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Joan Bauer Set: Best Foot Forward / Hope Was Here / Peeled
Paperback
First published June 1, 2010
About the author
Joan Bauer
27 books887 followersFrom: http://www.joanbauer.com/jbbio.html
July 12, 1951 - I was born at eleven A.M., a most reasonable time, my mother often said, and when the nurse put me in my mother's arms for the first time I had both a nasty case of the hiccups and no discernible forehead (it's since grown in). I've always believed in comic entrances.
As I grew up in River Forest, Illinois, in the 1950's, I seem to remember an early fascination with things that were funny. I thought that people who could make other people laugh were terribly fortunate. While my friends made their career plans, declaring they would become doctors, nurses, and lawyers, inwardly I knew that I wanted to be involved somehow in comedy. This, however, was a difficult concept to get across in first grade. But I had a mother with a great comic sense (she was a high school English teacher) and a grandmother who had been a funny professional storyteller, so I figured the right genes were in there somewhere, although I didn't always laugh at what my friends laughed at and they rarely giggled at my jokes. That, and the fact that I was overweight and very tall, all made me feel quite different when I was growing up--a bit like a musk ox at a tea party.
My grandmother, who I called Nana, had the biggest influence on me creatively. She taught me the importance of stories and laughter. She never said, "Now I'm going to tell you a funny story," she'd just tell a story, and the humor would naturally flow from it because of who she was and how she and her characters saw the world. She showed me the difference between derisive laughter that hurts others and laughter that comes from the heart. She showed me, too, that stories help us understand ourselves at a deep level. She was a keen observer of people.
I kept a diary as a child, was always penning stories and poems. I played the flute heartily, taught myself the guitar, and wrote folk songs. For years I wanted to be a comedienne, then a comedy writer. I was a voracious reader, too, and can still remember the dark wood and the green leather chairs of the River Forest Public Library, can hear my shoes tapping on the stairs going down to the children's room, can feel my fingers sliding across rows and rows of books, looking through the card catalogs that seemed to house everything that anyone would ever need to know about in the entire world. My parents divorced when I was eight years old, and I was devastated at the loss of my father. I pull from that memory regularly as a writer. Every book I have written so far has dealt with complex father issues. My dad was an alcoholic and the pain of that was a shadow that followed me for years, but I've learned things from that experience that have made me resilient. I attempted to address those issues in Rules of the Road, and I took them even further in the companion book, Best Foot Forward. The theme that I try to carry into all of my writing is this: adversity, if we let it, will make us stronger.
In my twenties, I worked in sales and advertising for the Chicago Tribune, McGraw-Hill, WLS Radio, and Parade Magazine. I met my husband Evan, a computer engineer, while I was on vacation. Our courtship was simple. He asked me to dance; I said no. We got married five months later in August, 1981. But I was not happy in advertising sales, and I had a few ulcers to prove it. With Evan's loving support, I decided to try my hand at professional writing. I wish I could say that everything started falling into place, but it was a slow, slow build -- writing newspaper and magazine articles for not much money. My daughter Jean was born in July of '82. She had the soul of a writer even as a baby. I can remember sitting at my typewriter (I didn't have a computer back then) writing away with Jean on a blanket on the floor next to me. If my writing was bad that day, I'd tear that page out of the typewriter and hand it to her. "Bad paper," I'd say and Jean would r
July 12, 1951 - I was born at eleven A.M., a most reasonable time, my mother often said, and when the nurse put me in my mother's arms for the first time I had both a nasty case of the hiccups and no discernible forehead (it's since grown in). I've always believed in comic entrances.
As I grew up in River Forest, Illinois, in the 1950's, I seem to remember an early fascination with things that were funny. I thought that people who could make other people laugh were terribly fortunate. While my friends made their career plans, declaring they would become doctors, nurses, and lawyers, inwardly I knew that I wanted to be involved somehow in comedy. This, however, was a difficult concept to get across in first grade. But I had a mother with a great comic sense (she was a high school English teacher) and a grandmother who had been a funny professional storyteller, so I figured the right genes were in there somewhere, although I didn't always laugh at what my friends laughed at and they rarely giggled at my jokes. That, and the fact that I was overweight and very tall, all made me feel quite different when I was growing up--a bit like a musk ox at a tea party.
My grandmother, who I called Nana, had the biggest influence on me creatively. She taught me the importance of stories and laughter. She never said, "Now I'm going to tell you a funny story," she'd just tell a story, and the humor would naturally flow from it because of who she was and how she and her characters saw the world. She showed me the difference between derisive laughter that hurts others and laughter that comes from the heart. She showed me, too, that stories help us understand ourselves at a deep level. She was a keen observer of people.
I kept a diary as a child, was always penning stories and poems. I played the flute heartily, taught myself the guitar, and wrote folk songs. For years I wanted to be a comedienne, then a comedy writer. I was a voracious reader, too, and can still remember the dark wood and the green leather chairs of the River Forest Public Library, can hear my shoes tapping on the stairs going down to the children's room, can feel my fingers sliding across rows and rows of books, looking through the card catalogs that seemed to house everything that anyone would ever need to know about in the entire world. My parents divorced when I was eight years old, and I was devastated at the loss of my father. I pull from that memory regularly as a writer. Every book I have written so far has dealt with complex father issues. My dad was an alcoholic and the pain of that was a shadow that followed me for years, but I've learned things from that experience that have made me resilient. I attempted to address those issues in Rules of the Road, and I took them even further in the companion book, Best Foot Forward. The theme that I try to carry into all of my writing is this: adversity, if we let it, will make us stronger.
In my twenties, I worked in sales and advertising for the Chicago Tribune, McGraw-Hill, WLS Radio, and Parade Magazine. I met my husband Evan, a computer engineer, while I was on vacation. Our courtship was simple. He asked me to dance; I said no. We got married five months later in August, 1981. But I was not happy in advertising sales, and I had a few ulcers to prove it. With Evan's loving support, I decided to try my hand at professional writing. I wish I could say that everything started falling into place, but it was a slow, slow build -- writing newspaper and magazine articles for not much money. My daughter Jean was born in July of '82. She had the soul of a writer even as a baby. I can remember sitting at my typewriter (I didn't have a computer back then) writing away with Jean on a blanket on the floor next to me. If my writing was bad that day, I'd tear that page out of the typewriter and hand it to her. "Bad paper," I'd say and Jean would r
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Displaying 1 of 1 review
August 12, 2019
The short story "Clean Sweep" by Joan Bauer is written like a diary of a young girl who works in her mother’s business - cleaning houses.
The story starts with a description of dust: what it looks like when we see it under the microscope. Things can be seen differently if we pay enough attention to them - this idea was implemented in the main part of the story.
The central action of the story starts when the family got an order to clean the attic of the house of an old lady. She lived alone. The girl suggested to throw away some stuff from the attic: old newspapers and torn books, toys and so on. The landlady disagreed and even became angry with this suggestion. Along with other things, the old lady saw a ragged book which she thought had been taken by her sister. The sisters hadn’t talked for many years. The girl advised the old lady to call her sister but this suggestion was met with indignation. It was clear that these old things aroused a lot of memories for the mistress of the house. The next day, the old lady eventually called her sister and they planned a meeting after many years of being apart.
At the beginning of the story, the author presented that by paying attention we can have a different view (it was inspired by dust). In the last part of the story this idea was expressed with links to memories and it also applies to relationships between people. It certainly has given "food for thought".
This is the link to the text of the story:
https://drbarrsenglish.weebly.com/upl...
The story starts with a description of dust: what it looks like when we see it under the microscope. Things can be seen differently if we pay enough attention to them - this idea was implemented in the main part of the story.
The central action of the story starts when the family got an order to clean the attic of the house of an old lady. She lived alone. The girl suggested to throw away some stuff from the attic: old newspapers and torn books, toys and so on. The landlady disagreed and even became angry with this suggestion. Along with other things, the old lady saw a ragged book which she thought had been taken by her sister. The sisters hadn’t talked for many years. The girl advised the old lady to call her sister but this suggestion was met with indignation. It was clear that these old things aroused a lot of memories for the mistress of the house. The next day, the old lady eventually called her sister and they planned a meeting after many years of being apart.
At the beginning of the story, the author presented that by paying attention we can have a different view (it was inspired by dust). In the last part of the story this idea was expressed with links to memories and it also applies to relationships between people. It certainly has given "food for thought".
This is the link to the text of the story:
https://drbarrsenglish.weebly.com/upl...
Displaying 1 of 1 review