One of the best features of The Railway Detective series is that it offers solid variety concerning the set-up on the inevitable crimes to be solved. My first experience (with a later volume in the series) began with a suicide (Railway to the Grave). My second, the eponymous first volume, began with a train robbery and assault. The actual second volume in the series, The Excursion Train, begins with a bare-knuckled prize fight—illegal at the time, and it is followed by the discovery of something else illegal, a murder.
When the victim turns out to be a hangman, Inspector Colbeck quickly suspects that this might be a vengeance killing. There are strange ancillary circumstances, too. It seems a young woman is involved in the murder, but she was not physically capable of performing the crime. When other victims relate to an alleged innocent man who was hanged, the idea of a conspiracy comes to mind. Of course, the intransigent Superintendent Tallis believes that Colbeck’s instinct is off the mark (as usual). So, the supervisor and the detective are head-to-head for much of the story. It is only Colbeck’s reputation among the railroads which keeps him involved in the investigation.
There is a portion of this mystery which reminds me of The Lone Ranger or Wild, Wild West on television. In the two television series just cited, the protagonist often sent his sidekick (respectively, Tonto or Artemis Gordon) into dangerous situations in which, predictably, they were discovered and placed in grave danger. In The Excursion Train, Victor Leeming finds that undercover work can be very dangerous. Fortunately, Mulryne (a member of the supporting cast) is able to pick up where Leeming has to leave off—in spite of Superintendent Tallis’ prejudice against the big Irishman and ex-policeman.
More than the first volume of the series, The Excursion Train rather emphasizes the rather unpleasant social plight of women during the era. Particularly moving in this story was the reaction of widows to the news of spousal deaths. Almost more than the sense of emotional loss was the sense of economic loss and a feeling of unease (or even fear) for the future. Of course, Colbeck’s romantic interest, the lovely Madeline, proves as much of an exception to the rule as Charlotte Pitt does in the investigations found in Anne Perry’s novels.
Railroad fans, Victorian Era fans, and those who like mysteries with just enough twists beyond the expected tropes should enjoy these volumes. The Excursion Train won’t disappoint.