Superficial and containing characters rather obsessed with things that do not interest me at all (fame, celebrity, fashion in consumer terms rather than artistic), this was nevertheless surprisingly engaging. I had very little sympathy with the ambitious and shallow aims of the main characters, which seemed to revolve around leading a clique, being noticed and attaining access to the celebrity elite, but a particular character's dilemma (that her parents could not afford the things her privileged future friends could) actually managed to move me a little.
There were highs and lows for all the characters and despite not being anything like them, I couldn't help but care, which attests to Harrison's ability to get inside her characters' heads. Nevertheless, when the aforementioned 'poor' character (Kristen) faced adversity, her response was to cry until the power of narrative made it all alright again. I must admit that I rather liked Dylan, the tomboy daughter of an Oprah-like celebrity, but I found Massie thoroughly unengaging and arrogant, and Claire was deeply annoying (something I suspect was deliberate). Alicia I found sympathetic in her desire to be noticed as a dancer and seeing the 'New Year's Yves' party as her one shot at the big time, but her slightly spiteful narration meant I disliked her at the same time.
I can't really level the usual complaints at this book: it was a short prequel to the rest of the series and presumably means a lot more if you know the context of it, but none of the characters really learned anything or changed. I suppose it must be a lot more difficult to provide an arc for the prequel, like writing only the first half of an 'origins' superhero film. Still, it is enjoyable and I am curious to try the rest of the series.