2008 Independent Foreign Fiction Prize, while Three Sisters (玉米 ,玉秀,玉秧), also translated by Goldblatt, won the 2010 Man Asian Literary Prize. In China, his awards include twice winning the Lu Xun Literary Prize; and the 2011 Mao Dun Prize, the highest national literary award, for Massage. He also wrote the screenplay for Zhang Yimou's 1996 film Shanghai Triad.