Peter and his father, a drunk named Tomas, are living in what appears to be Eastern Europe during the seventeenth century. They’re living in a small house they built outside of a remote town named Chuste and making their living as woodcutters. They usually don’t stay in once place for long but have been living outside of Chuste for almost a year; Peter finally thinks they might be staying for some time, which he approves of since he has his eye on a girl named Agnes, the daughter of a draper in town.
However, strange things start to occur, beginning with the suicide of a man from a nearby town who was found hanging from a tree. The only problem is, he also had a huge hole in his chest, which Peter feels rules out suicide. More people die and there are rumors that people who have died have been seen by people in town. Adding to the mystery is the arrival of some gypsies, people who appear to know Tomas. Peter is even more confused because he becomes interested in Sophie, one of the gypsy girls. Despite Tomas wanting to pack up and leave again, Peter gets more deeply involved in trying to solve the mystery of the undead coming to life, who’s behind it and how to put an end to it.
I liked this book, but it reminds me a lot of the books I’ve read that take place in the 1600s or 1700s; the reader never seems to know exactly where the story takes place, we don’t know a lot, or I guess, the little things, about the characters and not a ton goes on, outside of the storyline. That last one could be because there’s no TV, no newspapers, nothing really of the modern world that we used to occupying our time with.
I hadn’t really looked at anything regarding the second book, so I kept wondering what the heck was going on. I finally looked at a review or two and realized that it’s really a cross between a sequel and a companion book, in my opinion at least. This is because the action takes place about a hundred years in the future in Venice, Italy. After the arrival of an odd letter, Marko goes there to find out what has happened to his father, who went months before to help an old friend who couldn’t sleep, at all, and was going mad. Both men ended up disappearing and, while Marko’s father’s friend, Simono, turned up, Marko’s father is still missing. This results in Marko teaming up with Simono’s daughter, Sorrel, and running into a few people who seem to want them both six feet under and who appear to be puppets of the legendary Queen of Shadows, who was mentioned in the first book.
Though I still found it a bit of an odd read, I liked the second book more than the first. Marko seemed to have a little more spunk in him and was willing to do anything to save his father who, unlike Peter’s father, Tomas, seemed to be a good guy who really stepped in it while trying to help out a friend. The same can actually be said for Sorrel, who was watching her father go crazy from lack of sleep, an affliction that affected other members of her family. As I said, I found both books a little different, in part because of what I said before about books written during the 17th and 18th centuries or earlier, and also in part because of Sedwick’s writing style. Given the time periods the action took place in, I think the books could’ve been better if they were a little creepier and if the bad guy, or girl in this case, had been more sinister and whose evil plan had been a bit more evil. Still, it was an interesting read with a bit of a different take on vampirism.