A nostalgic collection of Norman Rockwell's scenes of twentieth century American life includes all of the Saturday Evening Post covers plus paintings, drawings, and graphics from every period of the artist's career--with many foldout pages.
Christopher Finch was born in Guernsey in the British Channel Islands, and now lives in Los Angeles. He is an artist and a photographer who has had one person shows in New York and California, and he is the author of almost thirty non-fiction books including the best sellers Rainbow: the Stormy Life of Judy Garland, The Art of Walt Disney, Jim Henson: the Works, and Norman Rockwell's America. Recently he has embarked on a series of noir-inflected mystery novels set in New York in the late 1960s and featuring the private investigator Alex Novalis. The first of these, Good Girl, Bad Girl, is to be published by Thomas & Mercer in 2013. These books draw on his own experiences in the New York art world at a time when today's SoHo was an urban wilderness with rats frolicking in the gutters and artists eking out a living in barren loft spaces. He is married to Linda Rosenkrantz, an author and a co-founder of the website Nameberry.
Sometimes "by a man's friends ye shall know him" is not at all correct. I've always felt I wasn't supposed to like NR and his often sentimental take on American life. Same people might disapprove of Garrison Keillor too. But I don't care about that, I love them both.
I grew up leafing through this fat book on long winter nights and was sad when my mother moved but didn't bequeath her copy into my eager possession. That's ok, because now I can check it out of the library! I have a special place in my heart for coffee table books about art. It is an actual mood that comes upon me. So I checked out four books this week and they were so thick and heavy altogether that I strained my shoulder hauling them out to the car. Note to self: ask hubby to carry the books back. Norman Rockwell is one of many illustrators I enjoy revisiting. His paintings tell stories. So while I did scan the written parts of this book, what I actually read was the pictures, their stories, their moods, and their often idealized statements about life in America.
I first became aware of his skill whilst viusiting the home of a Scouting friend in America. Norman Rockwell used to produce work for the Boy Scouts of America magazine - Boys Life and also for the BSA calendars. My friend had several of his pectures from these publications framed... they looked amazing.
It was upon my return to the UK that I ventured to look inti Rockwells artwork... and what a trove I came upon...
Rosie the Riveter, Four Freedoms, Saying Grace andBreaking Home Ties are amongst my favourites. I am no expert on art [paintings in particular] but I know what I like and I KNOW that this man was a great artist. [Someone with greater knowledge than I will probably talk me down, but I see something o Vremeer in his works].
I throw down a challenge to anyone unfamilliar with his works to do a search on the internet, look at his paintings and then say that they don't like his work.... they're simply awesome.
Often when some think of Norman Rockwell they picture illustration of an idealized America and sentimentality. Certainly, some of Rockwell’s work is like this; however, some provides deeper insights into American life and Americans, especially during and after World War II. Christopher Finch, in this really very nice volume first published in the Seventies when Rockwell was living, and by the Reader’s Digest, the very epitome of Americana, focuses on Rockwell’s Saturday Evening Post magazine covers from his first for the October 27, 1917, issue to his last on the December 14, 1963, issue (a portrait of John F. Kennedy, recently assassinated).
The large format book provides a broad perspective on Rockwell’s work, concentrating on his Post illustrations, with Finch to not only analyzing various and many of Rockwell’s best known pictures but also tracing and highlighting how Rockwell’s art changed over the years, from idealistic and romantic to more realistic and naturalistic. It’s an enlightening journey, particularly for those who have a one-dimensional view of Rockwell, and perhaps negative at that. Whatever your impressions of Rockwell, after reading and perusing this volume you will gain a new, maybe better, impression of the man, and with this another way of looking at America in the 20th century.
Finch organizes Rockwell’s cover art into these categories: Growing Up in America; Young Love; Home and Family; Growing Old in America; The American Past in Fact and Fiction; Democracy; Americans in Uniform; Americans at Work; The Sporting Life; An American Portrait Gallery; and Christmas. You’ll find the collection contains illustrations you’ve probably seen over the years, here presented in many color plates of decent quality, accompanied by Finch commentary. The back of the book contains small reproductions of every Post cover illustrated by Rockwell from first to last.
For a different and sometimes controversial perspective on Rockwell, the man and his work, you might also find Deborah Solomon’s American Mirror: The Life and Art of Norman Rockwell of interest. In addition to Rockwell’s work, Solomon probes much more deeply into Rockwell’s psyche, including his sexuality, and how it may have influenced his work.
Nice collection. No scout pictures. Good choices for color prints in the book, but I really need "The War Hero" done big and in color. It appears on page 199 in small b&w, then again at the end of the book in the collection of all of the post covers - again in small b&w. Nice index in the back that has them arranged by category (advertisements, calendars, magazine covers), and arranged within these categories by date. The collection of post covers at the end of the book number 321 small prints with all the dates labeled and in order. I have another Rockwell book that I will read soon that is strictly the post covers. Anxious to read that one. I'd really give this book a 4.5
Finch takes a chronological journey through Rockwell’s development as an artist. Finch is mostly a fan of Rockwell’s art, but he is willing to point out where Rockwell falls short at different times during his career. The end of the book contains small, black and white reproductions of every Saturday Evening Post cover Rockwell painted. This makes for an interesting side-by-side comparison. If you enjoy Rockwell’s work this book should bring a smile to your face.
I love coffee-table books. I especially love those that focus on art. Norman Rockwell’s work has always brought me joy. I started to read this, but it didn’t hold my interest, so I chose to skip that, and just enjoy his illustrations.
“Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative. We find that it is not a new scene which is needed, but a new viewpoint.” ― Norman Rockwell
I bought this wonderful coffee table book at a used book store 30+ years ago for $5 and always smile when I occasionally peruse it. I admire how Norman Rockwell captured the nostalgia and charm of America’s past with his Americana art.
This is a very good study into how and what Norman Rockwell paints. And it goes into illustrations other than just Saturday Evening Post covers. (Although all his saturday evening post covers are shown, 9 top a page, in b&w, in the back of the book. I read the first 2/3rds of this book, but after that, started to skim. By then, you know what he was painting and why generally, and although the chapters/categories of what he was painting changed, you started to get so bored reading the details of a majority of his painting and just wanted to look at the paintings themselves more. It was confusing early on when he'd be refurring to a painting/drawing (fig. 81, for example) and you'd have to flip around until you found the item he was discussing several pages away. That happened ALOT! and got annoying quickly. I'd recommend it for fans of Norman Rockwell or art history students but it goes too in depth for your average reader.
I love Norman Rockwell. In fact we named named our 7th son bears the name of Rockwell partially in honor of him. To me Norman Rockwell painting have optimism, love of family, love of country, love of God. He is able to see and show the goodness of every age from infant to old age. I love the humor and understanding his paintings have.
After visiting the Norman Rockwell museum in Stockbridge, Massachusetts, I just can't get enough of this artist... his talent (beginning at such a young age), and vision of "his time" America is what we all want for ourselves and our children.
Norman Rockwell still inspires me to this day. There was a recent exhibition at Union Station in Kansas City that I went to and had the chance to see some of his originals.
Nostalgia in a book for anyone old enough to remember. I bought this book because we lived in Stockbridge for eighteen years. I used to see Norman Rockwell riding around town on his bike.