Critical Visions in Film Theory is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. Critical Visions also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences.
Another textbook required for one of my classes. I actually enjoyed a lot of the essays in this collection, it was very useful for class and most of them were very interesting.
*I did not read the whole book* However, the essays I did read were really good and insightful. They were all from different periods of time which is interesting in terms of the changes to the idea of philosophy and aesthetics. If you're interested in philosophy and the way it impacts our lives, or if you're interested in how film and aesthetics impact us definitely give this a read. Read for a uni course but highly recommend (get it second hand though because its very expensive)