The fiction of Lucius Shepard has more to do with Joseph Conrad than Isaac Asimov. Fascinated by deception and decay, and generally labeled a cyberpunk writer, his work transcends the limits of genre fiction. Beast of the Heartland contains seven tales that explore the darkside where science fiction meets horror. Headed by the award-winning "Barnacle Bill the Spacer," a story of high-space mutiny, the book includes "A Little Night Music," a gothic tale of insanity; "All the Perfumes of Araby," where an adventurer in the Middle East links up with an ancient entity; "Human History," a postapocalyptic chiller; "Sports in America," a noir tale in the Chandler tradition; "The Sun Spider," a mini space opera; and the title story -- an ingenious picture of a battered boxer on the decline.
Brief biographies are, like history texts, too organized to be other than orderly misrepresentations of the truth. So when it's written that Lucius Shepard was born in August of 1947 to Lucy and William Shepard in Lynchburg, Virginia, and raised thereafter in Daytona Beach, Florida, it provides a statistical hit and gives you nothing of the difficult childhood from which he frequently attempted to escape, eventually succeeding at the age of fifteen, when he traveled to Ireland aboard a freighter and thereafter spent several years in Europe, North Africa, and Asia, working in a cigarette factory in Germany, in the black market of Cairo's Khan al Khalili bazaar, as a night club bouncer in Spain, and in numerous other countries at numerous other occupations. On returning to the United States, Shepard entered the University of North Carolina, where for one semester he served as the co-editor of the Carolina Quarterly. Either he did not feel challenged by the curriculum, or else he found other pursuits more challenging. Whichever the case, he dropped out several times and traveled to Spain, Southeast Asia (at a time when tourism there was generally discouraged), and South and Central America. He ended his academic career as a tenth-semester sophomore with a heightened political sensibility, a fairly extensive knowledge of Latin American culture and some pleasant memories.
Toward the beginning of his stay at the university, Shepard met Joy Wolf, a fellow student, and they were married, a union that eventually produced one son, Gullivar, now an architect in New York City. While traveling cross-country to California, they had their car break down in Detroit and were forced to take jobs in order to pay for repairs. As fortune would have it, Shepard joined a band, and passed the better part of the 1970s playing rock and roll in the Midwest. When an opportunity presented itself, usually in the form of a band break-up, he would revisit Central America, developing a particular affection for the people of Honduras. He intermittently took odd jobs, working as a janitor, a laborer, a sealer of driveways, and, in a nearly soul-destroying few months, a correspondent for Blue Cross/Blue Shield, a position that compelled him to call the infirm and the terminally ill to inform them they had misfiled certain forms and so were being denied their benefits.
In 1980 Shepard attended the Clarion Writers’ Workshop at Michigan State University and thereafter embarked upon a writing career. He sold his first story, "Black Coral," in 1981 to New Dimensions, an anthology edited by Marta Randall. During a prolonged trip to Central America, covering a period from 1981-1982, he worked as a freelance journalist focusing on the civil war in El Salvador. Since that time he has mainly devoted himself to the writing of fiction. His novels and stories have earned numerous awards in both the genre and the mainstream.
"Barnacle Bill the Spacer" and the title story were pure fire. Didn't approach that level in the rest of the collection but everything else very solid too. Prob at least three diff stories in here where I think I detect a degree of allegory and am surprised to like how it operates. Almost like ghost echoes of arcs in religion and history, nothing substantial enough to pin down or distract but it adds plenty where I see it. "Barnacle" has a description of a jump to light speed that practically made my heart stop. "Beast" has a kinda dream episode w/Duran, Hagler, Leonard, et al that made me wanna stand up and clap. Awesome story, awesome writer when he's on point. This cat, man, he got that language.
I love short stories, and it is clear to me that anyone else that loves short stories will love this collection, regardless of whether they consider themselves sci-fi fans or not. In fact, two of the stories are completely devoid of anything fantastical, and two more only touch upon the surreal. In all seven, you do find the clear and descriptive writing that carries with it an insight into human beings all across the world - or universe. Shephard is able to portray the humanity and inhumanity as they battle within each of his primary characters, and overall, you might say that this is really what this collection is about. Each story has a clear and entertaining plot, but underneath, each focuses on a character that is struggling with his desires or angers or impulses that often lead to self-destructive life patterns; vivid and recognizable as elements of our own lives.
The genre sci-fi stories work the best for me. "Barnacle Bill, the Spacer" and "Human History" make my top five list of the best short stories ever. "Sun Spider" is interesting, but without the punch. And the remaining three straight stories were good, but less so than the others. However, in that "Barnacle Bill, the Spacer" and "Human History" are practically short novels, the book is well worth having just for these two stories alone. Consider the others bonus stories. Collections as a general rule are spotty. There are always pages you want to rip out and sometimes pages you want to hang on the wall. This is the first I've read in a long time that has no rip out material. Everything here is good. And some of it is truly amazing. Enjoy.
Humanity are feral creatures with passionate hearts - some hidden, others ripped out for everyone to see. “Barnacle Bill, the Spacer” is fine, space opera with unlikely hero, titular story shows boxer’s waning days in the ring in his last, bloody, sweaty, fight. Shepard delivers passionate stories about passionate people.
Barnacle Bill the Spacer (1992) A Little Night Music (1992) Human History (1995) Sports in America (1991) The Sun Spider (1987) All the Perfumes of Araby (1992) Beast of the Heartland (1992)