This play refuses to let me go. AfriCanadian playwright Andrew Moodie assembles a kaleidoscope of characters connected, sometimes tangentially, to a legal case with echoes of racial profiling. A female police officer in Toronto stops a van driving erratically late at night. In searching the van, she discovers an illegal firearm, and the driver is charged. The driver charges that the search was the result of racial profiling, leading to suits and counter-suits further complicated by the driver's later run-in with a powerful criminal figure. The prosecuting attorney is an upwardly mobile AfriCanadian who has had to deal with profiling himself and is negotiating a mixed marriage to a schoolteacher concerned about one of her lower-income students and... Moodie takes the play on some interesting tangents without ever losing sight of his central thesis that the famous city slogan "Toronto the Good" is and always has been a lie.