Read this book in 2008, 17 years back. Arabesque is Claudia Roden at her most lyrical. Where her earlier books feel archival, this one feels architectural—curved, decorative, sensuous.
The title is perfectly chosen. The book moves like an arabesque pattern itself, weaving Morocco, Turkey, and Lebanon into a continuous, flowing design.
The visual beauty is immediate, but it is the cultural depth that holds you. Roden does not treat these cuisines as exotic spectacles. Instead, she shows how their shared histories—Ottoman, Arab, Mediterranean—manifest in spices, techniques, and table rituals.
You begin to see the logic behind flavours that once seemed mysterious.
The Moroccan chapters glow with warmth: slow-cooked tagines, fragrant couscous, and the confident marriage of fruit and meat.
Turkey brings structure and balance—grills, pilafs, and yoghurt-based dishes that soothe as much as they satisfy. Lebanon offers freshness: herbs, citrus, and olive oil are used with astonishing restraint.
What makes Arabesque special is how personal it feels. Roden writes as someone moving between kitchens, welcomed everywhere, learning humbly. Her respect for home cooks is palpable. These are dishes cooked for family, for guests, for festivals—not for applause.
Cooking from this book feels celebratory. The dishes ask for time but reward you with joy. They are meant to be shared, discussed, and remembered. This is a book you open not only to cook but also to dream.
Most recommended.