Original Copy: Plagiarism and Originality in Nineteenth-Century Literature

by Robert Macfarlane

'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.

Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.

258 pages, Hardcover

First published March 8, 2007

About the author

Robert Macfarlane is a British nature writer and literary critic.

Educated at Nottingham High School, Pembroke College, Cambridge and Magdalen College, Oxford, he is currently a Fellow of Emmanuel College, Cambridge, and teaches in the Faculty of English at Cambridge.

Robert Macfarlane is the author of prize-winning and bestselling books about landscape, nature, people and place, including Mountains of the Mind: A History of a Fascination (2003), The Wild Places (2007), The Old Ways (2012), Holloway (2013, with Stanley Donwood and Dan Richards), Landmarks (2015), The Lost Words: A Spell Book (with the artist Jackie Morris, 2017) and Underland: A Deep Time Journey (2019). His work has been translated into many languages, won prizes around the world, and his books have been widely adapted for film, television, stage and radio. He has collaborated with artists, film-makers, actors, photographers and musicians, including Hauschka, Willem Dafoe, Karine Polwart and Stanley Donwood. In 2017 he was awarded the EM Forster Prize for Literature by the American Academy of Arts and Letters.