A powerful sequence of poems about one of the most contentious missile bases of the cold war.
In intensely dramatic poems Roberts describes the public rise and fall of Greenham Common – juxtaposed against his private experience as a teenager living a mile away from the huge, lethal power lying latent behind barbed wire in the middle of England. This is war poetry, from an undeclared war in which threat was the most potent weapon.
Michael was born in 1963 and spent his childhood in Lancashire, England before moving south with his family to Newbury in Berkshire in the early ‘70’s. He went to comprehensive school in Newbury, then to Oxford University to read Philosophy & Theology.
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
This is one of the best collections of poems I've read in a long time, especially as collections go. Roberts Cold-War-haunted hometown is the subject of the whole book, and each new poem adds one more perspective, one more anxiety about war and death and Russia and Britain and youth and the slim possibility of hope. While Roberts flirts with the formal constraints of pentameter and tetrameter, as well as rhyme, he always keeps these constraints just off-camera, his lines like choppy river-stretches that flicker bent reflections of pure form. This is a good introduction to one of the finer poets writing in the UK today, which reads, at times, like a novel.