This early Turtledove work consists of two parts: “Werenight” and “Prince of the North”; and, according to the afterword to “Werenight”, was written in bits and pieces during the 1970’s while Turtledove was working on his doctoral dissertation, and then revised and edited for re-publication in the 1990’s.
Although Turtledove’s major area of study was the Byzantine Empire, as reflected in the “Legion” and “Videssos” books, he obviously did his homework when creating the world of Elabon. It closely mirrors the feudal society of medieval western Europe (especially France) with the ruler’s power and authority dependent, except perhaps for the area extending a few days’ march from the capital city, on the cooperation, goodwill and military strength of the lords, barons and other nobles who controlled more distant areas of the Empire; each of them ruling from his own castle or fortress and, with his knights and retainers, controlling a network of towns and villages or hamlets, populated by serfs and peasants who, engaged in subsistent agriculture and owing allegiance more to the local lord than to the more nebulous and distant figure of the Emperor, kept everyone from starving, paid their taxes in kind, and supplied manpower to supplement levies raised from the ranks of the nobility whenever outside invaders threatened. (It’s likely that Marc Bloch’s “Feudal Society” was one of the works Turtledove consulted when creating this world.)
This is, of course, a work of fantasy, and Turtledove’s premise, accordingly, is that magic works—and that there are various gods and goddesses who can intervene in earthly affairs and whose powers can be invoked by wizards and shamans, for good or ill; that ghosts and monsters are likewise very real, and that, under the right conditions (all the moons in the sky being full at the same time) many men or women can become were-beasts of various sorts and cause all kinds of mischief.
Underlying both parts of the book is the author’s conception, epitomized by Gerin the Fox, of the ideal ruler. Gerin has a strong sense of justice and fairness; mixes sternness with compassion; expects loyalty and submission from his vassals, and fair payment (in kind) from the serfs, in order to maintain the estate; but does not insist on absolute obedience, at all times, regardless of circumstance; and does not impose burdens upon the peasantry so crushing as to leave them impoverished. He is a diplomat, willing to work with (although remaining vigilant) erstwhile enemies, as long as necessary, for the good of all; not vainglorious, readily acknowledging his own limitations as a ruler.
Most importantly, his frame of reference—and his vision—extend far beyond the boundaries of his own personal fiefdom. When thinking of the empire of Elabon, he has an enlightened, perhaps even modern, conception of the function of the state—to protect the lives and property of all its citizens, ensure equal treatment under the law, and make sure all are adequately clothed and fed, and protected from outside enemies (of which, in this universe, there are many, both mundane and supernatural!). Keeping the roads clear and lines of communication open between all parts of the Empire where his influence is felt is but one manifestation of how he tries to accomplish these goals. The most compelling thread running through both parts of the work is how Gerin gradually comes to these realizations and recognizes his own role in bringing this state of affairs about. The end result is that Gerin is respected and obeyed to an ever-increasing degree, and the part of the Elabonian Empire which he controls is better able to confront the many perils and enemies which await it in the next part of the saga, “King of the North”.
***** review by Chuck Graham *****