John Searles' debut novel is, if anything, an engaging read. On the back cover, there is a quote from Frank McCourt (author of Angela's Ashes and 'Tis) that reads: "Once you get into this novel, you'll forget the world-the book is that seductive, that suspenseful." And Boy Still Missing is all that...and them some.
The novel tells the story of teenager Dominick Pindle who has to come to terms with the consequences that his actions have. It's a coming-of-age tale, but one that is told with so much grace, thoughtfulness, and heart that is doesn't read as some poorly-written, but incredibly popular YA novel. It feels like a real novel written by an understanding adult trying to pass on wisdom to a child. Yes, it's about teenagers, but not really for them.
Set in the 70's, the book follows Dominick as he enters into a secret relationship with his cheating father's young girlfriend. Without spoilers, the affair has consequences and sets Dominick on a journey that has innocent intentions, but spins wildly out of control. What is interesting about the plot is that, unlike many of coming of age stories, Dominick deals with an array of events that he is both the cause and victim of. Rather than being about a boy who learns who he is through the actions of those around him and events he cannot control, Searles makes Dominick an incredibly compelling, and more importantly, active protagonist. We watch him make decisions, bot good and bad (but mostly bad), and face the consequences of them. It's sort of like his entire journey is a series of trial and error to see what gets him to his goal.
For this, Boy Still Missing stands out. Not simply because the main character actually does something in his self-discovery, but also because the book makes itself something more through everything it implies. Strangely enough the book actually stay rather grounded in reality. Yes, it takes place in the 70's so it can actually do some things that today's world cannot because of internet and cell phones, but that's fine. As the novel barrels forward and continues to pick up speed, the scope of the novel expands and the story you are being told rapidly changes course and tone, but somehow Searles makes it all believable.
My hypothesis is that somehow, what makes the novel the gem that it is, is really the ending. The last chapter, or last two - three chapters (there are only ten, but when you read, you'll understand how they're all the end) take the novel to an entirely different level. Though this is where the book departs from the journey you've been going on and think you know the ending of, it makes the book something greater by asking the toughest questions about life, fate, justice and in some cases, religion and love. Rather than providing easy answers to all this and wrapping things in a nice bow, Searles lets the end unfold gradually, not in an action packed finale (in the coming of age traditional sense) and gives vague answers, if any at all.
There is where things go oh so right for the novel. It doesn't try to make sense of everything, or most things. It doesn't answer ever plot thread of over-explain itself and beat you in the head with a message. Instead, it stays focused on one boy's journey for life and redemption, but at the same time makes the reader think on a bigger scale. It's something that you can't really explain, but that all you can do is recommend the next person read it and feel it for themselves.
Yes, the book is impressive and yes, I'm sixteen years late to the party, but it bears repeating that the novel is amazing. Right now, I'm only giving Boy Still Missing a four star rating because I'm submerged in the period of time where all I think about is how awesome the book was and how much I loved it. The real test is to see if, in six months or a year from now, I think about it again or pick it up from the shelf and start reading Searles' well-crafted prose for a second time. Then, I can confidently change my rating to five stars. And I have a gut feeling that Boy Still Missing will pass the test with flying colors.