A teenage couple are found murdered in their car. Perry Scholes, a man haunted by cars and death, is mixed up in the case from the start — it is he who finds the BMW with its young corpses, and now he finds himself trapped in a nightmare.
Michael was born in 1963 and spent his childhood in Lancashire, England before moving south with his family to Newbury in Berkshire in the early ‘70’s. He went to comprehensive school in Newbury, then to Oxford University to read Philosophy & Theology.
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
The blurb on the back cover says 'disturbing and unsettling' which is an accurate description of my reaction to it. 'Unconventional' is another word used - ditto. I bought it on the strength of 'Edgelands' which had been written in conjunction with Paul Farley - some of the phrases in that were mind-bendingly beautiful. In this the language was far less 'poetic', which surprised me, but its sparseness was deceptive in that it dragged me, not unwilling, through a confusingly-told tale with a cast of weird but compelling individuals. One to return to.
This is a really interesting book that I found randomly in a book shop at the airport and decided to pick up. The story in intriguing and mysterious. I couldn't put it down. It's edgy and imaginitive.
The reason I gave it 4 stars is because I absolutely hated the ending, which is rather disappointing. I would still recommend it, however.