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Opere: Con l'Autografia di un ritratto
Indefinibile per principio, la vita e l'opera di Carmelo Bene trova in questa raccolta, secondo le stesse parole dell'attore-autore, la sua espressione compiuta. Dall'autobiografismo di "Sono apparso alla Madonna" ai testi polisenso di "Lorenzaccio", "Nostra Signora dei Turchi", "Otello", "Pentesilea", "Hamlet Suite", si compone qui il monumento dell'anti-teatro italiano.
Questo volume contiene:
Autografia d’un ritratto
LORENZACCIO
NOSTRA SIGNORA DEI TURCHI
CREDITO ITALIANO V.E.R.D.I.
da L’ORECCHIO MANCANTE
S.A.D.E.
RITRATTO DI SIGNORA
GIUSEPPE DESA DA COPERTINO
PINOCCHIO e PROPOSTE PER IL TEATRO
ARDEN OF FEVERSHAM
IL ROSA E IL NERO
RICCARDO III
OTELLO
MANFRED
EGMONT
da LA VOCE DI NARCISO
SONO APPARSO ALLA MADONNA
MACBETH
da L’ADELCHI
LORENZACCIO da A. de Musset
LA RICERCA TEATRALE NELLA RAPPRESENTAZIONE DI STATO
PENTESILEA
HAMLET SUITE
Fortuna critica e riferimenti bibliografici
Questo volume contiene:
Autografia d’un ritratto
LORENZACCIO
NOSTRA SIGNORA DEI TURCHI
CREDITO ITALIANO V.E.R.D.I.
da L’ORECCHIO MANCANTE
S.A.D.E.
RITRATTO DI SIGNORA
GIUSEPPE DESA DA COPERTINO
PINOCCHIO e PROPOSTE PER IL TEATRO
ARDEN OF FEVERSHAM
IL ROSA E IL NERO
RICCARDO III
OTELLO
MANFRED
EGMONT
da LA VOCE DI NARCISO
SONO APPARSO ALLA MADONNA
MACBETH
da L’ADELCHI
LORENZACCIO da A. de Musset
LA RICERCA TEATRALE NELLA RAPPRESENTAZIONE DI STATO
PENTESILEA
HAMLET SUITE
Fortuna critica e riferimenti bibliografici
1560 pages, Paperback
First published January 1, 1995
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About the author
Carmelo Bene
42 books9 followersCarmelo Pompilio Realino Antonio Bene, known as Carmelo Bene (1 September 1937 – 16 March 2002) was an Italian actor, poet, film director and screenwriter. He was one of the greatest figures in Italian avant-garde culture.
Also famous for his eccentric behaviour and for mocking the Italian theatre tradition, he took to the extreme the concept of Artaud's Theatre of Cruelty. His first work was the italian version of Caligula, requested to his friend Albert Camus in 1959. Some of his dramatic works were interrupted by police for his supposed blasphemous and outrageous contents, as his play Cristo '63 (Christ '63).
He was also a filmaker, but claimed to have little sympathy for almost all the film-making made after Buster Keaton and Sergei Eisenstein, all his movies were higly criticized by the time of their release for their unusual and cryptic mise-en-scène but gained cult following in the following years.
He often collaborated with french philosopher Gilles Deleuze, writer Pierre Klossowski, italian critic Enrico Ghezzi and many more.
Also famous for his eccentric behaviour and for mocking the Italian theatre tradition, he took to the extreme the concept of Artaud's Theatre of Cruelty. His first work was the italian version of Caligula, requested to his friend Albert Camus in 1959. Some of his dramatic works were interrupted by police for his supposed blasphemous and outrageous contents, as his play Cristo '63 (Christ '63).
He was also a filmaker, but claimed to have little sympathy for almost all the film-making made after Buster Keaton and Sergei Eisenstein, all his movies were higly criticized by the time of their release for their unusual and cryptic mise-en-scène but gained cult following in the following years.
He often collaborated with french philosopher Gilles Deleuze, writer Pierre Klossowski, italian critic Enrico Ghezzi and many more.
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Displaying 1 - 2 of 2 reviews
January 12, 2014
il libro più difficile della mia esistenza.
June 19, 2023
Nessuno è come lui, capolavoro mancato, anzi capolavoro e mancato, del teatro e non solo. Tutte le sue grandi innovazioni, dalla scrittura di scena alla macchina attoriale, come amplificazione fonica di un genio che non è mai esistito perché fu abortito in terra d'Otranto.
Displaying 1 - 2 of 2 reviews