Caris done good.
There's that moment in the shitty middle Matrix movie where out of nowhere, hundreds of copies of Mr. Smith come pouring in. It's visually my favorite moment in the trilogy. It's wonderfully over-the-top and surreal. This book is like that.
It's also like when, in Timecrimes, you realize that the hero has royally fucked himself irreparably by dicking around with time, and you have a dawning sense of horror that things cannot, will not go back to how they were at first. (If you haven't seen this movie, GO GO GO GO GO! Wait, stop. Read The Egg Said Nothing. Then, GO GO GO GO GO!)
But, it's also a little like the sweet romance from Amelie, love spewing up believably from the dirty streets of Paris or wherever, and with both parts of the pair interesting and independent, neither just a foil for the other. It's like that, too.
This book proves that the inside of Caris's head is just as bizarre and unusual as the outside. We've always suspected this, but only now has it been proven.
First, Mr. O'Malley avoids all of the stumbling blocks I would've expected a bizarro book to trip over and crack its skull, and then lie there, bleeding and twitching on the pavement of mediocrity while everyone just walks past, with briefcases full of more pressing literary engagements, until some kids who watch too much pro wrestling come up and jack it for its Nikes....I don't know how that plays into the metaphor. Whatever. This book is chock full of murders via shovel, and YES, it's gratuitous. But, the gratuitous violence is secondary to a wicked-awesome plot that moves at five hundred miles an hour, steered with the precision of a skilled wordsmith until it runs at full speed into the brick wall of the inevitable conclusion.
And it's fucking hilarous. I completely disagree with Christy's review: I think the dialogue isn't entirely believable, but the awkwardness of the dialogue reflects the characters, and adds another kind of humour to an already hilarious book. The way our protagonist speaks to the guy who just tried to murder him?! The stilted conversations between the lovers?! the casualness with which the character brings up silent film stars?! It doesn't make the character believable, per se, but it makes the character vividly unreal, like the characters in the Gormenghast trilogy. (If you haven't read this, GO GO GO GO GO!) I mean, this motherfucker's day job is fountain diving for change. That alone had me laughing pretty much every time it happened.
Why only four stars? Well, this novella does a good job of exposing the confused, soggy underbelly of time travel, by giving us a story where there's literally so much time travel going on that, for a portion of the novella, I couldn't figure out the semantics of how any of it was working. I get lost in action sequences anyway, but when you have an action sequence with five versions of the same person involved, GAAAAAH! Confusion will strike me upside the head. Like a shovel.
And, although the book caught me off guard at numerous times, the ending seemed inevitable from early on. Also, as a reader, the egg didn't really do anything for the plot, other than serving as a symbol. (Granted, I might have guessed this from the title...)
SPOILERSPOILERSPOILERSPOILERSPOILERSPIOLERSPOILERSPOILERSPOILERSPOILER
And Meredith is down in the comments, screaming at me that the egg is the most important part. This is something I'm not sure I buy. Let me see if I can freewrite myself to understanding WTF she's talking about...after all, the egg is the beginning, the germination of Manny's idea about gender equality, and is also clearly a symbol of his femininity, a symbol of motherhood, which is his ability to take care of and nourish someone else--hence his newfound ability to love homegirl. But, then, it gets broken inadvertently, and there's a DVD inside of it that has himself from the future on it. I guess, from the point the egg breaks, I lose track of how it functions symbolically. But, Meredith is a smart cookie, and I read most of the novella while a little bit intoxicated, so I might just not get it.
Anyway, I'm also trying to take into account my fanatacism for The O'Malley himself...I may not be the president of his fan club, but I have fed him pasta and played with his baby. So, I'm trying to view my own love for this book with a grain of salt.
I have an uncle who is a songwriter down in New Orleans, who does really clever and well-written countryblues songs, but I would've probably given his CD three stars initially. Quite a while after I first listened to it, my parents had it on at their house, and it was playing in a different room, so I couldn't really hear the vocals, but it sounded SO FUCKING GOOD. And I said to dad, "What are you listening to? It's really fucking good!" (Except I didn't drop the 'F' bomb, because if I dropped it around my dad, he would've hit me in the face with a shovel. That's how my parents dealt with swearing.) And he said, "That's your uncle Jim's band," and THAT'S when I realized it really was a five star CD, and I wasn't just inflating my opinion of it because my uncle is awesome.
So, I might be doing a little of that here. Then again, Caris got five stars from just about everyone, so he can fucking deal.