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The Arrow Chest
Victorian Gothic blends with ghostly glimspses of Tudor history in this fabulous tale of love and destiny
London, 1876. The painter Amos Roselli is in love with his life-long friend and model, the beautiful Daphne - and she with him - until one day she is discovered by another man, a powerful and wealthy industrialist. What will happen when Daphne realises she has sacrificed her happiness to a loveless marriage? What will happen when the artist realises he has lost his most cherished source of inspiration? And how will they negotiate the ever-increasing frequency of strange and bizarre events that seem to be driving them relentlessly towards self-destruction.
Here, amid the extravagant Neo-Gothic culture of Victorian England, the iconic poem ‘The Lady of Shalott’ blends with mysterious and ghostly glimpses of Tudor history. Romantic, atmospheric and deeply dark.
London, 1876. The painter Amos Roselli is in love with his life-long friend and model, the beautiful Daphne - and she with him - until one day she is discovered by another man, a powerful and wealthy industrialist. What will happen when Daphne realises she has sacrificed her happiness to a loveless marriage? What will happen when the artist realises he has lost his most cherished source of inspiration? And how will they negotiate the ever-increasing frequency of strange and bizarre events that seem to be driving them relentlessly towards self-destruction.
Here, amid the extravagant Neo-Gothic culture of Victorian England, the iconic poem ‘The Lady of Shalott’ blends with mysterious and ghostly glimpses of Tudor history. Romantic, atmospheric and deeply dark.
342 pages, Paperback
First published January 1, 2011
4 people are currently reading
1780 people want to read
About the author
Robert Stephen Parry
21 books148 followersRobert Stephen Parry is a UK writer of adult historical fiction, bringing you stories from a wide range of time periods - from Tudor & Elizabethan, through 18th-century Georgian, right up to the era of Victorian England and the Belle Époque. Well-researched and vivid historical settings combine with unusual elements of mystery, humour and romance.
On a lighter note, he has also worked with the distinguished Avian writer A.Robin, Esq. in providing illustrations for the book 'The Magnificent British Garden Robin' and, more recently, 'The Robin Almanac' and 'A Robin's Book of Garden Verse'.
For more, visit: robertstephenparry.com
Publications to date:
2019 QUEEN VICTORIA - and the Men who Loved Her
2016 THE TESTAMENT OF SOPHIE DAWES - The Queen of Chantilly and a Scandal at the Heart of Victorian Society
2015 THE HOURS BEFORE - A Story of Mystery and Suspense from the Belle Époque
2014 ELIZABETH - The Virgin Queen and the Men who Loved Her
2013 WILDISH- A story Concerning Different Kinds of Love
2011 THE ARROW CHEST - A Victorian Mystery
2009 VIRGIN AND THE CRAB - Sketches, Fables and Mysteries from the Early Life of John Dee and Elizabeth Tudor
Web: https://robertstephenparry.com
Also, various articles and blogposts by Robert Stephen Parry can be found at https://robertstephenparry.com/endymion/
On a lighter note, he has also worked with the distinguished Avian writer A.Robin, Esq. in providing illustrations for the book 'The Magnificent British Garden Robin' and, more recently, 'The Robin Almanac' and 'A Robin's Book of Garden Verse'.
For more, visit: robertstephenparry.com
Publications to date:
2019 QUEEN VICTORIA - and the Men who Loved Her
2016 THE TESTAMENT OF SOPHIE DAWES - The Queen of Chantilly and a Scandal at the Heart of Victorian Society
2015 THE HOURS BEFORE - A Story of Mystery and Suspense from the Belle Époque
2014 ELIZABETH - The Virgin Queen and the Men who Loved Her
2013 WILDISH- A story Concerning Different Kinds of Love
2011 THE ARROW CHEST - A Victorian Mystery
2009 VIRGIN AND THE CRAB - Sketches, Fables and Mysteries from the Early Life of John Dee and Elizabeth Tudor
Web: https://robertstephenparry.com
Also, various articles and blogposts by Robert Stephen Parry can be found at https://robertstephenparry.com/endymion/
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Displaying 1 - 27 of 27 reviews
May 23, 2011
London, 1876. The painter Amos Roselli is in love with his life-long friend and model, the beautiful Daphne – and she with him – until one day she is discovered by another man, a powerful and wealthy industrialist. What will happen when Daphne realises she has sacrificed her happiness to a loveless marriage? What will happen when the artist realises he has lost his most cherished source of inspiration? And how will they negotiate the ever-increasing frequency of strange and bizarre events that seem to be driving them inexorably towards self-destruction? Here, amid the extravagant Neo-Gothic culture of Victorian England, the iconic poem ‘The Lady of Shallot’ blends with mysterious and ghostly glimpses of Tudor history. Romantic, atmospheric and deeply dark.
Having read and absolutely loved Robert Parry’s debut novel, The Virgin and the Crab, I was greatly looking forward to reading The Arrow Chest to see if once again, I might be taken on an enthralling journey. I am very happy to share that I was not left disappointed!
Those who have read my reviews before know that I don’t like to retell the events in great detail as I feel this detracts from the experience of reading the story. What I like to do is describe my response to what I have read.
A little background although is required. The story, for the most part, is set in Victorian England, although, to my delight, Parry offers up haunting glimpses of Tudor England.
The tale revolves around three main characters, Amos Roselli, a painter, Daphne, his muse and life long friend and her husband, Oliver Ramsey, a wealthy industrialist.
Amos is a passionate artist, Daphne intelligent and magnetic, and her husband a despicable tyrant who becomes increasingly repulsive as time passes.
Sound like anyone you know?
Another character worthy of mention is Beth, Roselli’s maid. I felt incredibly drawn to Beth, to her loyalty, humility and sincerity. She brought light and hope to even the darkest moments.
As for the beautiful Daphne, she marries Oliver Ramsey for the possibilities that life with a wealthy, powerful and influential man might present. His larger than life and haughty exterior at first seem fairly innocent, but as the story progresses, reveal a dangerous and ruthless individual—one who expects his wife to acquiesce to his every demand while turning a blind eye to his extra marital ‘sport.’ Ramsey also becomes progressively more violent and impatient for an heir…
Throughout the story, parallels between the Victorian characters and their 16th century counterparts become increasingly obvious. I enjoyed hypothesising about which Tudor personages Robert Parry might have used as inspiration when writing.
Parry weaves a spectacular tale, one that emerges from the pages through its complex and evolving characters, attention to detail and vivid storytelling.
Ghostly conversations, the appearance – and disappearance – of a mysterious woman, strange and puzzling dreams and an ever-increasing sequence of bizarre events shroud this tale in a haunting mist.
Does the ending mirror that of Anne Boleyn’s own tragic and unjust demise or does this tale have a happier conclusion? You will have to read it to find out!
In my opinion, a success.
Having read and absolutely loved Robert Parry’s debut novel, The Virgin and the Crab, I was greatly looking forward to reading The Arrow Chest to see if once again, I might be taken on an enthralling journey. I am very happy to share that I was not left disappointed!
Those who have read my reviews before know that I don’t like to retell the events in great detail as I feel this detracts from the experience of reading the story. What I like to do is describe my response to what I have read.
A little background although is required. The story, for the most part, is set in Victorian England, although, to my delight, Parry offers up haunting glimpses of Tudor England.
The tale revolves around three main characters, Amos Roselli, a painter, Daphne, his muse and life long friend and her husband, Oliver Ramsey, a wealthy industrialist.
Amos is a passionate artist, Daphne intelligent and magnetic, and her husband a despicable tyrant who becomes increasingly repulsive as time passes.
Sound like anyone you know?
Another character worthy of mention is Beth, Roselli’s maid. I felt incredibly drawn to Beth, to her loyalty, humility and sincerity. She brought light and hope to even the darkest moments.
As for the beautiful Daphne, she marries Oliver Ramsey for the possibilities that life with a wealthy, powerful and influential man might present. His larger than life and haughty exterior at first seem fairly innocent, but as the story progresses, reveal a dangerous and ruthless individual—one who expects his wife to acquiesce to his every demand while turning a blind eye to his extra marital ‘sport.’ Ramsey also becomes progressively more violent and impatient for an heir…
Throughout the story, parallels between the Victorian characters and their 16th century counterparts become increasingly obvious. I enjoyed hypothesising about which Tudor personages Robert Parry might have used as inspiration when writing.
Parry weaves a spectacular tale, one that emerges from the pages through its complex and evolving characters, attention to detail and vivid storytelling.
Ghostly conversations, the appearance – and disappearance – of a mysterious woman, strange and puzzling dreams and an ever-increasing sequence of bizarre events shroud this tale in a haunting mist.
Does the ending mirror that of Anne Boleyn’s own tragic and unjust demise or does this tale have a happier conclusion? You will have to read it to find out!
In my opinion, a success.
April 9, 2012
I had read -- and loved -- Mr. Parry's 'Virgin and the Crab' and was uncertain what I would get from this novel (despite all of the praise). Any uncertainty on my part was not necessary, because again, Parry has spun an incredible story which still manages to work the Tudors into his tale. I'll also admit that I don't normally care for second-person POV as many writers are barely adept at writing in first and third person; Parry is the exception as he is able to maintain it without slipping into another POV (as often happens), so for that alone he gets a thumbs-up from me.
As others have mentioned, the story has characters whose lives seems to parallel (in some ways) the relationship of Henry VIII and his second wife, Anne Boleyn, as well as Anne's friendship with poet Thomas Wyatt, only the story has been updated to 19th century England. Wyatt is now Amos, up and coming artist, and the Anne of the novel is Daphne, a great beauty who, once upon a time, was his model -- and remains his inspiration; she is now married to a wealthy industrialist -- bombastic, sometimes crass, and growing increasingly obese with every passing day, a man whose first wife failed to give him a male heir. Other Tudor personalities are hinted at as well: George Boleyn, Anne's brother and his wife, the infamous Jane; Thomas Cromwell...and while none are the out and out duplicates of the historical individuals they represent, it's still fascinating to see how Parry handles them.
And then there is Anne Boleyn herself, who occasionally makes cameo appearances -- or does she? After all, it begins when Amos is asked to draw what are believed to be the Queen's remains when her burial place at St. Peter ad Vincula is excavated and refurbished. Whether the manifestations are the overactive imagination of a pre-Raphaelite artist or reality -- well, that's for the reader to decide. What Parry spins is an incredible plot which is so visual and descriptive, that not a single word is wasted; he builds a breathtaking atmosphere of lives we learn to like and love -- and some not so much, people who want to be in control of their destinies, but often don't seem to be as the parallels between Henry and Anne Boleyn and those who rotated about them appear to be rushing headlong into unavoidable tragedy.
A definite read for Tudor fans and lovers of historical romance.
As others have mentioned, the story has characters whose lives seems to parallel (in some ways) the relationship of Henry VIII and his second wife, Anne Boleyn, as well as Anne's friendship with poet Thomas Wyatt, only the story has been updated to 19th century England. Wyatt is now Amos, up and coming artist, and the Anne of the novel is Daphne, a great beauty who, once upon a time, was his model -- and remains his inspiration; she is now married to a wealthy industrialist -- bombastic, sometimes crass, and growing increasingly obese with every passing day, a man whose first wife failed to give him a male heir. Other Tudor personalities are hinted at as well: George Boleyn, Anne's brother and his wife, the infamous Jane; Thomas Cromwell...and while none are the out and out duplicates of the historical individuals they represent, it's still fascinating to see how Parry handles them.
And then there is Anne Boleyn herself, who occasionally makes cameo appearances -- or does she? After all, it begins when Amos is asked to draw what are believed to be the Queen's remains when her burial place at St. Peter ad Vincula is excavated and refurbished. Whether the manifestations are the overactive imagination of a pre-Raphaelite artist or reality -- well, that's for the reader to decide. What Parry spins is an incredible plot which is so visual and descriptive, that not a single word is wasted; he builds a breathtaking atmosphere of lives we learn to like and love -- and some not so much, people who want to be in control of their destinies, but often don't seem to be as the parallels between Henry and Anne Boleyn and those who rotated about them appear to be rushing headlong into unavoidable tragedy.
A definite read for Tudor fans and lovers of historical romance.
April 26, 2011
I just finished this book about 5 minutes ago and I am already wanting more! I did not want it to end! This is the first book I have read by Robert Parry, and I can promise that it will not be the last. From the very first page, I was in awe! Robert Parry has managed to write a Victorian Gothic story in the 21st century that rivals many of the great authors of the 19th century. It is very beautifully written. If I did not know better, I would never have suspected that it was not written in the Victorian era.
This story is an intermingling of the Victorian Era and the 16th century tragedy of Anne Boleyn. How is that possible? Well, you need to read it to find out! It starts out with the discovery of Anne Boleyn's bones under the floor of a church along with an arrow chest. From there the story consists of the weaving of the two centuries together. Had I not read the book, I would not have thought it could be done. It seems an impossible combination, but, Robert Parry has managed to combine my two favorite genre's together, Victorian gothic and historical fiction. So, I am giving this my couldn't put it down rating and adding to that, because I will be reading more of Robert Parry's work!
Please visit my blog for the entire review http://www.booktalkswithcharla.blogsp...
This story is an intermingling of the Victorian Era and the 16th century tragedy of Anne Boleyn. How is that possible? Well, you need to read it to find out! It starts out with the discovery of Anne Boleyn's bones under the floor of a church along with an arrow chest. From there the story consists of the weaving of the two centuries together. Had I not read the book, I would not have thought it could be done. It seems an impossible combination, but, Robert Parry has managed to combine my two favorite genre's together, Victorian gothic and historical fiction. So, I am giving this my couldn't put it down rating and adding to that, because I will be reading more of Robert Parry's work!
Please visit my blog for the entire review http://www.booktalkswithcharla.blogsp...
September 8, 2023
How wonderful to have discovered Robert Parry with his other-worldly literary voice. I loved this and gobbled this up, staying awake til the wee hours of the morning until - alas, this afternoon, I've finished it. Amos Roselli is a starving artist - a painter, in a similar vein to Dante Gabriel Rosetti. His muse and childhood friend, Daphne is the 2nd wife of a boorish quasi-peer in the munitions industry, obsessed with having an heir. There's Beth - the patient young housemaid to Amos. And then there are the ghosts -- real and imagined and the parallel to Anne Boleyn and her husband, King Hal. How will this all end? Ah, you'll have to read it yourself because this is as far as I go in a poor re-telling of the tale.
Suffice it to say that the setting and landscape become characters, moody and painterly in description. The characters in this mysterious tale are real and yet also painterly. In fact, the whole novel unfolds like a painting. Dark, light, brooding ... in some ways in a similar style to Wuthering Heights. I kept thinking of Wuthering Heights the whole time I was reading this.
Anyway -- read this. If you enjoyed "The Virgin and the Crab" this will not disappoint! I hope I don't have to wait too long for the next Robert Parry!
Suffice it to say that the setting and landscape become characters, moody and painterly in description. The characters in this mysterious tale are real and yet also painterly. In fact, the whole novel unfolds like a painting. Dark, light, brooding ... in some ways in a similar style to Wuthering Heights. I kept thinking of Wuthering Heights the whole time I was reading this.
Anyway -- read this. If you enjoyed "The Virgin and the Crab" this will not disappoint! I hope I don't have to wait too long for the next Robert Parry!
October 31, 2013
I knew Robert was a gifted historical author upon reading his first novel, Virgin and the Crab. He graciously sent me a copy of The Arrow Chest to read and review and it too me eons to get around to it. Well, I hosted a lovely event at Castle Macabre in last month, Gothic September, and The Arrow Chest read-a-long was the star of the show. I am so glad I finally got around to reading it. I feel it would be a shame for anyone to miss out on reading this wonderful book.
If you have any love for the Tudors, you will enjoy this book because Robert takes his 19th century characters and creates them at a parallel with such illustrious Tudor figures as Henry VIII, Anne Boleyn, Elizabeth I, Cromwell, Thomas Wyatt (the poet) and Jane Parker Boleyn. Mix this element with a genuine Gothic feel with the settings and ghosts and this book is a delight to read.
Read the rest at my blog: http://thetruebookaddict.blogspot.com...
If you have any love for the Tudors, you will enjoy this book because Robert takes his 19th century characters and creates them at a parallel with such illustrious Tudor figures as Henry VIII, Anne Boleyn, Elizabeth I, Cromwell, Thomas Wyatt (the poet) and Jane Parker Boleyn. Mix this element with a genuine Gothic feel with the settings and ghosts and this book is a delight to read.
Read the rest at my blog: http://thetruebookaddict.blogspot.com...
June 30, 2012
I was watching "Dark Shadows" reruns and I remembered how much I loved the Gothic suspense and the feeling of being scared but not too grossed out like a lot of today's movies do with special effects. I do not think the original show ever aired in England but for us older Americans who use to love coming home at 4 pm to see the ghosts, witches, and magical events like a seance, this might be a good book for you. It combines the tragic story of Anne Boleyn and the events of a beautiful Victorian lady married to a business tycoon based on Henry VIII. I do not want to give away the plot but it does involve an art movement that shows paintings in the style of Raphael. Do not worry if you are not an art historian. This will not get in the way of the story. It really is a good Gothic thriller that will make the hair on your arms stand up at times. I loved the book and like "The Virgin And The Crab" I did not want to put it down.
May 20, 2011
I’m very Lucky that Robert Parry asked me to read and review his book. Because as it turned out I loved it.
I didn’t know what to expect from Amos. Is he a good, bad, a drunk? But he’s truly just a confused men who lost the love of his life to another men. And that other men I could not stand. He was arrogant, bossy and just a tyrant.
The character that stood out for me was Beth, the housekeeper. I thought she was so sweet, caring, sincere and selfless. A very good friend to Amos.
The plot is great. From the very beginning it sets the tone. There where some slow parts, but when the supernatural starts to happen it picks up it’s pace. I loved that ‘Anne Boleyn’ was involved in the story. I’m not going to spoil it to you, but it was creepy and intense.
The Arrow Chest is a historical fiction you should get if you like them dark, mysterious and intense.
I didn’t know what to expect from Amos. Is he a good, bad, a drunk? But he’s truly just a confused men who lost the love of his life to another men. And that other men I could not stand. He was arrogant, bossy and just a tyrant.
The character that stood out for me was Beth, the housekeeper. I thought she was so sweet, caring, sincere and selfless. A very good friend to Amos.
The plot is great. From the very beginning it sets the tone. There where some slow parts, but when the supernatural starts to happen it picks up it’s pace. I loved that ‘Anne Boleyn’ was involved in the story. I’m not going to spoil it to you, but it was creepy and intense.
The Arrow Chest is a historical fiction you should get if you like them dark, mysterious and intense.
April 30, 2012
I had wanted to read this book for a while having read the excellent reviews and was delighted when I was given a copy for my birthday.
The writing style is elegantly fluent and it gives the period in which the book is written (1876) the atmospheric feeling it is due and you can easily immerse yourself in the words written.
The characters of Daphne and Amos fit together and contrast brilliantly in what is a clever and engaging piece of work, I have ordered the Virgin and the Crab and cannot wait to get started on it when it arrives and I look forward to Parry’s third book.
January 24, 2011
An all time favourite. Multidimensional, sublime.
January 23, 2012
I thought this book was a great Gothic mystery with a heap of Tudor history thrown in. This novel takes a lot of cool twists and the imagery in it is very intense. A fun, and compelling read.
February 20, 2013
The author's writing is so descriptive, you feel like you are there. Amazing book.
February 10, 2024
This is a book that you read more for the atmosphere than the plot. And the atmosphere is the perfect gothic blend of lovely and “everyone is losing their goddamn mind.” Parry does mimic 19th century literature so convincingly that I did double check at one point to confirm this was written recently haha. It does move a bit slow and there were times I wanted a little more oomph in the plot, but overall, an enjoyable read.
February 24, 2011
This novel is a fine example of Victorian Gothic literature and although it was written in the twenty-first century, it feels genuinely Victorian.
The story begins in 1876 London. A set of bones has just been discovered at the Tower of London and Amos Roselli, a painter struggling to receive some acknowledgement, is called to sketch the bones. It is supposed that the bones belong to Anne Boleyn, Lady Jane Grey and Catherine Howard, unfortunate ladies who were buried there and forgotten. While sketching the bones, Amos experiences something supernatural that he cannot quite explain. The Gothic setting is established at the start and the suspense flows until the end of the novel, which makes it a truly gripping read from the start.
Not long after, Amos is commisioned by Oliver Ramsey to paint his portrait and Ramsey is none other that the wealthy, powerful man who married Daphne, Amos's life-long friend, muse and love. For Amos, this is a wonderful opportunity because the commision might help him as an artist and return him into the presence of Daphne. As soon as Amos and Daphne meet again, they renew their deep friendship, but pursue it within the confines of propriety, although it is clear that there is strong affection between them.
Once Daphne is back in Amos's life, strange things begin to happen. He begins to see things, including a woman who looks just like Daphne and who disappears before his eyes. Daphne is very enthusiastic about spiritualism and during a séance, a true ghost appears and speaks directly to Amos, alluding to a promise he supposedly did not keep, which startles everyone present, Amos especially. On top of the strange and eerie supernatural occurrences, Daphne's life begins to fall apart and soon, she finds herself in danger and Amos must try to save her, which is far from easy.
The suspense is amazing in the novel. It builds up gradually and experiences a proper climax, as well as a proper denoument. The setting is genuinely Victorian and quite Gothic. Attention is paid to details and to the language. I truly enjoyed the language of the novel. It was delightfully Victorian and added to the overall authenticity of the novel. It is also very lyrical and when Amos's ideas about paintings were describes, I could truly see what he saw.
The novel is both an entertaining and an intellectual read, and the two are combined very naturally. I love novels that are both entertaining and intellectual. Actual historical characters appear in the novel, for example Lord Tennyson, whose wonderful poem, ''The Lady of Shalott'', plays a role in the novel. There is a strong link to Tudor England, in particular to Anne Boleyn, Henry VIII and Thomas Wyatt, who was rumoured to have an affair with Anne Boleyn. The novel is, in fact, a very fresh and original retelling of the story of Anne Boleyn, Henry VIII and Thomas Wyatt, rich with details about art (pre-Raphaelites), yet the reader can still not predict how the story will end. I truly enjoyed the ending. I could not predict it myself and I am always glad when an ending surprises me in a good way.
The supernatural elements are not very obvious and by that I mean they are not obtrusive, but fit the story naturally. They are a bonus that serves the Gothic atmosphere very well. Séances are present in the novel, a form of entertainment very popular with Victorians, and I enjoyed reading about them. I am a skeptic myself, but a séance during which a ghost appeared made the hairs rise on my arms. Perhaps, in regard to this particular séance, the characters recovered from the shock rather quickly and forgot about the event that should have stayed in their minds too fast, but other than that, Amos Roselli was very aware of something strange going on.
The characters are well-developed and multi-dimensional, and one character that I really liked was Amos's maid who was quite educated and was quite realistic. She was a great counterpart to Amos and I must confess that, although I loved the soulful, forbidden relationship between Daphne and Amos, I did lean towards Amos noticing the simple, yet clever girl in his household.
All in all, this is a cleverly written, suspensful novel that will delight readers who love historical fiction and suspense. As I've said, this is both an entertaining and intellectual read and it will definitely give you something.
Rating: 4.5 stars
The story begins in 1876 London. A set of bones has just been discovered at the Tower of London and Amos Roselli, a painter struggling to receive some acknowledgement, is called to sketch the bones. It is supposed that the bones belong to Anne Boleyn, Lady Jane Grey and Catherine Howard, unfortunate ladies who were buried there and forgotten. While sketching the bones, Amos experiences something supernatural that he cannot quite explain. The Gothic setting is established at the start and the suspense flows until the end of the novel, which makes it a truly gripping read from the start.
Not long after, Amos is commisioned by Oliver Ramsey to paint his portrait and Ramsey is none other that the wealthy, powerful man who married Daphne, Amos's life-long friend, muse and love. For Amos, this is a wonderful opportunity because the commision might help him as an artist and return him into the presence of Daphne. As soon as Amos and Daphne meet again, they renew their deep friendship, but pursue it within the confines of propriety, although it is clear that there is strong affection between them.
Once Daphne is back in Amos's life, strange things begin to happen. He begins to see things, including a woman who looks just like Daphne and who disappears before his eyes. Daphne is very enthusiastic about spiritualism and during a séance, a true ghost appears and speaks directly to Amos, alluding to a promise he supposedly did not keep, which startles everyone present, Amos especially. On top of the strange and eerie supernatural occurrences, Daphne's life begins to fall apart and soon, she finds herself in danger and Amos must try to save her, which is far from easy.
The suspense is amazing in the novel. It builds up gradually and experiences a proper climax, as well as a proper denoument. The setting is genuinely Victorian and quite Gothic. Attention is paid to details and to the language. I truly enjoyed the language of the novel. It was delightfully Victorian and added to the overall authenticity of the novel. It is also very lyrical and when Amos's ideas about paintings were describes, I could truly see what he saw.
The novel is both an entertaining and an intellectual read, and the two are combined very naturally. I love novels that are both entertaining and intellectual. Actual historical characters appear in the novel, for example Lord Tennyson, whose wonderful poem, ''The Lady of Shalott'', plays a role in the novel. There is a strong link to Tudor England, in particular to Anne Boleyn, Henry VIII and Thomas Wyatt, who was rumoured to have an affair with Anne Boleyn. The novel is, in fact, a very fresh and original retelling of the story of Anne Boleyn, Henry VIII and Thomas Wyatt, rich with details about art (pre-Raphaelites), yet the reader can still not predict how the story will end. I truly enjoyed the ending. I could not predict it myself and I am always glad when an ending surprises me in a good way.
The supernatural elements are not very obvious and by that I mean they are not obtrusive, but fit the story naturally. They are a bonus that serves the Gothic atmosphere very well. Séances are present in the novel, a form of entertainment very popular with Victorians, and I enjoyed reading about them. I am a skeptic myself, but a séance during which a ghost appeared made the hairs rise on my arms. Perhaps, in regard to this particular séance, the characters recovered from the shock rather quickly and forgot about the event that should have stayed in their minds too fast, but other than that, Amos Roselli was very aware of something strange going on.
The characters are well-developed and multi-dimensional, and one character that I really liked was Amos's maid who was quite educated and was quite realistic. She was a great counterpart to Amos and I must confess that, although I loved the soulful, forbidden relationship between Daphne and Amos, I did lean towards Amos noticing the simple, yet clever girl in his household.
All in all, this is a cleverly written, suspensful novel that will delight readers who love historical fiction and suspense. As I've said, this is both an entertaining and intellectual read and it will definitely give you something.
Rating: 4.5 stars
February 24, 2012
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
- 'The Lady of Shalott' by Lord Tennyson
The Arrow Chest by Robert Parry is set in London 1876 and centres around two main characters; Amos Roselli and his muse Daphne. The title subtly hints at, haunting parallels between their lives and that of the famous Tudor Queen Anne Boleyn and her assumed consort Sir Thomas Wyatt.
The book opens with Roselli having been commissioned by an Archaeologist to record their recent findings at the Chapel of Saint Peter ad Vincula at Tower Green where they have discovered an arrow chest, with what they believe hold the remains of none other than Anne Boleyn. It is here that Roselli finds himself alone, sketching away in the dark by lantern until he is later joined by a presence of the past…and so the story begins.
The mutual love shared between the two main characters is evident, although, like Daphne’s 16th Century counterpart she is tempted by a life of extravagance when introduced to one of Roselli’s new clients, an industrialist, Oliver Ramsay and within months, wed. Daphne’s new found life of luxury is but short lived, and Daphne realises what a brute her husband really is knowing only too well how easily it is for men to cast their wives aside, having already seen that Ramsay has cast his eye elsewhere and Daphne having produced no heir.
Roselli having been commissioned by Ramsay to execute a self portrait to hang ostentatiously in his stately manor is reminiscent of Henry VIII’s famous pose, is also asked by Ramsay, to paint a likewise portrait of his wife, Daphne (enticing Roselli with the forbidden fruit). The theme of Daphne’s portrait changes from that of self portrait to that of the Greek Nymph who was pursued by Apollo (who in retrospect shows characteristics in parallel with Ramsay & Henry VIII) is shot by one of Eros’s arrows, a blunt lead arrow which dampens her desire to ever fall in love. Apollo on the other hand is hit with a gold tipped arrow, infusing lust and pursues poor Daphne. It was a stroke of genius having this legend entwined with that of the arrow chest, the books sense of history, mythology and past ghosts seems to entwine, pulling all the parts together but ultimately to the same tragic end.
This is a beautifully written novel set in Victorian England and parallelled alongside Tudor England, glimpses of which are perceived through Roselli’s fleeting encounters with spectres and dreams. It is also filled with the beauty of the Victorian artists; with Roselli’s aspiration to achieve what the Pre-Raphaelites achieved and earn a place at the Royal Academy. The novel is also filled with beautiful poetry, the haunting ‘Lady of Shalott’ read by none other than Lord Tennyson himself and shadowed by ‘My Lute Awake’ written by Sir Thomas Wyatt. The historical authenticity of the novel is engaging with the author having a beautiful sense of place, capturing both Victorian and Tudor England incorporating aspects of the attitude, lifestyle and landmarks of both periods exceptionally well. This novel was an absolute delight to read and I would recommend it to anyone who has a soft spot for Anne Boleyn, Victorian England and an appreciation of the arts.
Now cease, my lute; this is the last
Labour that thou and I shall waste,
And end that I have now begun;
Now is this song both sung and past:
My lute! Be still, for I have done.
- 'My Lute Awake' by Sir Thomas Wyatt
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
- 'The Lady of Shalott' by Lord Tennyson
The Arrow Chest by Robert Parry is set in London 1876 and centres around two main characters; Amos Roselli and his muse Daphne. The title subtly hints at, haunting parallels between their lives and that of the famous Tudor Queen Anne Boleyn and her assumed consort Sir Thomas Wyatt.
The book opens with Roselli having been commissioned by an Archaeologist to record their recent findings at the Chapel of Saint Peter ad Vincula at Tower Green where they have discovered an arrow chest, with what they believe hold the remains of none other than Anne Boleyn. It is here that Roselli finds himself alone, sketching away in the dark by lantern until he is later joined by a presence of the past…and so the story begins.
The mutual love shared between the two main characters is evident, although, like Daphne’s 16th Century counterpart she is tempted by a life of extravagance when introduced to one of Roselli’s new clients, an industrialist, Oliver Ramsay and within months, wed. Daphne’s new found life of luxury is but short lived, and Daphne realises what a brute her husband really is knowing only too well how easily it is for men to cast their wives aside, having already seen that Ramsay has cast his eye elsewhere and Daphne having produced no heir.
Roselli having been commissioned by Ramsay to execute a self portrait to hang ostentatiously in his stately manor is reminiscent of Henry VIII’s famous pose, is also asked by Ramsay, to paint a likewise portrait of his wife, Daphne (enticing Roselli with the forbidden fruit). The theme of Daphne’s portrait changes from that of self portrait to that of the Greek Nymph who was pursued by Apollo (who in retrospect shows characteristics in parallel with Ramsay & Henry VIII) is shot by one of Eros’s arrows, a blunt lead arrow which dampens her desire to ever fall in love. Apollo on the other hand is hit with a gold tipped arrow, infusing lust and pursues poor Daphne. It was a stroke of genius having this legend entwined with that of the arrow chest, the books sense of history, mythology and past ghosts seems to entwine, pulling all the parts together but ultimately to the same tragic end.
This is a beautifully written novel set in Victorian England and parallelled alongside Tudor England, glimpses of which are perceived through Roselli’s fleeting encounters with spectres and dreams. It is also filled with the beauty of the Victorian artists; with Roselli’s aspiration to achieve what the Pre-Raphaelites achieved and earn a place at the Royal Academy. The novel is also filled with beautiful poetry, the haunting ‘Lady of Shalott’ read by none other than Lord Tennyson himself and shadowed by ‘My Lute Awake’ written by Sir Thomas Wyatt. The historical authenticity of the novel is engaging with the author having a beautiful sense of place, capturing both Victorian and Tudor England incorporating aspects of the attitude, lifestyle and landmarks of both periods exceptionally well. This novel was an absolute delight to read and I would recommend it to anyone who has a soft spot for Anne Boleyn, Victorian England and an appreciation of the arts.
Now cease, my lute; this is the last
Labour that thou and I shall waste,
And end that I have now begun;
Now is this song both sung and past:
My lute! Be still, for I have done.
- 'My Lute Awake' by Sir Thomas Wyatt
November 28, 2019
Robert Parry’s “The Arrow Chest” was the best novel I read in 2012. I had enjoyed his previous book, “The Virgin and the Crab”, which tells a story of Elizabeth I, and the famous astrologer, John Dee. So I was expecting this book to be a good read, but it far exceeded my expectations; itwas truly riveting.
The Arrow Chest is the story of Amos Roseli, a painter belonging to the pre-Raphaelite movement, and his friend, and life long muse, Daphne, with whom Amos have long been in love, but she is now married to the powerful and wealthy industrialist Oliver Ramsey. But is all-well in the union? Weaved into this is Amos’s trusty and kind housekeeper, Beth, and Ramsey’s rat faced odious friend Gerald, and then the spectres of Anne Boleyn, Henry VIII, and the poet, Thomas Wyatt, and also Alfred Lord Tennyson.
The story opens in 1876, where the middle class but struggling Amos, takes a commission from Dr. Murry, to produce a likeness of some bones unearthed during the restoration work of the chapel of St. Peter ad Vincula within the precincts of the Tower of London. The bones are thought to be those of the executed queen, Anne Boleyn, and as he sketches, he listens to the story of one of the yeoman, about the queen’s rise and fall, and her presence within the fortress, which, it is said, can still be felt.
This sets off a chain of events, as Amos takes up his commission to paint Ramsey’s portrait, which is truly a poetic roller coaster. I found myself addicted to each chapter, until I had devoured the book in no time, impressed by both its originality, and how it takes a concept that could have so easily become twee and cheesy, and make it a haunting, satisfying story.
It’s full of tension, but never melodrama, and the characters are absorbing, and cleverly fleshed out. There’s also a lot of wit.
Parry is an excellent novelist, his prose is snappy and engaging, whilst also managing to evoke the gas light Victorian landscapes of London, the lush countryside of Kent, and the attractiveness of the Isle of White, with the finesse and sumptuousness that characterises the pre-Raphaelite movement, but with words. He seems to be able to write in ways that are evocative of his subject, so you are really engrossed in the story. He also cleverly uses the Victorian interest in spiritualism and divination, albeit only in small parts, so it’s not a silly plot device, but a humanising factor.
As a novel, it mixes elements of period fiction, neo-Victoriana, with splashes of ghost stories and historical fiction, but defies the clichés of the latter two genres that are sadly becoming to define them in modern publication. For this reason, I cannot recommend this book highly enough. I cannot see anyone, if you like a good story, not enjoying. But I am biased, Mr. Parry is one of my favourite authors.
The Arrow Chest is the story of Amos Roseli, a painter belonging to the pre-Raphaelite movement, and his friend, and life long muse, Daphne, with whom Amos have long been in love, but she is now married to the powerful and wealthy industrialist Oliver Ramsey. But is all-well in the union? Weaved into this is Amos’s trusty and kind housekeeper, Beth, and Ramsey’s rat faced odious friend Gerald, and then the spectres of Anne Boleyn, Henry VIII, and the poet, Thomas Wyatt, and also Alfred Lord Tennyson.
The story opens in 1876, where the middle class but struggling Amos, takes a commission from Dr. Murry, to produce a likeness of some bones unearthed during the restoration work of the chapel of St. Peter ad Vincula within the precincts of the Tower of London. The bones are thought to be those of the executed queen, Anne Boleyn, and as he sketches, he listens to the story of one of the yeoman, about the queen’s rise and fall, and her presence within the fortress, which, it is said, can still be felt.
This sets off a chain of events, as Amos takes up his commission to paint Ramsey’s portrait, which is truly a poetic roller coaster. I found myself addicted to each chapter, until I had devoured the book in no time, impressed by both its originality, and how it takes a concept that could have so easily become twee and cheesy, and make it a haunting, satisfying story.
It’s full of tension, but never melodrama, and the characters are absorbing, and cleverly fleshed out. There’s also a lot of wit.
Parry is an excellent novelist, his prose is snappy and engaging, whilst also managing to evoke the gas light Victorian landscapes of London, the lush countryside of Kent, and the attractiveness of the Isle of White, with the finesse and sumptuousness that characterises the pre-Raphaelite movement, but with words. He seems to be able to write in ways that are evocative of his subject, so you are really engrossed in the story. He also cleverly uses the Victorian interest in spiritualism and divination, albeit only in small parts, so it’s not a silly plot device, but a humanising factor.
As a novel, it mixes elements of period fiction, neo-Victoriana, with splashes of ghost stories and historical fiction, but defies the clichés of the latter two genres that are sadly becoming to define them in modern publication. For this reason, I cannot recommend this book highly enough. I cannot see anyone, if you like a good story, not enjoying. But I am biased, Mr. Parry is one of my favourite authors.
July 4, 2013
My regular readers will know by now that I am a sucker for Gothic love stories….especially set in the Victorian era. I have had my eye on this book for quite some time. The first thing that caught my eye in the description on Goodreads, was that it was based on the Tennyson poem, The Lady of Shalott.
The feel of the book was perfect. It was spooky and dark, just how I like my Gothic novels. There were hints of madness and lunacy peppered throughout the story, along with ghosts and the occult which enhanced the mood.
I loved the forbidden love angle….girl trapped in an unhappy marriage in love with her friend who also returns her love but yet tragically they are not meant to be. That feeling came through in this novel but in a different way.
Normally, when I read Gothic novels with forbidden love as the central plot line, it’s clear that the two characters are romantically involved. For me, that didn’t come through that well for most of the novel. Daphne and Roselli seemed more like good friends than lovers.
It seemed like Roselli worshiped Daphne but more as a source artistic inspiration than true love. As for Daphne, I didn’t get the feeling that she loved Roselli, it seemed like she cared for him but wasn’t passionately in love with him. For me it took too long for the two to come together and the relationship was a little wanting in some aspects.
I also think the cover needs a redesign. The novel itself was very moody and dark and that didn’t come across in the cover for me. I wasn’t a fan of the floral edging, the woman with the ravens was alright but the edging was a distraction for me.
Besides some minor things, the novel over all was well written, dark, spooky and different. I liked how Parry blended the Anne Boleyn and Tudor history into the Victorian setting. At first I was skeptical but I ultimately thought it worked nicely and actually complimented the plot. Clearly Parry has done his research and knows his historic facts backward and forward which made the story that much more authentic and realistic.
If you are like me, you will find that there is a shockingly sparse selection of good Gothic novels. There are the classics like Wuthering Heights and Jane Eyre and of course modern Gothic novels like The Ivy Tree and some of Victoria Holt’s books but if you are looking for something a little different and a little more fresh, than this is the novel for you!
The feel of the book was perfect. It was spooky and dark, just how I like my Gothic novels. There were hints of madness and lunacy peppered throughout the story, along with ghosts and the occult which enhanced the mood.
I loved the forbidden love angle….girl trapped in an unhappy marriage in love with her friend who also returns her love but yet tragically they are not meant to be. That feeling came through in this novel but in a different way.
Normally, when I read Gothic novels with forbidden love as the central plot line, it’s clear that the two characters are romantically involved. For me, that didn’t come through that well for most of the novel. Daphne and Roselli seemed more like good friends than lovers.
It seemed like Roselli worshiped Daphne but more as a source artistic inspiration than true love. As for Daphne, I didn’t get the feeling that she loved Roselli, it seemed like she cared for him but wasn’t passionately in love with him. For me it took too long for the two to come together and the relationship was a little wanting in some aspects.
I also think the cover needs a redesign. The novel itself was very moody and dark and that didn’t come across in the cover for me. I wasn’t a fan of the floral edging, the woman with the ravens was alright but the edging was a distraction for me.
Besides some minor things, the novel over all was well written, dark, spooky and different. I liked how Parry blended the Anne Boleyn and Tudor history into the Victorian setting. At first I was skeptical but I ultimately thought it worked nicely and actually complimented the plot. Clearly Parry has done his research and knows his historic facts backward and forward which made the story that much more authentic and realistic.
If you are like me, you will find that there is a shockingly sparse selection of good Gothic novels. There are the classics like Wuthering Heights and Jane Eyre and of course modern Gothic novels like The Ivy Tree and some of Victoria Holt’s books but if you are looking for something a little different and a little more fresh, than this is the novel for you!
March 12, 2011
Tower of London, 1876. The artist Amos Roselli has been hired to sketch the recently discovered remains of the notorious Anne Boleyn, after hours and with nothing but a lantern to keep him company. This opening scene sets the tone for the rest of the story: dark, spooky, intriguing, and mysterious. Afterwards, as Amos begins to rekindle his relationship with his former muse and best friend Daphne, beneath the watchful eyes of Victorian society, shades of Anne Boleyn begin to haunt him, and Daphne's life begins to display eerie parallels to Anne's.
Things only get stranger when Daphne's paranoid, jealous husband commissions Amos to paint her portrait, and they all settle in for the summer tucked amidst the windswept cliffs of the Isle of Wight. After a series of bizarre incidents, including seances and threatening encounters with Daphne's husband, Amos comes to rely more and more on the gentle advice of his housekeeper, Beth, to maintain some order and sense in his life. Meanwhile Daphne's mental health deteriorates as her marriage falls apart and she is plagued with premonitions of her own demise. It soon becomes apparent that she has reason to fear as she and Amos are swept along in a plot of her husband's making toward a startling conclusion.
I enjoyed The Arrow Chest, although this was a slower read for me, in part because I felt like I had to pay attention to every word to make sure I grasped its importance. I was struck by the poetic, descriptive quality of the author's narrative, which felt a bit heavy to me at times, but actually helped to reinforce the gothic atmosphere, along with some really fantastic, evocative imagery. Parry really brings the Victorian era to life, weaving together the eccentric, artistic community on the Isle of Wight with the strictures and social mores of elite society, and touches of fashion, architecture, spiritualism, and industrialism.
Upon finishing The Arrow Chest, my first thought was that this is the kind of book that's open to interpretation. What at first seems like a simple tale actually has a lot going on, with several layers to the story, symbolic shadows and artistic references. I think every reader will come away with a slightly different take on the story, and with questions that would make for a great book club discussion.
Things only get stranger when Daphne's paranoid, jealous husband commissions Amos to paint her portrait, and they all settle in for the summer tucked amidst the windswept cliffs of the Isle of Wight. After a series of bizarre incidents, including seances and threatening encounters with Daphne's husband, Amos comes to rely more and more on the gentle advice of his housekeeper, Beth, to maintain some order and sense in his life. Meanwhile Daphne's mental health deteriorates as her marriage falls apart and she is plagued with premonitions of her own demise. It soon becomes apparent that she has reason to fear as she and Amos are swept along in a plot of her husband's making toward a startling conclusion.
I enjoyed The Arrow Chest, although this was a slower read for me, in part because I felt like I had to pay attention to every word to make sure I grasped its importance. I was struck by the poetic, descriptive quality of the author's narrative, which felt a bit heavy to me at times, but actually helped to reinforce the gothic atmosphere, along with some really fantastic, evocative imagery. Parry really brings the Victorian era to life, weaving together the eccentric, artistic community on the Isle of Wight with the strictures and social mores of elite society, and touches of fashion, architecture, spiritualism, and industrialism.
Upon finishing The Arrow Chest, my first thought was that this is the kind of book that's open to interpretation. What at first seems like a simple tale actually has a lot going on, with several layers to the story, symbolic shadows and artistic references. I think every reader will come away with a slightly different take on the story, and with questions that would make for a great book club discussion.
March 24, 2011
The Arrow Chest is full of haunting mysteries. Who is the mysterious woman who keeps appearing and as quickly as she appears she’s suddenly gone. I had many ideas as to who the woman was, but was later proven wrong as I kept reading. One of the things I loved about this book was how it paralleled with Anne Boleyn’s story during the 16th century. In order to understand what I mean by that you will just have to read the book for yourself.
The characterization in this book is incredible. Amos is the passionate painter who has lost his muse to a tyrant of a man. He realizes his love for her too late and is ensnared by the drama of Daphne and Oliver’s marriage. Amos struggles with his increasing desire for Daphne, but knows it would be wrong to succumb to it. I could not help but to feel for Daphne. I could not imagine being trapped in a home with a man who wishes to be rid of me by any means necessary and always living in fear with no one to turn to.
Beth was the one who I connected with most in the story. She is Amos’s maid who would do anything for him. She is an orphan who nobody wanted and was never treated right until she came to work for him. They had an unconventional friendship that would have been frowned upon by London society because she was his maid and he was her master, but they did not care.
I absolutely loved this book. There were a few slow points in the book, but as I began to doze off the book would take off with astounding speed. This story is full of mystery, passion, and artistry. There is a little bit of everything in this novel and I would suggest this book to any book lover not just historical fiction readers because I feel it caters to a vast audience.
For more of my reviews visit my Historical Fiction site: http://allthingshistoricalfiction.blo...
The characterization in this book is incredible. Amos is the passionate painter who has lost his muse to a tyrant of a man. He realizes his love for her too late and is ensnared by the drama of Daphne and Oliver’s marriage. Amos struggles with his increasing desire for Daphne, but knows it would be wrong to succumb to it. I could not help but to feel for Daphne. I could not imagine being trapped in a home with a man who wishes to be rid of me by any means necessary and always living in fear with no one to turn to.
Beth was the one who I connected with most in the story. She is Amos’s maid who would do anything for him. She is an orphan who nobody wanted and was never treated right until she came to work for him. They had an unconventional friendship that would have been frowned upon by London society because she was his maid and he was her master, but they did not care.
I absolutely loved this book. There were a few slow points in the book, but as I began to doze off the book would take off with astounding speed. This story is full of mystery, passion, and artistry. There is a little bit of everything in this novel and I would suggest this book to any book lover not just historical fiction readers because I feel it caters to a vast audience.
For more of my reviews visit my Historical Fiction site: http://allthingshistoricalfiction.blo...
October 16, 2011
This was a fascinating book that draws upon various connections with the past. These include the Tudors and Anne Boleyn as well as Tennyson and his legendary written works. The artistic and literary influences on the characters and the plot itself are well blended.
I enjoyed the dark and mysterious story of a painter, his housekeeper and his artistic muse/life-long friend. The characters were well written and full of depth. I think my favorite is the housekeeper Beth. It was interesting to watch her grow and see her blossom, especially under the tutelage of Lady Daphne and the attention from her employer Amos. Daphne's husband Oliver is a truly horrible, pretentious man who just gets worse as the story progresses. It is very easy to despise him as much as it is to care deeply for the others.
The settings are richly detailed and very easy to visualize. I found myself wanting to join in the walks over the hills with Amos and Alfred Lord Tennyson. The author made it all come alive for me.
There were a few bumps in the story when it came to the mysterious visitors Amos entertained, but the story was very well thought out and enjoyable. It was an engrossing read that kept me turning the pages. I think this book will appeal to a wide range of readers.
I enjoyed the dark and mysterious story of a painter, his housekeeper and his artistic muse/life-long friend. The characters were well written and full of depth. I think my favorite is the housekeeper Beth. It was interesting to watch her grow and see her blossom, especially under the tutelage of Lady Daphne and the attention from her employer Amos. Daphne's husband Oliver is a truly horrible, pretentious man who just gets worse as the story progresses. It is very easy to despise him as much as it is to care deeply for the others.
The settings are richly detailed and very easy to visualize. I found myself wanting to join in the walks over the hills with Amos and Alfred Lord Tennyson. The author made it all come alive for me.
There were a few bumps in the story when it came to the mysterious visitors Amos entertained, but the story was very well thought out and enjoyable. It was an engrossing read that kept me turning the pages. I think this book will appeal to a wide range of readers.
April 6, 2013
I won a copy of "The Arrow Chest" by Robert Parry, through the Goodreads Giveaway Contest.
The novel begins at the Tower of London, 1876,during the Victorian era. There is currently renovation going on at the Chapel of Saint Peter and Vincula, and Amos Roselli, an artist, has been hired to sketch the recently discovered remains of Anne Boleyn. It is dark and creepy in the Chapel, and he has only a lantern to keep him company.
Beth, had agreed to fill a position of "maid of all work", to work for Amos, who lived a humble life as a painter. She would do anything for her boss.
Amos was in love with Daphne, his life-long friend and model. She was in love with him until one day she was snatched up by a powerful wealthy man, Lord Oliver Ramsey of Bowlend. She was Amos's source of inspiration. Then Oliver commissions Amos to paint Daphne's portrait. Then Daphne's mental health deteriorates as her marriage falls apart and she is plagued with premonitions of her own demise. It soon becomes apparent that she has reason to fear as she and Amos are swept along in a plot of her husband's making toward a startling conclusion.
I enjoyed The Arrow Chest, with its gothic atmosphere, and vivid imagery. Parry really brings the Victorian era to life.I really enjoyed this novel.
The novel begins at the Tower of London, 1876,during the Victorian era. There is currently renovation going on at the Chapel of Saint Peter and Vincula, and Amos Roselli, an artist, has been hired to sketch the recently discovered remains of Anne Boleyn. It is dark and creepy in the Chapel, and he has only a lantern to keep him company.
Beth, had agreed to fill a position of "maid of all work", to work for Amos, who lived a humble life as a painter. She would do anything for her boss.
Amos was in love with Daphne, his life-long friend and model. She was in love with him until one day she was snatched up by a powerful wealthy man, Lord Oliver Ramsey of Bowlend. She was Amos's source of inspiration. Then Oliver commissions Amos to paint Daphne's portrait. Then Daphne's mental health deteriorates as her marriage falls apart and she is plagued with premonitions of her own demise. It soon becomes apparent that she has reason to fear as she and Amos are swept along in a plot of her husband's making toward a startling conclusion.
I enjoyed The Arrow Chest, with its gothic atmosphere, and vivid imagery. Parry really brings the Victorian era to life.I really enjoyed this novel.
February 20, 2014
This is a fabulous Victorian Gothic Story with a Tudor Twist. If one does not know much about The Tudors, they wouldn't notice the twist because it is so subtle.
My thoughts --
I thoroughly enjoyed how the author starts the story. Without telling too much, I will say that Amos Roselli is called to sketch a drawing of remains found in an arrow chest. Chillingly enough, something ghostly happens to him. Which I loved by the way.
Throughout the story he continues to have hauntings and dreams. The details are intricately laced through the story and there is never a dull moment.
It's pages turn rather quickly as everything is so intriguing. The author definitely has a wonderful writing style. The details given were so vivid that I could almost place myself inside of the story. Not to mention, I have always appreciated romantic feeling stories. I'm a sucker for them :0)
I really enjoyed this book.
My thoughts --
I thoroughly enjoyed how the author starts the story. Without telling too much, I will say that Amos Roselli is called to sketch a drawing of remains found in an arrow chest. Chillingly enough, something ghostly happens to him. Which I loved by the way.
Throughout the story he continues to have hauntings and dreams. The details are intricately laced through the story and there is never a dull moment.
It's pages turn rather quickly as everything is so intriguing. The author definitely has a wonderful writing style. The details given were so vivid that I could almost place myself inside of the story. Not to mention, I have always appreciated romantic feeling stories. I'm a sucker for them :0)
I really enjoyed this book.
September 30, 2012
This book was a slow read for me. It has been a while since I've read this book and due to sickness I'm just now writing a review. A painter has been called in to draw a picture of a womens skeleton found in an arrow chest and the story starts there. He has made most of his career painting one women. She marry's well as she is meant to by her family and he loses her to another man. At least this man can introduce him to the wealthy and help him to come into more work as a painter for the rich. His life changes for the better but it is a rather strange, winding and weird ride. I did enjoy it eventually it was me or it was going slow, it did pick up my interest so I kept reading the once the author kept me going I had to find out how it ended. I liked it.
October 20, 2011
Actually 2.5 stars. This book seemed to move very slowly for me, not sure if it was just the writing or the fact that the book takes place in the 1870's and time back then just moved at a slower pace. I really enjoyed the last two and a half chapters of the book and thought they were the best of the whole thing. The book also ended how I wanted it to and you've got to love when that happens.
May 15, 2012
Ok. I wanted to yell at Amos through the whole book "go get her!" There were a couple things I didn't like about this book - one of them being that I felt there should have been more at the end. It kind of doesn't finish things up nicely and tie it in a bow...
June 29, 2011
This book started out as a 5 star for me, but there was a few things left unfinished at the end. I did enjoy the story and the tie to Ann Boelyn.
May 19, 2011
What a great story! Very creative, imaginitive & full of suspense. See full review here: http://www.burtonbookreview.com/2011/...
November 10, 2016
3.5 STARS
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