Rules for the Endgame: The World of the Nibelungenlied

Parallax: Re-visions of Culture and Society

by Jan-Dirk Müller, William T. Whobrey (Translator)

The source of Richard Wagner's Ring Cycle, the Nibelungenlied occupies a unique place in medieval literary history. Commonly seen as the paradigmatic example of national epic, its interpretation has long been colored by the later evolution of German cultural tradition. In Rules for the Endgame Jan-Dirk Müller argues that the literary reception of the Nibelungenlied was problematic long before the modern era.

Here Müller uncovers the complex and heterogeneous cultural context from which the poem emerged. He challenges scholarly readers to move beyond modern methods of criticism and analysis — specifically, in their expectations of coherence, agreement, and integrity — and to look for other possibilities and methods of interpretation. He recommends a reading that elucidates meaningful linkages, isotopes, and structural recurrences on the epic's different levels and thematic subjects.

This groundbreaking interpretation offers a new approach to the reading of medieval literature and revolutionizes the study of the Nibelungenlied itself — providing a richer understanding of the work's significance both in its era and for our own.

Genres: Literary Criticism

584 pages, Hardcover

First published October 17, 2007

Reviews

[Neil · Rating 5 out of 5]

Originally published in German in 1998 under the title Spielregeln für den Untergang: Die Welt des Nibelungenliiedes and causing such storm that an English language version was called for. This book must be one of the best studies on the Nibelungenlied I have ever read. Müller sets the Nibelungenlied in the context of 13th century German culture and looks into questions of authorship, variations of the Nibelungen legend, structure, epic composition, the poets view of society and much more. So detailed that it never ceases to amaze. Should be read by anyone interested in the Nibelungenlied.