What is ethics and what has it got to do with theatre? Drawing on both theoretical material and practical examples, Ridout makes a clear and compelling critical intervention, raising fundamental questions about what theatre is for and how audiences interact with it.
Nicholas Ridout is the only professor of theatre who also writes and researches extensively on the history and politics of the Middle East. He has worked with Jeremy Jones on research in Oman since 1989, alongside his successful career as an academic in theatre and performance studies.
I read this for my dissertation at drama school. Interesting subject matter, and I think the author makes some interesting points. I think I may come back to it for various reasons in the future to remind myself of his insights. I do think the language can be quite inaccessible and very dense at times. The most interesting point made was in the final sentence:
“Theatre’s greatest ethical potential may be found precisely at the moment when theatre abandons ethics”.
Much of the excellency from this book comes from its inherently interesting subject matter - an important link for any creative to be aware of. However, the restricting format of the series means that whilst many ideas are touched upon, you are left with the feeling that the book would be better for subdividing topics beyond the three broad time periods provided. Nevertheless an essential read to wet the appetite in this field.