As a comedic actor, Ed Begley Jr. is way up there, a personal favorite from his career-launching role as Dr. Victor Ehrlich on "St. Elsewhere", to his hilarious Yiddishism-spewing, control room interfering public broadcasting executive Lars Olfen in Christopher Guest's brilliant mockumentary send up of a folk music reunion fundraiser "A Mighty Wind."
Dr. Ehrlich, of course, is fondly remembered for his many scenes with his egomaniacal heart surgeon mentor Dr. Mark Craig (William Daniels), and for his moment as a TV doc where Victor had cause to first to utter the phrase "penile health" in prime time.
Not much of which is in this book. I would have liked to hear a great deal more about Victor Ehrlich, Lars Olfen, and bringing great comedic characters to life. If this book is ever made into a movie, you defintely want to include those clips.
"St. Elsewhere" had a great multigenerational cast. Movie superstar Denzel Washington, who Begley properly acknowledges as a superlative acting talent, made his big break there, too. How did Denzel, Begley, and future TV leading man Mark Harmon (NCIS) develop their craft on the innovative, breakthrough MTM drama? Nothing on that. What was it like working with Daniels and Norman Lloyd? Zippo. We do get one glimpse of Begley finding his character when the costumer comes up with the clever and appropriate idea of dressing Ehrlich, a Californian, in Hawaiian shirts. It connected with the actor, a fine detail. Producer-director Mark Tinker, a fellow second generation TV difference-maker, liked Begley's take on the character, and the actor was on his way to six Emmy nominations in six years on the air.
Begley has decades of credits, but I really would have liked to hear more about "A Mighty Wind", one of my top ten films of all time. Why not include something on director Chris Guest's unique genius for semi-scripted improvisation? Begley makes the most of his scenes in the film, the Yiddish bits were even quoted in the Washington Post. Perhaps this book left the wrong pages on the cutting room floor?
Did someone at the publishing company say "listen Begley, stop trying to save the world. Mr. and Mrs. John Q. Bookbuyer don't want to hear about your process, get me?" Maybe they thought they would sell more books if he mentioned, "you know, everyone famous you ever met." So instead of discussing script nuances and the writers, we get an encounter with Charlie Manson. Did Begley meet future Simpsons writer-producer David Mirkin in early days on the stand-up comedy circuit? Not in the book, but we do get material on that other Simpson -- the disturbing, prescient concern Begley felt about O.J.'s relationship with his then-living wife.
A good memoir about someone in creative work needs to talk a little more about the work. Can you guess where Begley's deepest dive into creativity comes? Yup, his environmental concerns, particularly a moment with Marlon Brando discussing very complex and for once apparently feasible deep sea alternative energy scheme. Begley himself voices the audiobook, and you can hear the earnest passion he feels for his favorite causes. His passion for healthy food is smart and seems to have served him well and extended his life. The composting / energy efficiency / sustainability ratings talk aren't overdone. I could have done without the "social justice" verbiage, the apologetic white male tone, and the obligatory gratuitous swipe at Trump, but hey, it's his book.
Name dropping is mentioned in some of the reviews. Sometimes it does go on a bit, sort of like when the end credits of a movie go on for longer than the last act did, but what if the guy really does have a lot of friends and he thinks you'd be interested? Plus, Hollywood runs on relationships and Begley had the good sense, charm, and in-the-now Alan Watt's-it-all-about centeredness to attract loyal friends. Despite his father's reputation, Begley didn't have it easy breaking in. He trained for below-the-line production work and took other day jobs while the great movies of the 1970's were attracting thousands of fellow boomers to Hollywood. And some of the competition cheated -- they did it sober!
Yes, you get the whole boozer confessional subplot here, the cute jail story, the sad relationship-ruining mistakes, then a neat twist from a sobriety sponsor. The author is generous, except to himself. That hard, judgemental attitude you sometimes get from unreconstructed hippie types is far more tolerable when the person he comes down hardest on is himself. The personal ups and downs are a little hard to track sometimes because the book frequently veers out of sequence. All in all, I'd say stay with the read. The bottom line is you come away liking the man behind the wonderful characters because he's trying his best to be a loving person, and he's really good at making us laugh.