I read the first “Thieves’ World” book as a teenager, then promptly forgot about it, aside from purchasing the rather disappointing role-playing aid from Chaosium. I had no idea it had spawned a series of anthologies stretching out to ten volumes. So, when I ran across a used paperback for a dollar in my local library’s Friends of the Library bookstore, I was intrigued. Having read it, my curiosity is still piqued as to how something like this kept going for so long. I suspect it was done more for the writers than the readers.
The book begins with an incomplete “Dramatis Personae” that doesn’t seem to map to this book in particular. Some of the characters listed here barely appear in the book, while main characters of certain stories aren’t mentioned at all. When they do appear, the character sketches given here add nothing to the information given in the story itself.
The first story is “Cade” by Mark C. Perry, and it mostly stands out for postulating a paladin-type character who has decided that this world is surely the lowest rung of Hell, and therefore it is a favor to slay those who live in it, giving them a chance, however slim, of a better life after death. That’s an interesting character, but the situation and story is so generic that it doesn’t really do much with it.
The second story is called “Wake of the Riddler,” by Janet Morris, and it involves a Lovecraftian-type undersea god that lives in a pile of stones and accepts sacrifices, but it also sort of peters out at the end, as if it is intended to set up a sequel that we don’t get to read here. There’s another storyline I found harder to follow involving a woman who has sex with various people, but really loves the one man who won’t touch her. I sort of wonder if this story could have been more successful as a typical fantasy-romance if it hadn’t gotten lost in the other one.
Next comes “Inheritor” by David Drake. It involves a child born with uncanny magical talents, and her father’s efforts, along with a minor mage, to steal something that belongs to her back from the person who was entrusted with it. There’s a magical dagger, a nasty demon, and a number of clever tricks and traps along the way. Although this story was longer than the previous two, I found it more engaging and didn’t mind reading it. The child was a bit too ultra-powerful for belief, creating something of a deus-ex-machina finish, but that’s a minor point.
John Brunner, who wrote the next story, “Mercy Worse than None,” is someone I’d heard of but not read before so far as I recall, so I was curious to see what his writing would be like. It struck me as more sophisticated and professional than Drake’s, but I’m not sure I enjoyed the story as much. This one is about a fellow who’s cursed, like “the Wandering Jew,” to live forever, but not to enjoy it much, and who seeks the aid of a magician with a similar affliction. Brunner’s protagonist isn’t the wanderer, however, it is a deeply traumatized woman who struck me (also a man) as a very well-written female character.
The next-to-last story was written by an actual woman. Lynn Abbey contributes “Seeing Is Believing (But Love Is Blind),” which I think was my favorite of the group, combining good writing with good storytelling, and a familiarity with the setting that brings it to life more successfully than any of the other tales. This is the story of gypsy-like “Seer” who is grappling with the loss of both of her children and her own procreative powers. It offers a hint of redemption without becoming schmaltzy at the end.
“Homecoming” by Andrew Offutt may go a little too far in terms of offering redemption, seeming to set it up for all of Sanctuary. It involves a thief, a magician, and a prince, whose lives intersect at a critical moment. The most interesting character is a large red house cat, who seems to have been included in earlier stories.
In all, this was a middling-fair collection of dark(-ish) fantasy stories, with a couple of gems amidst the dross. Worth it for fans, but hardly a starting point for any particular interest.