When I ordered this anthology I had a sneaking suspicion that it would be a set of stories about weddings - a subject I've never found terribly interesting, gay or straight. Instead I was treated to a set of twenty-two short stories about partnership and some of the issues around it, like dealing with step-families and deciding how long to stick with a less than satisfactory relationship. There is a wonderful mix of the historic and the contemporary, of romances and comedies, of erotica and bittersweet tales to stir the emotions. The stories mostly deal with gay male partnerships, although there are three involving lesbian relationships and two with transgendered protagonists.
The quality of the stories was so high that it's almost impossible to decide which ones to pick out in more detail; I can honestly say that I think every reader would be able to find a handful that they really love, if not more. Rather than attempt to review all twenty-two, I will give my own, highly subjective account of the five that made a particularly strong impression on me.
“Home Cooking” by Brian Holiday – The setting and time-period is deliberately vague, giving this romance a timeless quality. David, a drifter, is given first a meal, then a job and home by the good-natured Scott, owner of a small-town diner. Holiday concentrates on all those little details that really make the diner and the characters come alive, in plain yet eloquent prose. The account of their gently growing love, despite the tragic losses in their pasts, makes a deceptively simple yet touching story.
“Two Men: A Fugue” by Sophia Deri-Bowen – Told in dreamlike flashbacks from the perspective of the day before their wedding, the romance of Steve and Adam has an almost unbearable poignancy. Punky artist and part-time drag queen Adam doesn't understand at first why he's been set up with “solid, steady” Steve, but they soon fall for each other. Steve being HIV-positive isn't an issue for Adam, but it gives the reader a sense of looming tragedy. Despite this, it is one of the most life-affirming stories in the whole anthology, and the couple's love is palpable in their affectionate banter.
“Stripes” by Nigel Puerasch – I fell for the self-effacing narrator of this story right from the first paragraph. Told in James' Australian surfer dialect, the prose is captivating and every line seems perfectly in character. This is another romance story, where James meets the delectable Mattie on the beach but nearly messes everything up because of his low self-esteem. The combination of naïvety, gentle humour and urgent lust is a winning one, and I just love the payoff in the final two paragraphs.
“Aim Higher” by J L Merrow – Of all the comic stories in the anthology, this one delighted me the most. Told from the perspective of a young teenage girl, this story is narrated in first person present tense which gives it an immediacy and charm. Simone is bothered by her invisible friend, who just happens to be the Greek god Eros, and is intent on finding her a boyfriend whether she wants one or not. I don't want to give away any more, but suffice to say, Eric/Eros ends up very happy when he finally manages to bring a couple together.
“Ganymede” by Lenore Black – A stunningly sensual tale of enthusiastic American winemaker Michael's pursuit of the chance to learn from Italian master vintner Carlo. Every word paints a vivid picture of the charms of Italy and Michael's mysterious host; the luscious language giving the whole story an erotic charge. I can see why it was chosen as the final story in the anthology, as it leaves you with such beautiful images and a sense of wonderful possibilities for the two men.
It seems so unfair to single any of the stories out, as there was so much to enjoy in all of them, from the delightfully characterful narrators of Alex Beecroft's “Inner Truth” and Bruin Fisher's “Work Experience”, to the bitter-sweet beauty of Ruth Sim's “The Legend of Mountain Ash”, L-J Baker's “Mallory's Gift” and Jamie Freeman's “Ships That Pass”. There were exquisitely erotic moments in James Buchanan's “Touche” and D C Juris' “Even Guys Cry”, and sophisticated comedy in Lee Rowan's “Turnabout” and Charlie Cochrane's “The Uneven Chance”. I also loved the sweetness of the relationships shown in “The Song Inside” by Nexis Pas and Nathan Burgoine's “Cakewalk”. Indeed, the only two stories that didn't work so well for me were the vampire story, “Morbidly Obese” by Rick R Reed, and the comedy by Michael Gouda, “Hitched”. My problem with the first is that I will always find it difficult to have sympathy for a cold blooded murderer, and with the second that it seemed like a sequel or a second chapter rather than a story in its own right. They were both perfectly well written, though, and I'm sure other readers will enjoy them.
In short, I can't recommend this anthology highly enough, and it's given me a tantalising taste of many authors I intend to read more from.