Dopo la fine del colonialismo, che aveva negato qualsiasi espressione culturale africana, si sono affacciati sulla scena letteraria e artistica una serie di autori formati nella doppia cultura indigena e coloniale che hanno consacrato la loro opera alla rivendicazione dell'originalità della civiltà africana, spesso usando come mezzo espressivo proprio la lingua dello straniero. Ne sono nate opere che brillano per originalità e profondità. Tra queste, una posizione preminente per valore e ricchezza interpretativa spetta alla produzione letteraria di Amadou Hampâté Bâ che, con competenza e passione, ci guida nelle tradizioni fulbe e bambara.
Amadou Hampâté Bâ was born to an aristocratic Fula family in Bandiagara, the largest city in Dogon territory and the capital of the precolonial Masina Empire. After his father's death, he was adopted by his mother's second husband, Tidjani Amadou Ali Thiam of the Toucouleur ethnic group. He first attended the Qur'anic school run by Tierno Bokar, a dignitary of the Tijaniyyah brotherhood, then transferred to a French school at Bandiagara, then to one at Djenné. In 1915, he ran away from school and rejoined his mother at Kati, where he resumed his studies.
In 1921, he turned down entry into the école normale in Gorée. As a punishment, the governor appointed him to Ouagadougou with the role he later described as that of "an essentially precarious and revocable temporary writer". From 1922 to 1932, he filled several posts in the colonial administration in Upper Volta, now Burkina Faso and from 1932 to 1942 in Bamako. In 1933, he took a six month leave to visit Tierno Bokar, his spiritual leader.(see also:Sufi studies)
In 1942, he was appointed to the Institut Français d’Afrique Noire (IFAN, French Institute of Black Africa) in Dakar thanks to the benevolence of Théodore Monod, its director. At IFAN, he made ethnological surveys and collected traditions. For 15 years he devoted himself to research, which would later lead to the publication of his work L'Empire peul de Macina (The Peul Empire of Macina). In 1951, he obtained a UNESCO grant, allowing him to travel to Paris and meet with intellectuals from Africanist circles, notably Marcel Griaule.
With Mali's independence in 1960, Bâ founded the Institute of Human Sciences in Bamako, and represented his country at the UNESCO general conferences. In 1962, he was elected to UNESCO's executive council, and in 1966 he helped establish a unified system for the transcription of African languages.
His term in the executive council ended in 1970, and he devoted the remaining years of his life to research and writing. He moved to Abidjan, and worked on classifying the archives of West African oral tradition that he had accumulated throughout his lifetime, as well as writing his memoirs (Amkoullel l'enfant peul and Oui mon commandant!, both published posthumously).
Libretto suddiviso in tre parti sulla cultura africana (focus Mali di cui è originario l’autore). La sezione centrale e più estesa tratta l’Islam attraverso risposte dell’autore a domande che gli sono state poste. Ho trovato questa sezione la più interessante per la freschezza e schiettezza delle domande e la saggezza con cui egli risponde.