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320 pages, Mass Market Paperback
First published February 1, 1996
Inspector Al Hawkins is engaged to Jani, an intriguing character to whom we were first introduced in Laurie R. King's scintillating debut, A Grave Talent. In With Child -- King's third installment of the Kate Martinelli series -- Jani's rebellious teenage daughter, Jules, is not taking the transition well. She confides as much to the transient neighborhood youth, Dio. When Dio mysteriously goes missing, Jules engages father-to-be's partner, Kate Martinelli, to investigate. This proves to be quite fortuitous. Following the investigation, Jules abstains from her parent's honeymoon in favor of staying with Kate. Kate -- presently trying to salvage her own relationship with longtime romantic partner Lee -- decides the two should take a road trip to Washington to pay Lee a visit. Finally, at a road stop in Oregon off the I-5, Jules disappears. The mystery has begun.
The local media, already enamored with Kate from her previous hi jinx, presumes Jules to be the next victim of serial killer-at-large, The Strangler. Said Strangler denies the allegation however, so it's up to Kate, Al and Lee to divine what would cause the troubled child to abscond, and Kate believes Dio knows more than he's saying. Does all this sound a bit complicated? It was! Child definitely suffers from a tortured narrative. The first half of the novel has us following Kate's mundane gumshoe detective work to locate Dio. The second half closely resembles King's To Play the Fool -- the second installment in the Kate Martinelli series -- where we suffer through Kate's attempts to crack the mercurial suspect, Brother Erasmus. Only in Child, she's trying to crack the petulant Dio. Once she does, the mystery is wrapped up in short order, albeit with a fun and climactic finish.
Child concluded the Kate Martinelli series for me. I believe there are two more installments, but King's strengths clearly lie in well researched characters and novel plot lines, less so in captivating murder mysteries. Grave worked well because we were treated to the fantastic relationships between Kate, Al, and Lee as they pursued their psychotic suspect. In Child, we are basically robbed of these relationships for a second time, through conscious choice of narrative. The mystery itself is pallid, and we are treated to story that reads more like LGBTQ-lite than it does Mystery. Despite being a disappointment for me, King's characters remain rich and believable, and their respective reactions to the missing child are compelling enough to make you want to read the exciting conclusion.