There are a myriad amount of primary and secondary source materials (documents, rolls, pamphlets, books, blogs, magazines, videos, and so forth) showcasing the reign of King Henry VIII – especially his divorce from Katherine of Aragon, his break from the Catholic Church, and his on multiple wives. However, other questions arise: what of his upbringing and the early years of his reign? What psychological effects did events and figures have on both his royal and private person? Robert Hutchinson attempts to tackle this topic in, “Young Henry”: The Rise of Henry VIII”.
Hutchinson’s approach in “Young Henry” is to eschew a straight-forward biography/retelling of Henry’s life and attempt (although, still chronologically) to highlight what made Henry become who he was as a person in an attempt to better understand his psyche and life choices. “Young Henry” opens with a background look at Henry’s birth and the political and monarchial state to which he was welcomed. Hutchinson doesn’t make any affirmative statements (although he does voice speculation and implications) asserting the academic history while leaving room for the reader to draw self-deductions/conclusions. In this way, “Young Henry” takes a different angle than usual Henry VIII texts.
The author’s writing style is far from dry and flows smoothly in a rich, descriptive way (Hutchinson could pen a terrific historical-fiction piece, if he chose to do so). “Young Henry” is readable and entertaining but with a scholarly air as the pages overflow with primary document quotes, details, and fresh material that is new even to those familiar with the subject. There are quite a few tasty tidbits to be found within “Young Henry”.
That being said, Hutchinson missteps by claiming facts other historians have debunked or becoming too familiar and casual with the lesson (calling Katherine ‘dumpy’ multiple times, for instance, is not necessary). “Young Henry” also suffers from consistency issues – or more accurately: a lack thereof as the pace tends to slacken and quicken in large chunk intervals. On the positive end, with even with these flaws, Hutchinson doesn’t color the text with too much personal opinion or biases.
The obvious strong suit in Hutchinson’s writing is his ability to describe battles and/or military pursuits in-depth and with a vision bringing these events to life with no fear of ever causing boredom. Even military maneuvers are exciting which, generally, is not every reader’s cup of tea. Plus, “Young Henry” emphasizes battles or squirmishes that other texts gloss over making for a refreshing read.
This strength, however, spotlights the major flaw in “Young Henry” which is that Hutchinson doesn’t truly meet his thesis of explaining how the environment surrounding Henry’s younger self impacted his later nature. It can be argued that the piece is merely a history of Henry’s life up until Anne Boleyn’s demise.
The conclusion of “Young Henry” is rushed, thin, and quite flimsy lacking the beautiful intricacy of the lead-up resulting in a weak ending tampering any magnetic draw. Bluntly: it simply stinks and is not memorable. Perhaps Hutchinson had a dead line to meet or he simply didn’t know the best way to wrap the text but whatever the cause: it missed its mark.
Hutchinson attempts to remedy this with an inclusion of two sections of photo color plates, a timeline of Tudor events, mini-biography blurbs regarding important Tudor figures, and annotated notes. It should also be mentioned that history texts are often judged by the primary-to-secondary resource ratio and “Young Henry” is wonderfully high in the number of primary materials referenced.
Despite not meeting a thesis, some inconsistency issues, and a subpar ending; “Young Henry” still rises to the occasion with energetic storytelling, heavy detail, and new or lesser discussed facts resulting in a fresh read. “Young Henry” is suggested for those interested in Henry VII and/or the Tudors.