In the fall of 1988, I somehow came into possession of an issue of Doctor Who Magazine celebrating the show’s twenty-fifth anniversary. The cover story featured an interview with Nicholas Courtney, reflecting on his tenure as the Brigadier for the last twenty years and teasing his return for the upcoming twenty-sixth season.
In the interview, it was heavily implied that this would be the Brigadier’s final appearance in Doctor Who and that, perhaps, the fan-favorite, long-running character might perish during the course of season 26’s first serials.
The interview, combined with the knowledge that the story was written by Ben Aaronovitch, only intensified my desire to watch the four-part serial as soon as it aired on my local PBS station. Finally, after months of waiting, it aired, and I sat down eagerly expecting a story that would be at least as good as “Remembrance of the Daleks” had been the year before.
If you’re a Doctor Who fan, you know that the serial is “Battlefield,” a story that mixes Arthurian legend with Doctor Who lore. On the surface, it feels like it should be an instant classic ala “Remembrance of the Daleks.” And while it’s a good story, I will admit that “Battlefield” never quite put me under its spell upon first viewing the way “Remembrance” or “Greatest Show in the Galaxy” had.
Of course, once the story was done airing, the wait for the Target novel began. And continued….for what felt like forever. “Battlefield” wasn’t a quick turnaround for the printed page, with Aaronovich eventually turning over adaptation duties to Marc Platt. The novel was one of the last in the Target range and was given a bit more leeway than other novels from the Sixth Doctor’s era to expand the story and characters a bit.
I collected “Battlefield” and have kept it with my small set of Seventh Doctor Target books over the years, if for nothing else than the cover art.* But, I’ll admit it’s been thirty-plus years since I’ve experienced “Battlefield” on the printed page.
*The Seventh Doctor has some really great cover art for his era.
It took the Target audiobook range, giving us the story in audio, to get me to jump back in. And to start kicking myself that I hadn’t enjoyed it again before now.
Listening to “Battlefield,” I kept asking myself why I didn’t cite this one in the same way I do “Remembrance of the Daleks,” “Curse of Fenric,” or “Day of the Daleks” as one of the prime examples of how good the Target range of novels could be. Starting with a prologue that establishes a future version of the Doctor (with red hair, mind you) serving as Merlin. The prologue alone is worth the price of admission for this one.
The rest of the novel is great as well. It’s a stepping stone to the eventual New Adventures series, though the Seventh Doctor isn’t quite the manipulator he becomes there – or later in season 26. Instead, this Doctor, who is usually three steps ahead of everyone, finds himself three steps behind a future version of himself, who has set up certain conflicts that play out during the course of the story. In many ways, it feels like a preview of ways Moffat will play with time travel during his tenure as showrunner.
Walking away from “Battlefield” then and now, I can’t help but feel fans were denied something special in seeing a new era of UNIT. While the Brigadier survives the story, this one does feel like a coda to his tenure as a leader and a passing of the baton to Bambera for future UNIT stories.
Aaronovich’s script walks a fine line between nostalgia and the need to push UNIT and the show forward into a new era. Platt’s novel drops in a ton of great Easter eggs to the past as well. I realize these are fan service at best and were targeted right at the type of obsessive fan I was and am. And yet, I don’t care. I ate it up with a spoon then and now.
The audiobook was just a reminder of how good the novelization is. And, as I’ve said for so many other Target novels, it makes me want to visit the televised version again. Which is coming up in my current Doctor Who pilgrimage. I can’t wait.