Charles Martin "Chuck" Jones was an American animator, cartoon artist, screenwriter, producer, and director of animated films, most notably of Looney Tunes and Merrie Melodies shorts for the Warner Bros Cartoons studio.
Jones was born in Spokane, Washington and later moved with his family to Los Angeles, California. His father encouraged his drawing from an early age.
Jones graduated from Chouinard Art Institute (now the California Institute of the Arts) in 1932 and married Dorothy Webster. He received his first job as a cel washer from former Disney animator, Ubbe Iwerks at Iwekrs Productions.
In 1933, Jones joined Leon Schlesinger Productions that produced Looney Tunes and Merrie Melodies for Warner Bros. and was promoted to animator in 1935. Jones became a director in 1938. His first cartoon was The Night Watchman. In 1942, he used stylized animation for the cartoon, The Dover Boys.
During World War II, Jones worked closely with Theodor Geisel, to create the Private Snafu series of Army educational cartoons. He would later collaborate with Geisel on a number of adaptations of his books to animated form, most importantly How the Grinch Stole Christmas! in 1966.
Also during World War II, Jones directed shorts regarding shortages and rationing, including The Weakly Reporter in 1944. In 1944, he also directed Hell-Bent for Election, a campaign film for Franklin D. Roosevelt.
In the 1950s, Jones created characters such as Claude Cat, Marc Antony, Pepe LePew, the Road Runner, and Wile E. Coyote. His Road Runner cartoons, Duck Amuck, One Froggy Evening, and What's Opera, Doc? are today hailed by critics as some of the best cartoons ever made.
Jones remained at Warner Bros. throughout the 1950s, except for a brief period in 1953 when Warner closed the animation studio. During this interim, Jones found employment at Walt Disney Pictures, where he teamed with Ward Kimball for a four month period of uncredited work on Sleeping Beauty (1959).
In the early 1960s, Jones and his wife, Dorothy, wrote the screenplay for the animated feature Gay Purr-ee. UPA completed the film and made it available for distribution in 1962; it was picked up by Warner Bros. When Warner discovered that Jones had violated his exclusive contract with them, they terminated him.
He and his business partner, Les Goldman, created Sib Tower 12 Productions, an animation studio which was contracted in 1963 by Metro-Goldwyn-Mary for the Tom and Jerry cartoons. Their studio was merged with MGM and renamed MG Animation/Visual Arts.
In 1965, Jones' animated film, The Dot and the Line: A Romance in Lower Mathematics, won the Oscar for Best Animated Short. In 1966, he produced and directed the TV special How the Grinch Stole Christmas. The Phantom Tollbooth, produced by Jones, was released in 1970.
In 1970, MGM closed the animation studio and Jones created Chuck Jones Productions. Most notably, this studio produced The Curiosity Shop and three short films based on The Jungle Book.
Jones moved onto writing and drawing the comic strip, Crawford, in 1977. In 1978, his wife died and he remarried Marian Dern in 1981.
In the 1980s and the 1990s, Jones painted and sold cartoons and parody art and directed several animation sequences.
In 1993, he received an honorary degree from Oglethorpe University and later won the Annie Award for Outstanding Achievement in an Animated Special Project for the 2001-2002 Chuck Jones Show. Jones also has a star on the Hollywood Walk of Fame and won an Honorary Academy Award in 1996.
His work has been nominated eight times for an Oscar and has won three times with For Scent-imental Reasons, So Much for So Little, and The Dot and The Line.
Jones died of heart failure in 2002. After his death, the Looney Tunes cartoon, Daffy Duck for President, based on the book that Jones had written and using Jones' style for the characters, was released in 2004.
One of the last (1997) creative efforts of Chuck Jones, of Looney Tunes fame, was this book. He supplied the drawings and story of Daffy Duck’s attempt to triumph over Bugs Bunny by changing the laws on the length of rabbit season.
Daffy knows what he wants…He just doesn’t know how to get it. “I’ll tell you what’s up – when I’m President I’m gonna pass a law that’ll outlaw rabbits.” Bugs points out that in our democracy the President can’t pass laws. Daffy response: “The President can do anything, ANYTHING he wants. He’s just like a king, only…only better!”
Bugs tries to steer Daffy to the Constitution. Daffy: “Who wrote this? Foundling Fathers, indeed! Bunch of mewling infants, no doubt!” Daffy decides if Congress makes the laws, he will run for Congress. Other problems ensue. Jones does a fine job of introducing civics in a few short pages. Many of us could use a refresher course.
I picked up this book from our donation bin because it reminded me of Duck for President by Doreen Cronin. I got a laugh when I discovered that Daffy expected to be able to pass laws if elected president - that he can do "anything he wants! He's just like a king, only...only...better!" Who does this sound like!!?? It takes a sound lesson in civics from Bugs Bunny to get Daffy Duck to understand checks and balances, the Founding Fathers and the Constitution. What do you think? Should I send this book to 1600 Pennsylvania Avenue?
Hard to believe the idea of Daffy Duck becoming president once was considered fiction, isn't it? A charming project sold exclusively through the USPS many years ago. Jones writes, pencils (and sometimes watercolors) a brief story between Daffy and Bugs (no Elmer Fudd I'm sorry to say) in which Daffy decides to become president to enact a total ban on rabbits. Suffice to say, things don't go as planned ... with Daffy then running for Congress (and winning) only to find he can't get enough votes to support his anti-rabbit platform. Ultimately as Bugs calmly explains the three branches of government and how they keep each other in check, Daffy goes off in yet another direction ....
Be warned - Jones' artwork here is extremely loose (much like his animation layouts), but he's still a master at capturing expressions with a pencil. Really, this is a book for Jones fans (of which I am one).