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Art of Fantasy: A Visual Sourcebook of All That is Unreal
This beautiful, fully illustrated book presents a compendium of artworks throughout history which have been inspired by myth, fantasy and the unreal.
Artists have explored imaginary worlds and fantastical creatures for centuries, expressing the unreal and impossible, the mystical and mythical, via the medium of paint.
But what draws them to the imaginary, the uncharted and the unknown? Is it merely an escape from reality ? Or are they seeking a greater understanding of the human experience , or perhaps the very meaning of life itself? With myriad styles and methods of expression, what links artists through the ages? And how have these visual flights of fancy and imagination changed over the course of time? The Art of Fantasy is a visual sourcebook of all that is fantastical – from fine art to illustration, and from surrealists and symbolists to the creatives working in undefined territories. While the artists in our history books (Blake, Goya, Dali, Magritte, Ernst) first brought fantasy art to the galleries, it was the twentieth century artists who brought it to the masses. It is in this book that, for the first time, they are united and equally weighted, presenting a mesmerising and thoughtful curation of the best fantasy artwork out there. This is an inspiring collection for fans of myth, magic, fantasy and art history.
Artists have explored imaginary worlds and fantastical creatures for centuries, expressing the unreal and impossible, the mystical and mythical, via the medium of paint.
But what draws them to the imaginary, the uncharted and the unknown? Is it merely an escape from reality ? Or are they seeking a greater understanding of the human experience , or perhaps the very meaning of life itself? With myriad styles and methods of expression, what links artists through the ages? And how have these visual flights of fancy and imagination changed over the course of time? The Art of Fantasy is a visual sourcebook of all that is fantastical – from fine art to illustration, and from surrealists and symbolists to the creatives working in undefined territories. While the artists in our history books (Blake, Goya, Dali, Magritte, Ernst) first brought fantasy art to the galleries, it was the twentieth century artists who brought it to the masses. It is in this book that, for the first time, they are united and equally weighted, presenting a mesmerising and thoughtful curation of the best fantasy artwork out there. This is an inspiring collection for fans of myth, magic, fantasy and art history.
309 pages, Kindle Edition
First published September 21, 2022
21 people are currently reading
2600 people want to read
About the author
S. Elizabeth
3 books222 followersS. Elizabeth is a Florida-based writer specializing in art, the macabre, and the supernatural.
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Displaying 1 - 30 of 30 reviews
July 14, 2023
4 stars. i don’t know why 4 but 4 it is.
December 6, 2024
Rating: 5* of five
The Publisher Says: The Art of Fantasy is an inspiring curation of art for fans of myth, magic and the unreal – from gallery greats (the Surrealists and Symbolists) to artists working in the margins today.
This beautiful, fully illustrated book presents a compendium of artworks throughout history which have been inspired by myth, fantasy and the unreal.
Artists have explored imaginary worlds and fantastical creatures for centuries, expressing the unreal and impossible, the mystical and mythical, via the medium of paint.
But what draws them to the imaginary, the uncharted and the unknown? Is it merely an escape from reality? Or are they seeking a greater understanding of the human experience, or perhaps the very meaning of life itself? With myriad styles and methods of expression, what links artists through the ages? And how have these visual flights of fancy and imagination changed over the course of time?
The Art of Fantasy is a visual sourcebook of all that is fantastical – from fine art to illustration, and from surrealists and symbolists to the creatives working in undefined territories. While the artists in our history books (Blake, Goya, Dali, Magritte, Ernst) first brought fantasy art to the galleries, it was the twentieth century artists who brought it to the masses. It is in this book that, for the first time, they are united and equally weighted, presenting a mesmerising and thoughtful curation of the best fantasy artwork out there.
This is an inspiring collection for fans of myth, magic, fantasy and art history.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: I grew up around art, and artists. The first Christmas gift I remember the moment of getting is one I'd seen in the bookstore (they were mostly in department stores in those days, this one was in Saks Fifth Avenue), loved and wanted very badly: The Bayeux tapestry: the story of the Norman Conquest, 1066 by Norman Denny.
I was, as this shows, an odd kid. My favorite kids' books were Dr. Seuss's deeply surreal weirdnesses. My father and I absolutely loved reading those together. Our house was decorated with original art, and my mother's bestie for almost my entire life was an artist whose work still adorns my walls.
In short, I'm exactly the buyer, if only tangentially the reader/viewer, this book has in its crosshairs. I knew the artists and most of the artworks in here. I got the point of it immediately on reading the first few paragraphs. It's a very good introductory compendium for the oddball world of surreal and fantasy art and artists. I'm also inclined to give this book as a gift to someone of, say, thirteen or so on up, who loves fantasy books, who draws a lot, and/or who is just discovering the immensity of our visual culture.
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The best thing about this beautiful object as a gift is it elucidates the visual and intellectual culture of "fantasy" as a creative worldview without going all art-history blather. It's a book that reads like the good conversation one can have with an older loved one on a subject dear to their own heart.
As a gift, I think it is about perfect. As a self-gift, it *is* perfect, worth your treasure in trade for its beauty and wisdom.
The Publisher Says: The Art of Fantasy is an inspiring curation of art for fans of myth, magic and the unreal – from gallery greats (the Surrealists and Symbolists) to artists working in the margins today.
This beautiful, fully illustrated book presents a compendium of artworks throughout history which have been inspired by myth, fantasy and the unreal.
Artists have explored imaginary worlds and fantastical creatures for centuries, expressing the unreal and impossible, the mystical and mythical, via the medium of paint.
But what draws them to the imaginary, the uncharted and the unknown? Is it merely an escape from reality? Or are they seeking a greater understanding of the human experience, or perhaps the very meaning of life itself? With myriad styles and methods of expression, what links artists through the ages? And how have these visual flights of fancy and imagination changed over the course of time?
The Art of Fantasy is a visual sourcebook of all that is fantastical – from fine art to illustration, and from surrealists and symbolists to the creatives working in undefined territories. While the artists in our history books (Blake, Goya, Dali, Magritte, Ernst) first brought fantasy art to the galleries, it was the twentieth century artists who brought it to the masses. It is in this book that, for the first time, they are united and equally weighted, presenting a mesmerising and thoughtful curation of the best fantasy artwork out there.
This is an inspiring collection for fans of myth, magic, fantasy and art history.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: I grew up around art, and artists. The first Christmas gift I remember the moment of getting is one I'd seen in the bookstore (they were mostly in department stores in those days, this one was in Saks Fifth Avenue), loved and wanted very badly: The Bayeux tapestry: the story of the Norman Conquest, 1066 by Norman Denny.
I was, as this shows, an odd kid. My favorite kids' books were Dr. Seuss's deeply surreal weirdnesses. My father and I absolutely loved reading those together. Our house was decorated with original art, and my mother's bestie for almost my entire life was an artist whose work still adorns my walls.
In short, I'm exactly the buyer, if only tangentially the reader/viewer, this book has in its crosshairs. I knew the artists and most of the artworks in here. I got the point of it immediately on reading the first few paragraphs. It's a very good introductory compendium for the oddball world of surreal and fantasy art and artists. I'm also inclined to give this book as a gift to someone of, say, thirteen or so on up, who loves fantasy books, who draws a lot, and/or who is just discovering the immensity of our visual culture.
The best thing about this beautiful object as a gift is it elucidates the visual and intellectual culture of "fantasy" as a creative worldview without going all art-history blather. It's a book that reads like the good conversation one can have with an older loved one on a subject dear to their own heart.
As a gift, I think it is about perfect. As a self-gift, it *is* perfect, worth your treasure in trade for its beauty and wisdom.
July 16, 2023
My thanks to both NetGalley and the publisher Quarto Publishing Group – White Lion, Frances Lincoln for an advance copy of this look at the art of the fantastic, the stories and myths that art can share and tell, and the freedom it gives to those who experience it for the first time.
I think I first became aware of art when my father explained to me that all those pretty images I was experiencing while watching Walt Disney's Robin Hood were all drawn by hand. Even at my young age this blew my mind as I could barely color in the lines, and got tired after a page. To draw a movie seemed stunning to me, and I knew I wanted to be an artist. However again the not coloring in the lines, lack of stamina, and a problem making lines with a ruler ended that dream, but I knew I liked to admire pictures, for how I felt and the work that it took to create this. Comic books were next, but the art that grabbed me again early, was the covers to my favorite novels, mostly of a fantastical setting. The covers to Conan, the works of Michael Whelan, the art of Dungeons & Dragons, and slowly moving out. A picture can sometimes tell a story better than words ever can. Art can make the world look beautiful, fresh with possibilities and love, or miserable, full of demons, and crushed hearts under heels. The Art of Fantasy: A visual sourcebook of all that is unreal by S. Elizabeth part of a series about the art of the fantastic, and occult looks at the art of myth and creatures that might have lived once, dwelling now in the dreamlands, and places that cartographers never thought to map.
The tome features works of art classical and modern, by famous artists, artists known to niche crowds and a few unknowns, but all dealing with the fantastic, the wondrous and the strange. The book begins with an introduction featuring an essay on what makes certain works visual, and why some things and places translate so well in a picture or painting. Creatures from myth, from fiction, from song and folk tale, sometimes a few times as there are many interpretations of various beings. Ideas from philosophy or religion, and places that were dreamed to be, hoped to be, or never were. The pictures are really wonderful.
A book that many will be drawn to, no pun intended. S. Elizabeth is a very good writer, and even better has a very good eye at picking works, and being able to explain why this work and not another should be represented. Covers, works that hang in museums, ideas and sketches, there is quite a lot here. Even though I read this in an E-book format the works chosen really had a power to them. I am sure that I am going to have to buy this, as well as others in the series, as this really is an outstanding collection.
Recommended for artists, readers of the fantastic and those who want to understand what art attracts people. Also for any creative types, as this book will inspire people to create, even if they can't make a straight line with a ruler.
I think I first became aware of art when my father explained to me that all those pretty images I was experiencing while watching Walt Disney's Robin Hood were all drawn by hand. Even at my young age this blew my mind as I could barely color in the lines, and got tired after a page. To draw a movie seemed stunning to me, and I knew I wanted to be an artist. However again the not coloring in the lines, lack of stamina, and a problem making lines with a ruler ended that dream, but I knew I liked to admire pictures, for how I felt and the work that it took to create this. Comic books were next, but the art that grabbed me again early, was the covers to my favorite novels, mostly of a fantastical setting. The covers to Conan, the works of Michael Whelan, the art of Dungeons & Dragons, and slowly moving out. A picture can sometimes tell a story better than words ever can. Art can make the world look beautiful, fresh with possibilities and love, or miserable, full of demons, and crushed hearts under heels. The Art of Fantasy: A visual sourcebook of all that is unreal by S. Elizabeth part of a series about the art of the fantastic, and occult looks at the art of myth and creatures that might have lived once, dwelling now in the dreamlands, and places that cartographers never thought to map.
The tome features works of art classical and modern, by famous artists, artists known to niche crowds and a few unknowns, but all dealing with the fantastic, the wondrous and the strange. The book begins with an introduction featuring an essay on what makes certain works visual, and why some things and places translate so well in a picture or painting. Creatures from myth, from fiction, from song and folk tale, sometimes a few times as there are many interpretations of various beings. Ideas from philosophy or religion, and places that were dreamed to be, hoped to be, or never were. The pictures are really wonderful.
A book that many will be drawn to, no pun intended. S. Elizabeth is a very good writer, and even better has a very good eye at picking works, and being able to explain why this work and not another should be represented. Covers, works that hang in museums, ideas and sketches, there is quite a lot here. Even though I read this in an E-book format the works chosen really had a power to them. I am sure that I am going to have to buy this, as well as others in the series, as this really is an outstanding collection.
Recommended for artists, readers of the fantastic and those who want to understand what art attracts people. Also for any creative types, as this book will inspire people to create, even if they can't make a straight line with a ruler.
Read
August 25, 2023Well I certainly turned to this with some trepidation. Last time (https://www.goodreads.com/review/show...) I clicked through to an S Elizabeth (aka Mlle Ghoul) (aka Sarah Walter) book I found a wonderful look at bizarre, macabre and downright peculiar art, that really showed someone knew their stuff. And then something made me click through to one of the pieces, and lo and behold ten minutes later I had found three instances of outright plagiarism and errant mistake. I assume the lack of response suggests lack of defence. And so I knew what this would lead to – a well-presented and indeed quite eye-opening look at visual creativity of the fantasy kind – not necessarily the humongous boobs and irrelevant thongs of fantasy fiction illustration, but you know, the other kind. And of course a ripe bit of thievery.
And this time it took seventeen minutes since I ever first clicked through to a next page to find anything that had been cribbed. The sections of the book get their own introductions, and then each chapter within those the same, after which you're given lovely visuals with the little explanatory captions such as you'd get on those tiny placards in museums. And just as before it's blindingly obvious which ones Mlle Sarah Elizabeth Walter Ghoul has written and which ones she's not. Raqib Shaw's first result on a quick google search bears striking similarity to what we get here, even if it might have been shunted about a bit. It's the first search – the gallery that represents him – and it's potentially been given two errors and not improved. And it's not been written by the creator here, unless the said Floridian also moonlights as writing web content on behalf of British artists at a London-based gallery collective.
And the mind boggles. Why did the publishers allow this to happen again (and potentially, given the earlier book I didn't see, for a third time)? Do they really give free digital copies to all and sundry (the likes of me) and never read what they're paying for? How can the editors allow these captions to pass when any fool can tell they're written by multiple hands? These books are potentially world-beating, with their scope, their variety, their richness of pieces the reasonably interested art lover will not have heard of. And they're cobbles. Not cobblers, because this is intelligent stuff, but cobbled, cut 'n' pasted, stolen. These books should have been five star achievements – they're unrateable plagiarism. And so dear reader I clicked through this for the wallpaper, not reading another untrustable word. And I hope this kind of thing ends in the dumper of ignominy it deserves – and that's no fantasy.
And this time it took seventeen minutes since I ever first clicked through to a next page to find anything that had been cribbed. The sections of the book get their own introductions, and then each chapter within those the same, after which you're given lovely visuals with the little explanatory captions such as you'd get on those tiny placards in museums. And just as before it's blindingly obvious which ones Mlle Sarah Elizabeth Walter Ghoul has written and which ones she's not. Raqib Shaw's first result on a quick google search bears striking similarity to what we get here, even if it might have been shunted about a bit. It's the first search – the gallery that represents him – and it's potentially been given two errors and not improved. And it's not been written by the creator here, unless the said Floridian also moonlights as writing web content on behalf of British artists at a London-based gallery collective.
And the mind boggles. Why did the publishers allow this to happen again (and potentially, given the earlier book I didn't see, for a third time)? Do they really give free digital copies to all and sundry (the likes of me) and never read what they're paying for? How can the editors allow these captions to pass when any fool can tell they're written by multiple hands? These books are potentially world-beating, with their scope, their variety, their richness of pieces the reasonably interested art lover will not have heard of. And they're cobbles. Not cobblers, because this is intelligent stuff, but cobbled, cut 'n' pasted, stolen. These books should have been five star achievements – they're unrateable plagiarism. And so dear reader I clicked through this for the wallpaper, not reading another untrustable word. And I hope this kind of thing ends in the dumper of ignominy it deserves – and that's no fantasy.
September 9, 2023
The Art of Fantasy by S Elizabeth is an attractive and informative guide to fantastic art over time and across styles.
This isn't as big as many coffee table books but would certainly make a lovely display. I like the size being closer to a standard book, maybe a tad wider, since this is also the kind of book that one might want to have handy by a study or research area (in other words, on a shelf without being awkward). Either way, it will serve wonderfully as a display book or as a basic reference type book.
I want to specify a general reference, not a detailed reference. My areas of research never centered on art but often used art to help make a point or establish a trend. This would be an ideal book for that type of researcher. It could also serve as inspiration for a writer, whether to spark the imagination in general or to help create beings or scenes for a story. As in Elizabeth's other "Art of..." books the list for further reading is short but chosen very well, so you have avenues to read more in whatever areas pique your curiosity, in addition to the information in the body of the book, from which you can generate more specific searches.
As for content, what I particularly enjoyed was the inclusion of everything from classic works of art to illustrations that accompanied stories and other more mass-produced images. It was fun and interesting having these works in conversation with each other.
I liked the broad introductions to each section and chapter with the information about each image in a bigger caption next to each. I find that, in non-textbooks, to be far easier and lends itself to a smoother reading experience with less page-flipping.
All in all, I would recommend this to anyone with an interest in fantastic art, from a casual to formal interest. I think there will be things both familiar and unfamiliar to most readers and that usually means a fun time.
Reviewed from a copy made available by the publisher via NetGalley.
This isn't as big as many coffee table books but would certainly make a lovely display. I like the size being closer to a standard book, maybe a tad wider, since this is also the kind of book that one might want to have handy by a study or research area (in other words, on a shelf without being awkward). Either way, it will serve wonderfully as a display book or as a basic reference type book.
I want to specify a general reference, not a detailed reference. My areas of research never centered on art but often used art to help make a point or establish a trend. This would be an ideal book for that type of researcher. It could also serve as inspiration for a writer, whether to spark the imagination in general or to help create beings or scenes for a story. As in Elizabeth's other "Art of..." books the list for further reading is short but chosen very well, so you have avenues to read more in whatever areas pique your curiosity, in addition to the information in the body of the book, from which you can generate more specific searches.
As for content, what I particularly enjoyed was the inclusion of everything from classic works of art to illustrations that accompanied stories and other more mass-produced images. It was fun and interesting having these works in conversation with each other.
I liked the broad introductions to each section and chapter with the information about each image in a bigger caption next to each. I find that, in non-textbooks, to be far easier and lends itself to a smoother reading experience with less page-flipping.
All in all, I would recommend this to anyone with an interest in fantastic art, from a casual to formal interest. I think there will be things both familiar and unfamiliar to most readers and that usually means a fun time.
Reviewed from a copy made available by the publisher via NetGalley.
July 28, 2023
"The Art of Fantasy" by S. Elizabeth is a wonderfully curated book that immerses readers in a world of fantastical art. From medieval masterpieces to contemporary gems, the collection spans generations, offering a rich berth of creativity. As a lover of art, I enjoyed poring over favorites like Evelyn De Morgan's "S.O.S." and John William Waterhouse's enchanting "A Mermaid." However, what truly surprised and thrilled me were the discoveries of new talents, including Eric Velhagen's captivating "Little Wings and Heavy Hooves," James Gurney's evocative "Garden of Hope," and Julie Dillon's mesmerizing "Medusa II." The diverse selection also features works from iconic artists like H.R. Gieger, Yuko Shimizu, Kiki Smith, and the legendary Alphonse Mucha, one of my all-time favorites.
S. Elizabeth's curation introduced me to a treasure trove of artists that I now hold dear. Her prose adds to the enchantment, weaving a lithe and magical narrative that accompanies each artwork. The descriptions are both intriguing and quirky, drawing us deeper into the fantastical realms depicted. I noticed that the longer chapter intros, which delve into the profound human fascination with fantasy, were reminiscent of the profound insights found in Clarissa Pinkola-Estes' "Women Who Run with the Wolves." I was elated to find a significant representation of women artists, a rarity in art history, and it warmed my heart to see their incredible contributions celebrated.
Many thanks go to NetGalley and Frances Lincoln Publishing for providing me with an advanced e-reader copy of this awe-inspiring book. As an artist and art enthusiast, I cannot wait to buy the physical edition for my permanent collection. "The Art of Fantasy" is more than a compilation of art; it is a wellspring of inspiration that will undoubtedly fuel my creativity for years to come.
S. Elizabeth's curation introduced me to a treasure trove of artists that I now hold dear. Her prose adds to the enchantment, weaving a lithe and magical narrative that accompanies each artwork. The descriptions are both intriguing and quirky, drawing us deeper into the fantastical realms depicted. I noticed that the longer chapter intros, which delve into the profound human fascination with fantasy, were reminiscent of the profound insights found in Clarissa Pinkola-Estes' "Women Who Run with the Wolves." I was elated to find a significant representation of women artists, a rarity in art history, and it warmed my heart to see their incredible contributions celebrated.
Many thanks go to NetGalley and Frances Lincoln Publishing for providing me with an advanced e-reader copy of this awe-inspiring book. As an artist and art enthusiast, I cannot wait to buy the physical edition for my permanent collection. "The Art of Fantasy" is more than a compilation of art; it is a wellspring of inspiration that will undoubtedly fuel my creativity for years to come.
January 7, 2024
Come with me and explore a galaxy of imagination and discovery…of wonders and what might be…see what worlds once existed and what might still be…
The Art of Fantasy: A Visual Sourcebook of All That is Unreal by Sarah Elizabeth is the latest book in a series which curates a collection of WONDERFUL art along various themes…
The art collected within this tome crosses the barrier of time from several centuries ago to the modern period….from the artists of Europe and Asia in the eastern hemisphere to North America in the west…
Come…follow me as we explore the Art of Fantasy…
First…a theater of life…but not as we know it…beings that live and exist either openly or secretly side by side humanity…or they once did. These are entities and figures from our ancient and modern tales…beast and monsters of human stories and imagination…drawn from the mythology and religions of the world…
Some still exist…some are long extinct…some are just waiting to be rediscovered…and some have yet to be…
Second…a tour of ideas…what many seeks both within and without…the secret knowledge that comes from magic and experimentation…the discoveries that can only be found in our dreams and the unseen world…even the rigid or versatile structure one finds in faith and philosophy those worlds we WANT to believe in or try to rationalize from how we see the world or try to accept it…
Last…our hopes and aspirations drawn from what we would like the world to be seen through mythic vistas and landscapes that can only be expressed through art…joined by legendary heroes and heroines that represent the best of us and what he could be…paragons of virtue and strength that give us an example to live by or strive for…
I hope you have enjoyed this tour…be sure to invite your friends to take their own tour through this unique gallery…
The Art of Fantasy: A Visual Sourcebook of All That is Unreal by Sarah Elizabeth is the latest book in a series which curates a collection of WONDERFUL art along various themes…
The art collected within this tome crosses the barrier of time from several centuries ago to the modern period….from the artists of Europe and Asia in the eastern hemisphere to North America in the west…
Come…follow me as we explore the Art of Fantasy…
First…a theater of life…but not as we know it…beings that live and exist either openly or secretly side by side humanity…or they once did. These are entities and figures from our ancient and modern tales…beast and monsters of human stories and imagination…drawn from the mythology and religions of the world…
Some still exist…some are long extinct…some are just waiting to be rediscovered…and some have yet to be…
Second…a tour of ideas…what many seeks both within and without…the secret knowledge that comes from magic and experimentation…the discoveries that can only be found in our dreams and the unseen world…even the rigid or versatile structure one finds in faith and philosophy those worlds we WANT to believe in or try to rationalize from how we see the world or try to accept it…
Last…our hopes and aspirations drawn from what we would like the world to be seen through mythic vistas and landscapes that can only be expressed through art…joined by legendary heroes and heroines that represent the best of us and what he could be…paragons of virtue and strength that give us an example to live by or strive for…
I hope you have enjoyed this tour…be sure to invite your friends to take their own tour through this unique gallery…
July 17, 2023
☆☆☆☆
Honestly, I'm not too sure how to rate this book, I haven't read many (any) other art books to compare it to and to say whether it's truly good or not so I just decided on a 4-star rating as I enjoyed it enough for it not to get a low rating. I didn't have many thoughts whilst reading this (that weren't just 'ooh look at this pretty art!') so this will be a short review.
I found there to be some interesting facts and information in the book, especially as someone who isn't too knowledgeable about art and I thought it was interesting to read about the interpretations of art and to learn a little about the artist's time and how it may have influenced the piece. I enjoyed the variety of the art used from recent art to very old art (dating hundreds of years back) and how it didn't just include paintings but other mediums too. Unfortunately, I didn't care for all the pieces and skimmed their information as I wasn't that interested but there were also pieces in which I found myself very interested by. I thought the overall layout of the book was okay but nothing special. One thing I didn't enjoy too much was the author? tried to be funny with certain pieces and it just left me feeling a little like uninterested I guess. I also had an issue with the book where none of the art was in good quality no matter how much I zoomed in or out which hindered my enjoyment of the book a little though I assume it's a problem with the Netgalley shelf app rather than the book itself.
My favourite section of the book was probably the one on Heroes (I believe it was titled How to Save the World).
Thank you to Netgalley and Quarto Publishing Group for the ARC.
Honestly, I'm not too sure how to rate this book, I haven't read many (any) other art books to compare it to and to say whether it's truly good or not so I just decided on a 4-star rating as I enjoyed it enough for it not to get a low rating. I didn't have many thoughts whilst reading this (that weren't just 'ooh look at this pretty art!') so this will be a short review.
I found there to be some interesting facts and information in the book, especially as someone who isn't too knowledgeable about art and I thought it was interesting to read about the interpretations of art and to learn a little about the artist's time and how it may have influenced the piece. I enjoyed the variety of the art used from recent art to very old art (dating hundreds of years back) and how it didn't just include paintings but other mediums too. Unfortunately, I didn't care for all the pieces and skimmed their information as I wasn't that interested but there were also pieces in which I found myself very interested by. I thought the overall layout of the book was okay but nothing special. One thing I didn't enjoy too much was the author? tried to be funny with certain pieces and it just left me feeling a little like uninterested I guess. I also had an issue with the book where none of the art was in good quality no matter how much I zoomed in or out which hindered my enjoyment of the book a little though I assume it's a problem with the Netgalley shelf app rather than the book itself.
My favourite section of the book was probably the one on Heroes (I believe it was titled How to Save the World).
Thank you to Netgalley and Quarto Publishing Group for the ARC.
November 2, 2023
Humans have been telling stories since the birth of humanity. There has always been a need to explain the unexplainable and help people understand their surroundings. Before we had written language, early civilizations were painting and carving the rock walls around them, depicting the stories they told. From the creation of our gods to the explanations of our beginnings, humankind has used art. These early images were the first fantasy stories. Cultures around the world still use art to portray these stories.
The Art of Fantasy is an excellent reference book dedicated to the art of the fantastical. Edited and curated by S. Elizabeth, this book features works of art depicting scenes from the stories, myths, lore, and legends told worldwide. The surrealists feature prominently in this book. Paintings by Salvador Dali, Leanora Carrington, and more are featured. As well as the symbolists and magical realists such as William Blake and John William Waterhouse. Each piece has a short and insightful description.
This is an excellent publication for those who run with the creatures of our dreams and play in the wonderlands of our imaginations.
This review was originally published at https://sanfranciscobookreview.com/pr...
The Art of Fantasy is an excellent reference book dedicated to the art of the fantastical. Edited and curated by S. Elizabeth, this book features works of art depicting scenes from the stories, myths, lore, and legends told worldwide. The surrealists feature prominently in this book. Paintings by Salvador Dali, Leanora Carrington, and more are featured. As well as the symbolists and magical realists such as William Blake and John William Waterhouse. Each piece has a short and insightful description.
This is an excellent publication for those who run with the creatures of our dreams and play in the wonderlands of our imaginations.
This review was originally published at https://sanfranciscobookreview.com/pr...
November 20, 2023
This review originally appeared on The Magical Buffet on 11/20/2023.
S. Elizabeth’s “The Art of Fantasy: A Visual Sourcebook of All that is Unreal” features a quote from Lloyd Alexander in the introduction, “Fantasy is hardly an escape from reality. It’s a way of understanding it!” This quote serves as a mission statement as Elizabeth curates and explains the diverse and rich worlds of fantasy art.
If you’re a witchy gamer type, like myself, you’ll see many recognizable, iconic pieces. However, Elizabeth provides context and insights that make the images more than memes. More importantly, as you explore the three parts of the book, Beasts & Beings, Quest for Knowledge, and Worlds Apart, you’ll be introduced to new artists and varying art styles. You’re introduced to an assortment of magical creatures, humanoid hybrids, heroes and seekers, alternate worlds, and more!
This is the third art book from S. Elizabeth, the previous two being “The Art of the Occult” and “The Art of Darkness.” “The Art of Fantasy” continues the trend of quality. All of these books are well-written, filled with an eclectic mix of art and artists, and presented in a hardcover, full color format. My favorite thing about all of them is, they help me understand art.
S. Elizabeth’s “The Art of Fantasy: A Visual Sourcebook of All that is Unreal” features a quote from Lloyd Alexander in the introduction, “Fantasy is hardly an escape from reality. It’s a way of understanding it!” This quote serves as a mission statement as Elizabeth curates and explains the diverse and rich worlds of fantasy art.
If you’re a witchy gamer type, like myself, you’ll see many recognizable, iconic pieces. However, Elizabeth provides context and insights that make the images more than memes. More importantly, as you explore the three parts of the book, Beasts & Beings, Quest for Knowledge, and Worlds Apart, you’ll be introduced to new artists and varying art styles. You’re introduced to an assortment of magical creatures, humanoid hybrids, heroes and seekers, alternate worlds, and more!
This is the third art book from S. Elizabeth, the previous two being “The Art of the Occult” and “The Art of Darkness.” “The Art of Fantasy” continues the trend of quality. All of these books are well-written, filled with an eclectic mix of art and artists, and presented in a hardcover, full color format. My favorite thing about all of them is, they help me understand art.
June 27, 2023
This book is so beautiful, so fantastic, I’m definitely preordering a copy for my bookshelf because I need a physical copy so I can look at the pictures even closer. Somany beautiful pictures from across the centuries, some I had seen before, most completely new to me. These are divided into sections such as almost human, impossible monsters, in our dreams, faith and philosophy , forgotten realms and wonderlands , creatures great and small, time travel, alternative and parallel universes, howto save the world, worlds apart, and magic is real. Each section discusses the history behind each part, mythology, it’s such an interesting and beautiful book, I’m going to spendshours trawling through this again and again, a must read, buy or borrow for fans of art or fantasy, if you’re both like me it’s just heavenly. If I could give 10 stars I would
I received an advance review copy for free, and I am leaving this review voluntarily.
I received an advance review copy for free, and I am leaving this review voluntarily.
July 20, 2023
I loved this.
This is such a beautiful read. Literally got the feelings I had as a child looking at pictures in my parents books for hours, the illustrations are absolutely wonderful and varying from a huge number of creatures from philosophy,dreams, religion, different worlds, realms, time zones everything.
I 100% plan to buy this and I urge everyone to do so as well. Whether you're an artist looking for inspiration like me or just want to stare at breathtaking pictures of fantastic beings of all sizes and abilities look no farther.
This is such a beautiful read. Literally got the feelings I had as a child looking at pictures in my parents books for hours, the illustrations are absolutely wonderful and varying from a huge number of creatures from philosophy,dreams, religion, different worlds, realms, time zones everything.
I 100% plan to buy this and I urge everyone to do so as well. Whether you're an artist looking for inspiration like me or just want to stare at breathtaking pictures of fantastic beings of all sizes and abilities look no farther.
January 23, 2024
The text accompanying the images is not particularly inspired and sometimes tries too hard to sound like a tumblr post (I'm guessing lines such as "this artwork is not titled 'don't talk to me or my giant sea slug ever again' but I wish it was!" are going to age really fast) but this is, after all, not a book one buys for the quality of its prose. The images themselves are well curated across history and places of origin and the whole thing is printed on good quality (and non-glossy!) paper with a sturdy binding. Overall a lovely reading/browsing experience and happy to have this on my shelf.
May 6, 2024
I enjoyed the pictures in this book and it introduced me to a number of new artists, both centuries old and modern, who I want to learn more about. In general I found the writing style kind of silly, and I ended up skipping over some of the essays at the starts to chapters since I didn't feel like they were adding much to the book. The information for the individual pictures were interesting and seemed better written, possibly because, as another reviewer here says, some of this may be plagiarized.
July 13, 2023
An evocative collection of art (ancient to present-day) that portray fantastical subjects. The artistic styles vary widely and it's fascinating to see how artists over time have sought to creatively convey the feeling of places, creatures, and events that never existed.
I enjoyed reading (and viewing) this book and the temporally and stylistically eclectic approach introduced me to a number of artists and paintings that are new to me as well as bringing the familiar into a new light.
I enjoyed reading (and viewing) this book and the temporally and stylistically eclectic approach introduced me to a number of artists and paintings that are new to me as well as bringing the familiar into a new light.
July 15, 2023
✨ E-Arc provided by Quarto White Lion via Netgalley in exchange for an honest review ✨
The collection of art in this book are well thought out, span hundreds of years right up to 2022, and were just beautiful to look at.
Each section of history is entertaining, and the write ups for each piece of art were too, with a few laughs sprinkled in for good measure!
All round fabulous art book, need a physical copy for my coffee table.
The collection of art in this book are well thought out, span hundreds of years right up to 2022, and were just beautiful to look at.
Each section of history is entertaining, and the write ups for each piece of art were too, with a few laughs sprinkled in for good measure!
All round fabulous art book, need a physical copy for my coffee table.
July 20, 2023
This book does a great job showing various techniques and approaches to cheating fantasy art. I also enjoyed that the author included art from across the centuries and gave a brief description of the history behind each piece. The book effectively achieves its goal as a sourcebook for this kind of art since it provides some background information so that people who want to research deeper are able to do so, as well as organize the art into subcategories.
September 14, 2023
I have absolutely adored the sourcebooks S. Elizabeth has created for Quarto over the last few years, from The Art of the Occult to The Art of Darkness. From these rather "dark" themes, we are now moving into something potentially a little lighter, which is The Art of Fantasy. It should be absolutely no surprise for anyone that I was enraptured by the works S. Elizabeth has once again curated. Thanks to S. Elizabeth and Quarto for sending me a physical copy of this book in exchange for an honest review.
This sourcebook begins with an introduction which asks the all-important questions about where we disappear to when we close our eyes, what we become in our imaginations, and what our version of the unreal says about us. I just have to quote this line from the introduction:
'The creation of art has always been one of the most expressive and evocative ways to impart these figments and fragments of imagination, a way to interpret and reveal the exhaustive range of human fears and desires, hopes and dreams - from that of the renowned and beloved mythical and folkloric, to the artist's own innovative and inventive visions.' 8
What I have adored about all of S. Elizabeth's work so far is how she never shies away from stating just how important art is. So often, lately, I feel like there is a certain genuine passion missing in a lot of media, so many things get treated as a joke so that you can never get called out for really caring about something. None of that is to be found in S. Elizabeth's books. She wholeheartedly loves art, has respect for its creators, and always looks for the different levels of meaning imbued in the work. Her passion always carries through to the reader as well and I just love a book that takes art seriously, that is earnest in its attention. Fantastic Art especially is sometimes put aside as being full of empty symbols or motifs, as something too abstract or dreamy to carry real meaning, so the careful attention paid to it throughout The Art of Fantasy was a breath of fresh air.
As usual, the sourcebook is divided into three parts, 'Beasts & Beings', 'Quest for Knowledge' and 'Worlds Apart', each of which have their own little subsections. 'Beasts & Beings' immediately caught my attention as I'm working on monstrosity at the moment and I loved how S. Elizabeth addressed the various roles monsters and creatures can play, by showing us what we fear and what we desire. Whether it's the small pet dinosaurs in James Gurney's Garden of Hope, the almost-human Corvid Priestess by Ed Binkley, or the mix between big and small creatures in Eric Velhagen's Little Wings and Heavy Hooves, creatures about in the fantastic. (This section also featured medieval manuscripts and an illustration for Grendel from Beowulf, so I was entirely on board with it!) The next section, 'Quest for Knowledge', starts with a quote from The Neverending Story, so I knew I'd love it. We are all on a quest to get to know the world, to delve into the secrets of the world, and answer the questions that keep us awake at night. From the dreamy The Hand of Creation by Scott Burdick and the delightfully real Curses, Inc. by Tristan Elwell to the mysticism of Pamela Colman Smith's The Wave, this part will have you searching for answers and enjoying the journey. Finally, 'Worlds Apart' explores the wide imaginations of the fantastic. Whether it is the Sci-Fi realm of Fungus Gigantica by Bruce Pennington, potential future travel options in William Heath Robinson's Aerial Life, or the quiet awe of Andy Kehoe's Together Through the Shifting Tides, fantastic art can carry us away and thereby bring us closer to ourselves in unexpected ways.
I have been repeatedly enthusiastic about S. Elizabeth's work already and I don't want to belabour the point, but I once again thoroughly enjoyed her writing in The Art of Fantasy. It could be easy to think that the main work is in the curation of the art, which is undoubtedly a major part of the work, but the art is accompanied by thoughtful captions and surrounded by introductions and contemplations. Throughout The Art of Fantasy, S, Elizabeth takes the time to explore all the different routes Fantasy can to you on, how it can affect you, help you, maybe even lead you astray. I also really appreciated how her captions to individual art pieces brought out different aspects of the art which I hadn't always noticed at the first or second glance. I again also appreciated the wide variety of art which S. Elizabeth brings together, from tapestries to digital art to oil on canvas. It is also once again widely sources across the last few centuries, from medieval manuscripts to art released in 2022. There is no art snobbery here, all expression is welcome. I also just love the things S. Elizabeth finds out and shares with her readers. Like, I had no idea Victor Hugo knew how to draw?! Apparently we dream an estimated 50,000 hours in our lives?! I can't wait to revisit The Art of Fantasy again and again, discover new things about the art, and learn more from S. Elizabeth's writing.
The Art of Fantasy is an absolute winner, a beautiful curation of fantastic art which brings together the mythical and modern, the beautiful and the scary, and the revelatory with the damning. At the risk of repeating myself again, I can't wait to see what S. Elizabeth brings us next!
URL: https://universeinwords.blogspot.com/...
This sourcebook begins with an introduction which asks the all-important questions about where we disappear to when we close our eyes, what we become in our imaginations, and what our version of the unreal says about us. I just have to quote this line from the introduction:
'The creation of art has always been one of the most expressive and evocative ways to impart these figments and fragments of imagination, a way to interpret and reveal the exhaustive range of human fears and desires, hopes and dreams - from that of the renowned and beloved mythical and folkloric, to the artist's own innovative and inventive visions.' 8
What I have adored about all of S. Elizabeth's work so far is how she never shies away from stating just how important art is. So often, lately, I feel like there is a certain genuine passion missing in a lot of media, so many things get treated as a joke so that you can never get called out for really caring about something. None of that is to be found in S. Elizabeth's books. She wholeheartedly loves art, has respect for its creators, and always looks for the different levels of meaning imbued in the work. Her passion always carries through to the reader as well and I just love a book that takes art seriously, that is earnest in its attention. Fantastic Art especially is sometimes put aside as being full of empty symbols or motifs, as something too abstract or dreamy to carry real meaning, so the careful attention paid to it throughout The Art of Fantasy was a breath of fresh air.
As usual, the sourcebook is divided into three parts, 'Beasts & Beings', 'Quest for Knowledge' and 'Worlds Apart', each of which have their own little subsections. 'Beasts & Beings' immediately caught my attention as I'm working on monstrosity at the moment and I loved how S. Elizabeth addressed the various roles monsters and creatures can play, by showing us what we fear and what we desire. Whether it's the small pet dinosaurs in James Gurney's Garden of Hope, the almost-human Corvid Priestess by Ed Binkley, or the mix between big and small creatures in Eric Velhagen's Little Wings and Heavy Hooves, creatures about in the fantastic. (This section also featured medieval manuscripts and an illustration for Grendel from Beowulf, so I was entirely on board with it!) The next section, 'Quest for Knowledge', starts with a quote from The Neverending Story, so I knew I'd love it. We are all on a quest to get to know the world, to delve into the secrets of the world, and answer the questions that keep us awake at night. From the dreamy The Hand of Creation by Scott Burdick and the delightfully real Curses, Inc. by Tristan Elwell to the mysticism of Pamela Colman Smith's The Wave, this part will have you searching for answers and enjoying the journey. Finally, 'Worlds Apart' explores the wide imaginations of the fantastic. Whether it is the Sci-Fi realm of Fungus Gigantica by Bruce Pennington, potential future travel options in William Heath Robinson's Aerial Life, or the quiet awe of Andy Kehoe's Together Through the Shifting Tides, fantastic art can carry us away and thereby bring us closer to ourselves in unexpected ways.
I have been repeatedly enthusiastic about S. Elizabeth's work already and I don't want to belabour the point, but I once again thoroughly enjoyed her writing in The Art of Fantasy. It could be easy to think that the main work is in the curation of the art, which is undoubtedly a major part of the work, but the art is accompanied by thoughtful captions and surrounded by introductions and contemplations. Throughout The Art of Fantasy, S, Elizabeth takes the time to explore all the different routes Fantasy can to you on, how it can affect you, help you, maybe even lead you astray. I also really appreciated how her captions to individual art pieces brought out different aspects of the art which I hadn't always noticed at the first or second glance. I again also appreciated the wide variety of art which S. Elizabeth brings together, from tapestries to digital art to oil on canvas. It is also once again widely sources across the last few centuries, from medieval manuscripts to art released in 2022. There is no art snobbery here, all expression is welcome. I also just love the things S. Elizabeth finds out and shares with her readers. Like, I had no idea Victor Hugo knew how to draw?! Apparently we dream an estimated 50,000 hours in our lives?! I can't wait to revisit The Art of Fantasy again and again, discover new things about the art, and learn more from S. Elizabeth's writing.
The Art of Fantasy is an absolute winner, a beautiful curation of fantastic art which brings together the mythical and modern, the beautiful and the scary, and the revelatory with the damning. At the risk of repeating myself again, I can't wait to see what S. Elizabeth brings us next!
URL: https://universeinwords.blogspot.com/...
July 23, 2023
Informative yet not too overly complicated or overwhelming. I liked how many different artists were packed into this books, and this was very useful for my A-level art study, which is based on literature. I wish there was more craft based art though, as all of the work shown was based on painting and drawing.
June 28, 2023
I loved the artwork chosen for this book.
Some beautiful, some whimsical, some deeply disturbing.
I recieved this book as a digital ARC from NetGalley for free, though I am not being paid for my review.
Some beautiful, some whimsical, some deeply disturbing.
I recieved this book as a digital ARC from NetGalley for free, though I am not being paid for my review.
January 22, 2024
Enjoyable read with plenty of famous artists and pieces, as well as new to me artists, and less know pieces by historical artists. Worth reading all the descriptions, and introductions to each section...like a personal tour guide for this curated exhibition.
August 18, 2023
A beautiful book with a wonderful selection of fantasy art of all types. Perfect for lovers of fantasy, and great inspiration for artists! Highly recommend.
November 16, 2023
What an absolute treasure trove of art. A broad, generously curated selection with thoughtful, wryly humorous and very human commentary. Just a delight all the way through. Thank you very much.
April 29, 2024
A pretty art book with interesting color plates
of different fantasy scenes
Not too much written but a lot to look at
of different fantasy scenes
Not too much written but a lot to look at
September 22, 2024
Well curated and annotated - exception being the omission of fantasy landscape painter, Roger Dean.
December 29, 2024
Beautiful imagery and inspiration.
October 31, 2025
*3.5 stars*
July 7, 2023
This is a beautifully curated collection of both classic and contemporary artwork. The pictures are absolutely gorgeous and are not the normal popular pieces that you see everywhere, which I found incredibly refreshing.
I would highly recommend for both art and fantasy lovers alike, this is a great melding of fantasy lore, history, and art through the ages.
I would highly recommend for both art and fantasy lovers alike, this is a great melding of fantasy lore, history, and art through the ages.
December 9, 2023
A lovingly curated collection of fantastical art that humans have made spanning back centuries - a joy to look through, to peer at these magical worlds that artists have conjured up through whichever art medium they chose.
March 14, 2024
This was alright! Extremely excited to see some of my favourite contemporary online artists represented right next to old masters' works again, but I wish more words were spent on informative descriptions instead of quirky internet language. I realize I'm critiquing much the same stuff as I've done about The Art of Darkness: A Treasury of the Morbid, Melancholic and Macabre... so I'll stop here.
***I received a digital copy from the publisher through Netgalley in exchange for an honest review.***
***I received a digital copy from the publisher through Netgalley in exchange for an honest review.***
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