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Steichen in Color: Portraits, Fashion & Experiments by Edward Steichen
Edward Steichen was one of the world's greatest photographers, celebrated for his black-and-white images-particularly his Family of Man exhibition. But he was also an innovator in color photography who created magnificent autochromes, an early glass-plate color process that yields a unique print.
This exceptional volume pays tribute to Steichen's rare and in some cases never-before-seen color work. Featuring an essay by his wife Joanna, as well as a lengthy introduction by the curator of photographs at George Eastman House, this landmark publication showcases 48 eye-opening photographs, all gorgeously reproduced in a museum-quality monograph.
This exceptional volume pays tribute to Steichen's rare and in some cases never-before-seen color work. Featuring an essay by his wife Joanna, as well as a lengthy introduction by the curator of photographs at George Eastman House, this landmark publication showcases 48 eye-opening photographs, all gorgeously reproduced in a museum-quality monograph.
- GenresPhotography
127 pages, Hardcover
First published September 7, 2010
15 people want to read
About the author
Edward Steichen
99 books5 followersEdward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and art gallery and museum curator.
Steichen was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Together Stieglitz and Steichen opened the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address.
His photos of gowns for the magazine Art et Décoration in 1911 are regarded as the first modern fashion photographs ever published. From 1923 to 1938, Steichen was a photographer for the Condé Nast magazines Vogue and Vanity Fair while also working for many advertising agencies including J. Walter Thompson. During these years, Steichen was regarded as the best known and highest paid photographer in the world. In 1944, he directed the war documentary The Fighting Lady, which won the 1945 Academy Award for Best Documentary.
After World War II, Steichen was Director of the Department of Photography at New York's Museum of Modern Art until 1962. While at MoMA, he curated and assembled the exhibit The Family of Man, which was seen by nine million people.
Steichen was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Together Stieglitz and Steichen opened the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address.
His photos of gowns for the magazine Art et Décoration in 1911 are regarded as the first modern fashion photographs ever published. From 1923 to 1938, Steichen was a photographer for the Condé Nast magazines Vogue and Vanity Fair while also working for many advertising agencies including J. Walter Thompson. During these years, Steichen was regarded as the best known and highest paid photographer in the world. In 1944, he directed the war documentary The Fighting Lady, which won the 1945 Academy Award for Best Documentary.
After World War II, Steichen was Director of the Department of Photography at New York's Museum of Modern Art until 1962. While at MoMA, he curated and assembled the exhibit The Family of Man, which was seen by nine million people.
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