I happened to pick up an ARC of this at the ALA conference this past spring, and I finally got around to reading it. I have to say that I didn't much care for it, alas.
The subtitle bills it as "a satire," but it's really more of a post-recession revenge fantasy. The main character, a Manhattan interior designer, takes out her repressed rage against her clients and the world they inhabit by murdering overprivileged women that she meets through the "for sale" section on Craigslist. This much is made clear in the first five or ten pages -- although the title might mislead someone, in no way is it a mystery.
To me, it felt woefully underwritten. None of the supporting characters are more than ciphers with one or two traits; even Pavel, the token love interest, fails to make much of an impression. The conflict with Charlotte's former best friend, Vicki, feels oddly superficial, and the struggle between Charlotte and her mother is halfheartedly hinted at through most of the book, before it explodes into one of the most ridiculously overwrought denouments I've read in ages. The whole last 30 pages, actually, is pure dime-novel, and was really what made me drop my rating from two stars to one.
All of these things could be forgiven if the book were at all funny. After all, something written as a satire doesn't necessarily need well-rounded characters or a realistic plot. But I only chuckled a few times during the whole book. Likewise, if it had something incisive to say about social values and mores, it might work. But the targets are far too easy and too clumsily handled. You mean some multimillionaires are guilty of not caring about other people? Conspicuous overconsumption is bad? The mind boggles.
Of more interest is the notion that simply rubbing shoulders with these people and this mileu is poisonous, that it can corrupt anyone simply through proximity -- a notion that the ham-handed epilogue makes very obvious. However, in order for this to work, Charlotte has to at least start out as a sympathetic character. With the exception of the few flashbacks to her childhood, I thought Charlotte was dislikable throughout, and so the path that her character trod never achieved much interest to me.
With bank bailouts, skyrocketing unemployment, and the ever-increasing divide between the richest of the rich and everyone else, there's plenty of material for an incisive, savage satire. I'm afraid this isn't it though. Pass.