Harrison Bergeron by Kurt Vonnegut Jr. The engine at heartspring's centre by Roger Zelazny Twillight by John C. Campbell Mysterious doings in the Metropolitan Museum by Fritz Leiber The crystal egg by H.G. Wells The Gioconda of the twilight moon by J.G. Ballard The tunnel under the world by Frederik Pohl The coffin cure by Alan E. Nourse Castaway by Arthur C. Clarke The lost machine by John Wyndham "--And he built a crooked house--" by Robert A. Heinlein The third expedition by Ray Bradbury The day beofre the revolution by Ursula K. LeGuin The insect tapes by Michael Scott Rohan Carrier by Robert Sheckley Descending by Thomas M. Disch Abreaction by Theodore Sturgeon Vault of the beast by A.E. van Vogt Eurema's dam by R.A. Lafferty Ghetto by Paul Anderson Is your child using drugs? Seven ways to recognize a drug addict by Rachel Pollack The ninth symphony of Ludwig Van Beethoven and other lost songs by Carter Scholz The electric ant by Philip K. Roth "Arena" by Fredric Brown The man who came back by Robert Silverberg
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Robert Silverberg is a highly celebrated American science fiction author and editor known for his prolific output and literary range. Over a career spanning decades, he has won multiple Hugo and Nebula Awards and was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2004. Inducted into the Science Fiction and Fantasy Hall of Fame in 1999, Silverberg is recognized for both his immense productivity and his contributions to the genre's evolution. Born in Brooklyn, he began writing in his teens and won his first Hugo Award in 1956 as the best new writer. Throughout the 1950s, he produced vast amounts of fiction, often under pseudonyms, and was known for writing up to a million words a year. When the market declined, he diversified into other genres, including historical nonfiction and erotica. Silverberg’s return to science fiction in the 1960s marked a shift toward deeper psychological and literary themes, contributing significantly to the New Wave movement. Acclaimed works from this period include Downward to the Earth, Dying Inside, Nightwings, and The World Inside. In the 1980s, he launched the Majipoor series with Lord Valentine’s Castle, creating one of the most imaginative planetary settings in science fiction. Though he announced his retirement from writing in the mid-1970s, Silverberg returned with renewed vigor and continued to publish acclaimed fiction into the 1990s. He received further recognition with the Nebula-winning Sailing to Byzantium and the Hugo-winning Gilgamesh in the Outback. Silverberg has also played a significant role as an editor and anthologist, shaping science fiction literature through both his own work and his influence on others. He lives in the San Francisco Bay Area with his wife, author Karen Haber.
Superlative, imo. Only two stories didn't quite work for me. My edition does not credit Silverberg as editor, and in fact I doubt he chose the stories, as his taste and mine seldom converge. I'll hang onto this awhile and read it once more before giving it away, skipping the stories that are so memorable I don't need to read them again... which might turn out to be several of them....
One of the best collections of SF stories from the 20th century. Wells, Vonnegut, Silverberg... it's a great representation of the genre. I recently found this anthology in a second-hand bookstore and I remembered just how much it had gripped me when I was a child.
It kicks off with Harrison Bergeron, which is probably the most familiar of Vonnegut's shorts, and Rachel Pollack's "Is Your Child Using Drugs?" was frankly terrifying when I was younger and hasn't lost much of its power now that I'm old enough to understand what it's all about. The same goes for "Descending", and "The Engine at Heartspring's Center".
There's not a story here that I would hesitate to recommend on its own merits.
This anthology is touted as an excellent introduction to SF. In its time (the early eighties), it would have been just that, being comprised of a rich cross-section of authors, and stories that touch upon most sub-genres (though one or two are closer to Fantasy than they are SF). Today, however, quite a number of tales have dated and might even put any potential new SF reader off. Space Odyssey is therefore much better read as a nostalgic trip down memory lane for the aficionado of today.
Stand-outs for me are: The Engine at Heartspring's Centre, Roger Zelazny (a melancholy tale of love in a euthanasia centre); The Tunnel Under the World, Frederik Pohl (the world is false, your life is false, only the adverts are true); '- And He Built a Crooked House -', Robert A Heinlein (four-dimensional real estate); The Third Expedition, Ray Bradbury (a haunting Martian Chronicles tale that always seemed a little out of place in that collection, but on its own seems to work much better); The Insect Tapes, Michael Scott Rohan (an amusing warning against fiddling with nature in a closed environment); Descending, Thomas M Disch (more surreal Horror than SF, but a strong reminder to read more Disch); and The Electric Ant, Philip K Dick (experiments with the perceived reality of an android).
Space odyssey anthology Ratings: Harrison Bergeron 8/10 The engine at heartspring’s centre 7.5/10 Twilight 7/10 Mysterious doings at the Met 3.5/10 The crystal egg 5.5/10 The gioconda of the twilight noon 8.5/10 The tunnel under the world 6/10 Coffin cure 5/10 Castaway 6/10 The Lost robot 5.5/10 And he built a crooked house 9/10 The third expedition 5/10 The Day Before the Revolution 7.5/10 The insect tapes 7/10 (funny) Carrier 8/10 Descending 6/10 Abreaction 4/10 Eurema’s dam 8.5/10
Great collection of short sci fi stories. Most are very old, like the beginnings of sci fi writing. But, those are always fun to read because of the technology. Back in the day it seemed like the future would be full of computers running on reels of tape, and mars would be a habitable planet.
I read this book when I was 14 and it started me off on a lifetime’s obsession with stories set in other galaxies that tell us a bit of truth about our own.
Wells, Zelazny, Vonnegut Jr, Dick, Heinlein, Van Voigt, Wyndham, Bradbury, Leiber, Ballard and other greats of English language sci fi at their very best.
The collection covers practically every type of sci fi. From the straightforward kind where spacemen fight deadly alien adversaries, to the sort that rips apart and takes a peek beyond the thin veil of reality. And everything in between.
My face melted when I read it first. And every time that I have re-read it in the intervening 30 years, I have never failed to marvel at what a great representation this book is of a rich and varied genre.