Honobu Yonezawa (米澤穂信), Yonezawa Honobu, born 1978) loved making up stories even as a child and began writing fiction at the age of 14. By the time he got to university he was posting stories on his own website. After graduation he continued writing while working in a bookstore, and first got into print in 2001 when Hyoka (Ice Cream), a YA mystery novel he submitted for the Kadokawa School Novel Prize competition, earned an honorable mention. Sayonara yosei (Farewell, Sprite), a critically acclaimed story of the relationship between Japanese high-school boys and a girl from war-torn Yugoslavia, helped cement his reputation when it was published in 2004. Since then he has been a regular presence on lists of the year's best mysteries. Oreta ryukotsu (Broken Keel) won the Mystery Writers of Japan Award for Novels in 2011. Though known especially for his distinctive and fresh blending of the tale of youth with the whodunit, Yonezawa has also made forays into science fiction, as with 2006’s Botorunekku (Bottleneck) and 2007’s Inshitemiru (Try Indulging), a sinister "murder game" story. In 2013 he published the novel Rikashiburu (Recursible). He is a leading figure among Japan's younger generation of mystery writers.
Yonezawa’s “Hyouka” was the first novel I read in Japanese, and I’m pleased to find that I continue to be charmed by his work so many years later. His style of characterization is very much to my tastes, and the logical deductions in the mystery elements all feel well tuned to be fair, but not immediately obvious.
The friendship between the two main characters is built up slowly over each of the short stories, and it is particularly fun to see how two highly logical “detectives” types interact as they interpret situations through slightly different (but both competent) lenses. There’s a bit of literary chiaroscuro here with a yin-yang theming to their most fundamental approaches to taking in information, and I think it made for a particularly compelling final chapter—if not in terms of the beat-to-beat mystery itself, then the character arcs it completed.
The characters are developed slowly over the course of the short stories. I really ended up liking all of these and I really appreciated how the author didn’t go for a nice happy ending in all the cases but instead leaves the reader with some frustration over the ending.