Updated and improved, with new case studies and conversations with award-winning filmmakers including Alex Gibney ("Taxi to the Dark Side"), James Marsh ("Man on Wire"), and Deborah Scranton ("The War Tapes").
"Documentary Storytelling" has reached filmmakers and filmgoers worldwide with its unique focus on the single most important aspect of documentary media-making: storytelling. Drawing on the narrative tools of the creative writer, the unique strengths of a visual and aural media, and the power of real-world content truthfully presented, "Documentary Storytelling "offers advice for producers, directors, editors, and cinematographers seeking to make ethical and effective nonfiction films, and for those who use these films to educate, inform, and inspire. Special interview chapters explore storytelling as practiced by renowned producers, directors, and editors. This third edition has been updated and expanded, with discussion of newer films including "Waltz with Bashir" and "Why We Fight." * Storytelling techniques are one of the most powerful tools in the documentary filmmaker's arsenal-learn how to harness them with this book * Top documentary filmmakers provide their storytelling strategies * Covers a wide range of documentary styles
Emmy and Peabody Award-winning filmmaker, author, and educator, with expertise in nonfiction narrative. Most recent book, "Bring Judgment Day: Reclaiming Lead Belly's Truths from Jim Crow's Lies” (Cambridge University Press, July 2024).
Previous books include "Documentary Storytelling: Creative Nonfiction on Screen," now in its 5th edition (2022) and available in seven languages; and, with Kenn Rabin, "Archival Storytelling: Finding, Using, and Licensing Third-Party Visuals and Music," now in its 2nd edition (2020).
Films include "Slavery by Another Name" and the series "I'll Make Me a World: A Century of African American Arts" and "Eyes on the Prize II: America at the Racial Crossroads," all broadcast nationally on PBS.
I read this to get pointers for my own non-director-self and the book does lay out the entire process of documentary making. She has a lot of anecdotes to illustrate key points but sometimes, I would have appreciated just bullet-style take-home messages. Overall good but not a novel or interesting read.
this one was really dumbed down, and much of it still did not make much sense when it came to the technical stuff. i just don't get resolution and framespeed, and all that jazz. not bernard's fault, she really tried. i gave up reading this one too, which was okay i guess since just about everything covered in the bookswas also covered in class.
i recommend this book to anyone who is just starting out and needs to grapple the basics quickly. i needed to, and what i did read helped a little. i'm just hopless when it comes to this stuff
Read the first part of the book (before the interviews) in an entire plane sitting. Was hoping for a bit more insight and depth into theories on storytelling but perhaps I will get more of what I'm looking for from the section of interviews with filmmakers.