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Taking place in a parallel world in the year Seventeen-Twelvety (approximately 1802) this almost historical adventure begins with 16-year-old Miss Artemesia Fitz-Willoughby Weatherhouse, or Art for short, coming to her senses in her select but dreary prison that is the Angels Academy for Young Ladies. She longs for the life her deceased mother Molly led and is determined to break out and rebel against her uneasy aristocratic father. Molly Faith was a notorious female pirate who coined and earned the feared nickname Piratica.
Taking a rare chance to escape her educational shackles, Art makes for Ports Mouth and the unruly inn where her mother's old shipmates congregate to drown their sorrows. Taking on her mother's mantle and battle cry--Art urges them to resurrect their former seafaring career of blaggardry and to strike out for further fame and infamy. It is at this juncture that Art learns a fearful and totally jaw-dropping truth about her infamous mother's past life. It's a twist so unexpectedly twisty that it may well be the twistiest turn a story has ever embarked upon.
This is a novel about which the reader cannot help but feel an enormous sense of fun and warmth. The author's editorial tongue is firmly in cheek throughout, but its rip-roaring spirited and pleasurable nevertheless. Suitable for readers aged 12 and over. --John McLay
416 pages, Paperback
First published January 1, 2007
I'm not gonna sugar coat it, this was extremely disappointing and a major downer with questionable themes for a children's book. Art is in a very bad place mentally and Ebad and Felix are the only ones who really seem to notice and she abandons Felix before they have a chance to talk about it and gets separated from Ebad. Art and Felix are separated for like a week and both of them start making out with other people (yes, they are still married, by the way, and arguably still in love with each other). Art leaves her crew in a serious lurch and in the power of untrustworthy people, for what feels like a deus ex machina reason (and more an excuse to get her to France so she can fall for new guy, who thankfully she abandons in Italy, but the damage to my heart has been done). I picked this up hoping for a lighthearted, swashbuckling adventure with a childhood heroine, instead I got depression and overreaction from a far less clever than I remembered her, girl who is more in love with her legend than the people she claims to care for. I get the feeling Ms. Lee intended another (hopefully redemptive) book after this, but she killed her series with the bad plot choices in here. () This gets two stars for Towser the cat, and the brief moments of swashbuckling and brilliance (which totally proved we could have gotten the fun story we all wanted; it was in there, wishing for a chance to shine).
Content notes: Mild, infrequent, old timey swearing. On page kissing, but nothing more; more objectionable is who is kissing whom. Multiple deaths happen slightly off page, the set up for the mode of death is described, the "camera" pans over as they head into their deaths, and comes back to find the aftermath that is only very generally described; drowning, crushing, swords/pistols and mobs are all causes of death, with peril from heights and pirates added in.