I read this book because sometimes I have trouble sleeping and need a short fluff romance novel to tire myself out. It certainly didn't hurt that it was available as a free download in the kindle store! I have to say, though, that it was an entertaining story, and I found that I couldn't stop reading. It is worth noting that this book is the second in a series, and there are enough mentions of other characters to cause a little confusion for the reader.
First, for the bad news: Our hero, Theodore, is terribly immature. His big brother Terrance has been disinherited for his actions in a previous novel, and Theo is bent on getting his brother back as the heir...by getting himself cut off. Does he have a plan for what he's going to do with himself when he no longer has an income? Nope. He just can't be bothered to think ahead to what the consequences of his actions will be, and how they will impact the people beyond him. Although the story wraps up neatly with his HEA, it bothers me that he's so childish. But Theo's attitudes also feel real: the landed gentry during this period tended to be a privileged class who didn't always take into consideration those they considered beneath them socially. Part of his character development involves becoming a better human being in general and overcoming the limitations of his class bias. It still feels like he's a jerk, but it makes sense within the attitudes of the period.
But for the good news: There's some juicy good historical stuff in here if, like me, you like literature with a capital "L". The book's heroine, Molly, grew up in India with her military father, and is sent back to England after her parents die from cholera, like Frances Hodgson Burnett's Mary Lennox in The Secret Garden. Nobody meets her boat, so the 12 year-old is presumed to be unwanted and sent to the workhouse, and then into service. Theo's eventual discovery that Molly is a cook and not a high-priced courtesan makes another social commentary about the stratification of society in England during the Regency. Many Regency romances are almost Austenian in their focus on the small country house and women who are barely mobile, so I love that our heroine has experiences that develop her character and aid her problem solving. For all her fictional poverty she rises above the typical vapid heroine and, eventually, so does her hero, due in no small part to the reality checks she provides.
All in all, this book was an enjoyable read. This Kindle edition suffers because of some unfortunate spelling and word use issues (I never understand why this happens in a digital edition!) and this is part of the reason why I have rated this book at three stars. I also wish (boy howdy do I wish!) there had been a little epilogue; the story wraps up far too quickly! But since there is another book that follows featuring the unrepentant Terrance, I might yet find out how Molly and Theo's HEA turns out. Sneaky, Shannon Donnelly. Your eeeevil plan involving a free book has worked!