This book is hilarious; it's full of voice and narrates the internal stream of consciousness on various topics; however, the beginning was dull and seemed a bit too much of a "how to" book, so luckily I'm not one to put down a book after the first few pages....usually. Still, even some of the "how to" advice had some merit, such as how to be more "white trash": "Take to ending every declarative statement with 'Yeah, it does.' (Alternate acceptable WT: 'I heard that.')" (5).
As previously stated, the voice on this writer (who writes articles professionally, so I'd expect nothing less), is strong and relatable. She embraces all of her supposed faults, vices, and unsavory personality characteristics with elaboration on what she actually thinks, and I agreed with her! Riverbank clearly understands that positive image does not equal perfection, a common stereotype in the South, but that status comes from being able to really know what you're presenting in the world and being proud of it: "I've become the Hallmark crone. And I it" (24).
Though some parts were less interesting, my favorite sections involves the family gatherings, childcare, and gender differences. As someone who does not readily laugh out loud from a text, the Baby Born scene and explanation of what it is had me laughing, as well as the parental view of Chuck E. Cheese: "his royal rodentness finally emerged waving both arms to the kids, Nixon style" (52). Part of the hilarity of these scenes is the differing observations of the people involved: The children fully of glee, while the parents are constantly wondering "wtf." I think anyone who has been around kids can relate.
Being a representative of the South, Rivenbark also accurately and humorously sheds light on the competition of mothers/women and the catty comments elicited as they try to one up each other, like when she is sent a Christmas card with a newborn baby as Jesus: "The Christ Child! It's not like he can ever be an elf after that [. . .] I'd also be unable to resist speculating that this woman is so competitive she only conceived a fourth child so she could complete her long-dreamed-of Bethlehem diorama" (57).
Expectations of motherhood are also explored. Rivenbark is an unapologetic parent who feeds her kids what is efficient and has blunt responses for questions parents are constantly asked, such as if the baby is "good": "Oh, she's awful! We're thinking of sending her back before the warranty expires" (138). Moreover, Rivenbark looks at some of the expectations media places on Southern women and has pretty great responses: "I finally let my subscription lapse after she made me feel irrationally guilty for not sewing my own shower curtain" (181).
In terms of gender differences, Rivenbark leans towards the stereotypical "Southern" man, but some of it would probably apply to almost all of them, such as the dad sending the kid to church in a Power Ranger belt or the bottom of a Disney Jasmine costume.
Although it's dated, I'm glad I chose this easy-read and am glad I found a kindred spirit: "I'm hooked on TV, unapologetically, unregretfully, unabashedly" (237).