Michael Ledwidge's The Narrowback introduces us to three Irish American men in New York City who have each endured hardship and privation, but who have also developed into very different people. Francis McCarry is the first of his family to go to college and is ruthlessly climbing the ladder at the FBI. Patrick Ryan is a carpenter, but also a Vietnam vet and a former sniper for the IRA during The Troubles in Belfast. And Tom Farrell is a small time criminal who has never had any kind of luck other than bad.
It is Farrell who sets things in motion, leading a crew on a heist of a luxury hotel in Manhattan. Everything goes according to plan until a man named Durkin - a hasty addition to the team - tries to murder the rest after the robbery. Farrell kills him, however, and the men are off to fence a haul of uncut diamonds to the Albanian mob before splitting up. Things don't go well, however, when the Albanians try to rip off Tom and his partners. Farrell bloodies the family godfather, and escapes with both cash and the diamonds.
This victory is short-lived - the Albanians are soon hot on Farrell's trail, and worse, so is the IRA, for Durkin turns out to have been an operative "fundraising" for the Irish movement, and his disappearance has been noted. Now, McCarry and the FBI are circling the Irish American underground, Patrick Ryan has been called in to avenge Durkin's death, and Farrell is circling the drain in a haze of alcohol, drugs, and rage, torn between running for his life and taking revenge for friends killed as the body counts climbs.
Ledwidge writes compellingly, with sharp, incisive dialog and a fast-moving, violent plot. The characters are well-drawn, and each of the main figures is three-dimensional, and even darkly sympathetic. Morality is flexible for these men, but at the end, they all have a code to which they adhere, and The Narrowback is top-flight modern noir.