Before diving into my review of this title, I'd like to mention that this novel gives away everything that happens in the other two Year Abroad stories, so it's best to read them in the order they were released: London, Paris, Rome. Otherwise it's not worth purchasing all three unless you really love Rachel Hawthorne's writing.
That being said, I am not a huge R. Hawthorne fan, but I didn't find "Rome" to be an unpleasant read - just a long one. In "Rome", Carrie swears she didn't come to Italy to find a boyfriend until she meets the hottest boy on day one - Antonio Donatello - and then overhears him say something mean-spirited and stereotypical of Americans. She then devises a plot to pretend to be a true, native Italian and make him fall in love with her so she can turn the tables and reveal that he was actually in love with an Americana the whole time! Like "Playing for Keeps" another Love Stories title,"Rome: Antonio & Carrie" was written in the '90s and published in 2000, so it is a little dated, but - for better or worse - still very accurate when it comes to emotional thought processes and the actions that result from these processes of the young and inexperienced teen. However, the Year Abroad book 3 reads much more like your typical teen romance and lacks as much nuance in its young people's feelings and behaviors as Nina Alexander's "Playing for Keeps."
More concerning to me, however, was how much the book focused on both of the protagonists, Carrie and Antonio, being so caught up in national stereotypes and setting out to prove or disprove them in order to impose their perspective of the world onto it and those around them - or perhaps to convince themselves. Carrie, being half Italian, is sure she knows everything about the Italians and anything an Italian person in the novel does that resembles her beliefs is immediately taken as a sign that she's right! Therefore it can't be a stereotype and it must be a real trait that every other Italian also possesses. Antonio has only ever met the rude and ill-mannered Americans that come into the Romano's restaurant, La Sera, where he works as a waiter and so he comes to the conclusion that all Americans are so. And while Antonio attempts to grow out of his narrow mindset, Carrie never cures herself of this bad habit, or even questions it, which is really bothersome to me. The stereotypes presented are all beyond simple and cliché as well - as is the narrative progression. Three quarters of the book is simply Carrie carrying out her "revenge" plot and - spoiler alert! - panicking, realizing she had already fallen for Antonio and that this is gonna back fire. It isn't until the final chapters that her plot is finally revealed and she has to deal with the consequences. Following this lackluster climax, the resolution of the drama is relatively rushed and plays out almost to cleanly. Added to this is the constant switch between languages which is never made clear until a conversation is over and then Carrie clarifies by adding "and then I realized we spoke in English the whole time," or "and I spoke in perfect Italian the whole time." It's not only a little distracting, but also a little annoying particularly since many of the sentiments shared are supremely American and non-translatable. Once in awhile, Hawthorne also peppers the page with antiquated (even for 2000) Italian and the two or three words in an ocean of English is jarring and makes it very clear that Hawthorne herself is not too familiar with the language.
But for all my gripes and complaints, "Rome" was a cute, light read which had several enjoyable moments, some character growth, and a number of clever and funny lines. If you're looking for something to help you catch up on your Reading Challenge, survive a long delay at the airport, or just waste time, this 179 page novel will do that.