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Graffiti #4
Graffiti 4
Old, new, borrowed and blue! Graffiti 4 includes special sections devoted to the work of graffiti-writers in Australia, New Zealand and old Pompei, as well as the usual British and American gems. It' rude, irreverent and uproariously funny.
- GenresHumor
144 pages, Paperback
First published January 1, 1982
About the author
Nigel Rees
137 books9 followersNigel Rees is an English author and presenter, best known for devising and hosting the Radio 4 long running panel game Quote... Unquote (since 1976) and as the author of more than fifty books – reference, humour and fiction.
He went to the Merchant Taylors' School, Crosby, and then took a degree in English at New College, Oxford (where he was a Trevelyan Scholar and took a leading role in the Oxford University Broadcasting Society). He went straight into television with Granada in Manchester and made his first TV appearances on local programmes in 1967 before moving to London as a freelance. He worked for ITN’s News at Ten as a reporter before becoming involved in a wide range of programmes for BBC Radio as reporter and producer.
In 1971, he turned to presenting. He introduced the BBC World Service current affairs magazine Twenty Four Hours nearly a thousand times between 1972 and 1979. From 1973 to 1975 he was also a regular presenter of Radio 4’s arts magazine Kaleidoscope. From 1976 to 1978 he was the founder presenter of Radio 4’s newspaper review Between the Lines and, from 1984 to 1986, Stop Press.
By way of contrast he kept up the revue acting he had started at Oxford by appearing for five years in Radio 4’s topical comedy show Week Ending... and then in five series of the cult comedy The Burkiss Way. Comedy appearances have also included Harry Enfield and Chums on BBC TV.
When he was 32, in 1976, he became the youngest ever regular presenter of Radio 4’s Today programme and had two years of early mornings with Brian Redhead before leaving in May 1978 at the time of his marriage to Sue Bates, a marketing executive. The other reason was the increasing success of Quote... Unquote, his quiz anthology on Radio 4, then in its third series. By 1978 it was also time for the first Quote... Unquote book. This gave rise to a whole series under various titles and devoted to aspects of the English language and especially the humour that derives from it. One of his five graffiti collections was a No. 1 paperback bestseller in the UK.
His reference books include the Cassell’s Movie Quotations, Cassell’s Humorous Quotations, A Word In Your Shell-Like and Brewer's Famous Quotations. Since 1992, he has published and edited The Quote... Unquote Newsletter, a quarterly journal (now distributed electronically) and devoted to the origins and use of well-known quotations, phrases and sayings.
For 18 years he was a regular guest in Dictionary Corner on Channel 4's Countdown. He is a recent past President of the Johnson Society (Lichfield) and was described in The Spectator (16 December 2006) as: "Britain's most popular lexicographer – the lineal successor to Eric Partridge and, like him, he makes etymology fun."
He went to the Merchant Taylors' School, Crosby, and then took a degree in English at New College, Oxford (where he was a Trevelyan Scholar and took a leading role in the Oxford University Broadcasting Society). He went straight into television with Granada in Manchester and made his first TV appearances on local programmes in 1967 before moving to London as a freelance. He worked for ITN’s News at Ten as a reporter before becoming involved in a wide range of programmes for BBC Radio as reporter and producer.
In 1971, he turned to presenting. He introduced the BBC World Service current affairs magazine Twenty Four Hours nearly a thousand times between 1972 and 1979. From 1973 to 1975 he was also a regular presenter of Radio 4’s arts magazine Kaleidoscope. From 1976 to 1978 he was the founder presenter of Radio 4’s newspaper review Between the Lines and, from 1984 to 1986, Stop Press.
By way of contrast he kept up the revue acting he had started at Oxford by appearing for five years in Radio 4’s topical comedy show Week Ending... and then in five series of the cult comedy The Burkiss Way. Comedy appearances have also included Harry Enfield and Chums on BBC TV.
When he was 32, in 1976, he became the youngest ever regular presenter of Radio 4’s Today programme and had two years of early mornings with Brian Redhead before leaving in May 1978 at the time of his marriage to Sue Bates, a marketing executive. The other reason was the increasing success of Quote... Unquote, his quiz anthology on Radio 4, then in its third series. By 1978 it was also time for the first Quote... Unquote book. This gave rise to a whole series under various titles and devoted to aspects of the English language and especially the humour that derives from it. One of his five graffiti collections was a No. 1 paperback bestseller in the UK.
His reference books include the Cassell’s Movie Quotations, Cassell’s Humorous Quotations, A Word In Your Shell-Like and Brewer's Famous Quotations. Since 1992, he has published and edited The Quote... Unquote Newsletter, a quarterly journal (now distributed electronically) and devoted to the origins and use of well-known quotations, phrases and sayings.
For 18 years he was a regular guest in Dictionary Corner on Channel 4's Countdown. He is a recent past President of the Johnson Society (Lichfield) and was described in The Spectator (16 December 2006) as: "Britain's most popular lexicographer – the lineal successor to Eric Partridge and, like him, he makes etymology fun."
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Displaying 1 of 1 review
November 21, 2015
Reading this book now is like reading a little slice of history. It was published in 1982, when people didn’t have facebook or Twitter on which to share their wit, wisdom or opinions, and so had to use public walls instead. As well as graffiti seen on walls, Rees discusses an Australian group who write clever slogans on advertising hoardings. This reminded me of the complaints about advertising on the London underground this summer suggesting women become beach body ready. You could buy this book and recycle some of it as facebook statuses. I don’t think graffti is going to die out, I think it’s being added to and becoming electronic as well as wall based, but instead of collected books of it, it’s probably now more likely to be collected on a blog. This was a very entertaining read, with clever and childish graffiti in equal measure.
Displaying 1 of 1 review