The Museum as Muse: Artists Reflect

by Gillian Wearing (Artist), Christopher Williams, Glenn D. Lowry

Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse , artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; "personal museums" and "cabinets of curiosities" by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo; and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York.

Genres: Art

Hardcover

First published January 1, 1999

Reviews

[Vikas Singh · Rating 3 out of 5]

The book is an interesting study on how artists tend to look at museums. The essay and introduction is a detailed thesis into the various theories and interpretations artists have when it come to museums. The book also has examples of works by artists like Charles Wilson, El Lissitzky, Marcel Duchamp, Barbara bloom, Hiroshi Sugimoto, Joseph Cornell, Herbert Distel and Mark Dion amongst others. There are some brilliant examples of installations. However for me when photographs and installations displayed in the book are average and there is little in these to create 'awe"