SPOILER ALERT: Before I dive into my review, please be advised that this review is going to be almost all spoilers. If you have not read the book, it might be a good idea to stop here.
Alright, then. So, this book. I think it's fair to note that I got Kim Harrison's entire Hollows series in soft-copy on my Nook, so I basically read the entire series (up to the latest book) back to back to back.
I wish I hadn't. Because doing so, really brought how terrible this book was into sharp focus. Most reviews spend a lot of time fleshing out the plot of this book. Instead of doing so, I will focus on its issues, which I'll break down for you in a serious of bullet-points.
- Most glaringly, this book reads as some sort of fan-fiction tribute to the Rachel character, where they took everything that was good about the first five or six books, and then just did as fanfic trash does: skewed everything and then added sex. Rachel has a sexual encounter/gets turned on by absolutely every guy she sees (oh, and Ivy). Trent, Pierce, and Al all have moments with her. Of course, Al's moment...nah, I'll get into that in another bullet point.
- There's a rape scene with Rachel's pet demon Al. Let me say that again. There's a rape scene with Rachel's pet demon Al!!! (remember what I said about fanfic?) AFTER which, Newt shows up (because she seems to have a personal need to butt into Al's personal affairs), and during the scene, Rachel isn't screaming bloody murder, or in a corner shivering, she's standing there in a pissy, irritated mood. ....what? Now, I'm a guy. I've never been raped. I know women who have, however, and not a single one of them ever told me that they were merely annoyed by an attempted rape. They weren't irritated. They were VIOLATED (even worse when the rapist was someone they had known and considered an acquaintance). They wouldn't have sat there next to the would-be rapist directly afterwards, and stared at the guy's unit under his robe and made comments on it(as Rachel does in this scene). It was entirely unrealistic, unbelievable, and was incredibly poor writing. I got the distinct impression that Harrison hasn't ever even spoken to a rape victim. Period. It was the beginning of the end of being a fan of Harrison's Hollows books for me.
- Ivy is just background noise at this point (except of course, for the steamy kiss I guess the female fans of this series have been clamoring for). She exists solely as an emotional blanket for Rachel. This is most apparent by the fact that Ivy (the archetypical one-note hot, sexy female vampire) could be replaced by anyone, and nothing about the story would change. At all.
- Al has gone from being a menacing, evil demon earlier in the series, to a regular guy with muscular shoulders and goat-slitted eyes. Rachel can say whatever she wants, and he just goes with it, where three books ago it would have earned her a backhand. My issue here is that he went from an inhuman demon totally without morals or scruples to just a regular guy who cares about Rachel, which really is par for the course in the continuing fanfic comparison where the lead character has to become the absolute center of the universe for the entire cast of a series. Speaking of which...
- Everyone else's needs, desires, or wants become absolutely transparent or disappear entirely in the face of Rachel's needs. Everyone becomes a backdrop, a blank tapestry, which is a shame because some of these characters had really had a lot of development in earlier books, only now to be relegated to scene dressing. A shame. Let's run through them. As I said, Ivy, emotional blanket. Al, the worried friend who wishes they were dating. Pierce (himself an absolutely pulled-out-of-Harrison's ass fabrication in WWBC) had a bit of backstory which culminated in a sexual encounter in a dirty little hole in the ground covered by a grimy blanket (again, something that would happen in trashy fanfic garbage, nowhere else) a book or two ago, is now just the hat-wearing black-magic-ball shooting sidekick. Jenks, always good for a one-liner as he chastises Rachel for something trivial. And then there's Trent...
- Trent. This is the worst part of the entire series. Ok, all I can say is: WHAAAATTT? Trent Kalamack is a murderer, druglord who runs Brimstone, and has dealings in illegal bio-technology. We know this because it's mentioned verbatim many, many times throughout the first what, six or seven books? This same guy has tried to kill, not hurt, injure, or even annoy in a minor way, but KILL Rachel multiple times. MULTIPLE times. She HATES him for (and because of) this. He is a scumbag. This was established canon. Or at least it was until the author decided to listen to her fans (who apparently demanded that Rachel be physically attracted to every single other male character in the series) and completely and totally downplay Trent the murdering millionaire into some garbage that culminates with him telling her "I've trusted you since camp." WHAT? WHAAAAAT? I almost threw my Nook into the trash at that point because I was so disgusted. You've always trusted her? Dude, you told her point blank "If you don't remove my familiar mark, I will try to kill you (again)." This, after you smashed her head into a tombstone. This, after you caged her and entered her into illegal rat-fights where she could have been killed. This...I could go on, but I think the point is made. This has just become poor, sloppy writing. The author could have introduced a new character to become Rachel's "interest", choosing instead to undo several books worth of characterization with one poorly written book that completely does not reflect the character she created. Trent is a condescending rich jerk who sees Rachel is a foolish chimp who can be bought for an envelope full of money, to be sent off to do whatever dirty-handed errand he wants her to do, and who can be manipulated into doing so relatively easily. All of a sudden, by the end of this book, he's suddenly infatuated with her and they made out (albeit in Rachel's hallucination caused by her soul re-entering her body).
- Last but not least: BLACK MAGIC. In the first several books, Rachel was an earth witch, who accidentally learned she could do ley line magic. In the last few books however, the earth witch thing has fallen completely by the wayside (along with a lot of the previously established characterization as I've mentioned already). Now, she spindles ley line energy into her head and walks right into whatever, and she's fine because she can (and will) use black magic at the drop of a hat now. In fact, it doesn't even bother her anymore. In the first few books, she twisted a few demon curses, and took the smut, and it was this world-ending "OMG DEMON SMUT ON MY AURA, I'M FOREVER TAINTED!" moment each time. Now, using black magic is a regular occurrence. And she's completely fine with it. I'm aware that some of it is this scrabbled together sub-sub-subplot about how maybe black magic users aren't all bad, but seriously? She's no longer an earth witch, which is contrary to how she used to see herself. And it wasn't even an evolution, which is the problem. Somewhere around book five or six, she went from being an earth witch who could spindle ley line energy into a ley line witch who feels naked if she doesn't have a headful of ever-after saved up, ready to throw at someone. And worse, it was a plot point in book three or four where she felt she was a novice, and not good enough at ley line magic, but of course, all that fell by the wayside, and now she's a master ley line witch who can pull lines through people, and hold more energy than anyone else in history, and blast people, and, and, and, and basically whatever other ability Harrison comes up with on the fly to explain why Rachel doesn't get killed at that point by whatever she's facing. It's just sloppy. Case in point: that ridiculous scene where she creates a "virtual reality" memory for the demons to enjoy in that restaurant scene in the Ever-after with Al. What kind of contrived BS was that? Gah.
In conclusion, there are several more plot points that were totally rushed, that came out of nowhere, or that didn't match up with previous characterization or laid out groundwork of this book's universe. Let me be honest, I hate to put up an in-depth slam of this book because I HAVE enjoyed most of this series. But really, that's the problem. How can Kim Harrison go from writing some heart-wrenching scenes like the death of Matalina and Rachel twisting the curse to shrink down so she can be there to comfort Jenks, or the discovery of Kisten's death and the slow reconstruction of her memory...to total slammed together garbage like this book? I was disappointed, frankly. I am hoping that the next book somehow realigns what I enjoy about the series, and that Ms. Harrison goes back and rereads her own earlier books so she remembers what it is about these characters that drew so many fans in the first place. This book effectively ends with Rachel having a clean slate, with all of her current, major issues solved. The next book will make or break my continued interest in this series, as I do not have an issue with dropping a series cold, I've done it before.