Odysseys Home: Mapping African-Canadian Literature

by George Elliott Clarke

Odysseys Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be - paradoxically - uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts - literature and criticism - from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.

504 pages, Paperback

First published January 1, 2002

About the author

A seventh-generation Nova Scotian, George Elliott Clarke was born in 1960 in Windsor Plans, Nova Scotia. He is known as a poet, as well as for his two-volume anthology of Black Writing from Nova Scotia, Fire in the Water. Volume One contains spirituals, poety sermons, and accounts from 1789 to the mid-twentieth century; Volume Two collects the work of the Black Cultural Renaissance in Nova Scotia, which, in Clarke's words, "speaks to people everywhere about overcoming hardships and liberating the spirit." Currently on faculty at Duke University, he is now writing both a play and an opera on slavery in Nova Scotia, a reformulation of Shelley's The Cenci. He has won many awards including the 1981 Prize for Adult Poetry from the Writers Federation of Nova Scotia, he was the 1983 first runner-up for the Bliss Carman Award for Poetry at the Banff Centre School of Arts and 1991 winner of the Archibald Lampman Award for Poetry from the Ottawa Independent Writers.

Books: Saltwater Spirituals and Deeper Blues (Pottersfield, 1983); Whylah Falls (Polestar, 1990, 2000); Provencal Songs (Magnum Book Store, 1993); Lush Dreams, Blue Exile: Fugitive Poems, 1978-1993 (Pottersfield, 1994); Provencal Songs II (Above/ground, 1997); Whylah Falls: The Play (Playwrights Canada, 1999, 2000); Beatrice Chancy (Polstar Books, 1999); Gold Indigoes (Carolina Wren, 2000); Execution Poems (Gaspereau, 2001); Blue (Raincoat, 2001); Odysseys Home: Mapping African-Canadian Literature (UofT Press, 2002)