If you come to this novel after reading other of Steinke's work, as I have, it'll seem like pretty tame stuff. This is not a criticism, as this is a very fine novel, but Up Through the Water is a sea change from some of Steinke's other novels, such as Suicide Blonde and Jesus Saves, gut-wrenching works awash in suffering and salvation.
In any case, this is a novel about summer love on Ocracoke Island, on the Outer Banks of NC--well, it's more than that, but that's the drift. In some ways it's a dual-directed work, a coming-of-age story of two teenagers (Eddie and Lila), and a having-come-of-age story of Eddie's mother and her two lovers at the time of the novel (there are many in the past). The focus, not surprisingly, is on desire and the ways that people strive to keep it alive (and under control, so that it doesn't push toward destruction) in their lives. Not a problem for the youngsters, at least in keeping it alive, more so for the adults. The novel swirls around the various pairs, as they navigate through summer days and nights, intersecting for a while and then swinging apart.
One of my favorite scenes is when the Lila gets the news that she is not pregnant: she jumps up and down wildly on a motel bed, telling Eddie, "We're young. And we're free." Hmm. Maybe for the moment, but as in so much Southern literature, the claim that someone is free typically prepares the way for a more complex understanding of culture, identity, and history, lessons learned only after some piercing comeuppances if not downright suffering.