The Golden Threshold

by Sarojini Naidu

The Golden Threshold is a collection of poems by Sarojini Naidu, an Indian poetess and political activist. The book was first published in 1905 and includes some of Naidu's earliest works. The poems in this collection are deeply personal and reflect Naidu's experiences growing up in a traditional Indian household, as well as her experiences as a woman in a male-dominated society. The themes of love, nature, and spirituality are prominent throughout the collection. Naidu's poetry is known for its lyrical quality and vivid imagery, and The Golden Threshold is no exception. The book is considered a classic of Indian literature and is a must-read for anyone interested in poetry, Indian culture, or women's rights.Whither dost thou hide from the magic of my flute-call? In what moonlight-tangled meshes of perfume, Where the clustering keovas guard the squirrel's slumber, Where the deep woods glimmer with the jasmine's bloom?This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Genres: Poetry, Indian Literature, India

48 pages, Paperback

First published June 1, 1905

About the author

Sarojini Naidu or Sarojini Chattopadhyaya (February 13, 1879, Hyderabad - March 2, 1949, Lucknow), also known by the sobriquet Bharatiya Kokila (The Nightingale of India), was a child prodigy, freedom fighter, and poet. Naidu was the first Indian woman to become the President of the Indian National Congress and the first woman to become the Governor of Uttar Pradesh.

She was active in the Indian Independence Movement, joining Mahatma Gandhi in the Salt March to Dandi, and then leading the Dharasana Satyagraha after the arrests of Gandhi, Abbas Tyabji, and Kasturba Gandhi.

Reviews

[Marta Roķe]

Pilnīgi nejauši nonāca manās rokās (pie iekuriem no kaimiņu izmestajām grāmatām). Pieķēros ar interesi, jo pēdējā laikā kaut kā aktualizējusies Indijas tēma un trīs no dzejnieces dzejoļiem - "Mežā", "Jaunībai", "Neuzvaramais" - ir komponējis ImKa. Sevišķi skaista man vienmēr šķitusi "Mežā" gan dzeja, gan melodija. Bet šie trīs laikam arī bija labākie no krājuma. Varbūt jālasa oriģinālā - angliski. Ar interesi izlasīju ievadu par to, kas bija Indijas lakstīgala Sarodžīni Naidu.

[Twisted.Plots · Rating 4 out of 5]

Spoiler Alert: Banger after banger my friends.

[Freya Abbas · Rating 5 out of 5]

I like English poetry that follows the Romantic and decadent traditions and I think with Indian imagery it's even better. These poems are very beautiful and lyrical. I couldn't help but notice that the majority of them have to do with women. Persian princesses, village maidens harvesting henna, or mythological figures from Hinduism like Dimayante, etc. I wonder if the focus on traditionally feminine qualities is what led to the success of the book. The introduction is written by one of Naidu's literary mentors Arthur Symons, who she met while studying in England. In my opinion it's not a very good introduction because Symons writes more about how he was captivated by Naidu's physical appearance rather than presenting any critical analysis of her poetry. But the orientalism in the introduction probably suggests that westerners viewed the orient as having feminine qualities. Naidu wrote these for a British audience, so she was probably building on the association between the Orient and feminine qualities. But I still think she was not just writing for the western gaze. She later went on to become a feminist politician in India, but her feminism drew upon Indian traditions rather than western ideologies which led to her success. She frequently used Hindu goddesses and mythological women as good examples in her speeches. The focus on women's interiority and emotions, and on making even the mundane details of their daily life seem interesting, may be an example of her early feminist leanings.

[Shalini singh · Rating 5 out of 5]

From groves of spice,
O'er fields of rice,
Athwart the lotus-stream,
I bring for you,
Aglint with dew
A little lovely dream.


Sweet, shut your eyes,
The wild fire-flies
Dance through the fairy neem;
From the poppy-bole
For you I stole
A little lovely dream.


Dear eyes, good-night,
In golden light
The stars around you gleam;
On you I press
With soft caress
A little lovely dream.

[Drew · Rating 3 out of 5]

I like the youthful daring of Naidu's early poems, especially in the first section of this collection. (The book came out when she was about 25!) She has a sure hand with rhyme and this ensures she never has to abandon an image to make an end-word work. (That said, I can't remember the last time I saw a verse which mentioned peridot!) But well over 100 years later, some of these poems come across as a bit too old-fashioned for my taste, particularly those with a courtly setting. She fares best when in a philosophical mode: Death is as real for the young as the old. She felt that then. I feel it now.

[Harshit Gupta · Rating 3 out of 5]

Not a lover of English poetry, however, liked some poems, especially those about Indian countryside and common people like weavers, dancers etc.

[Kin · Rating 4 out of 5]

Tarry a while, O Death, I cannot die
While yet my sweet life burgeons with its spring;
Fair is my youth, and rich the echoing boughs
Where dhadikulas sing.

Tarry a while, O Death, I cannot die
With all my blossoming hopes unharvested.
My joys ungarnered, all my songs unsung,
And all my tears unshed.

Tarry a while, till I am satisfied
Of love and grief, of earth and altering sky;
Till all my human hungers are fulfilled,
O Death, I cannot die!

[Natasha · Rating 4 out of 5]

A classic collection of poems

Slim collection of poems, which marry Oriental sensibility with the English language. The descriptions were realistic, yet mystical. One got carried along.

[Amrashree Mishra · Rating 5 out of 5]

Such a beautiful collection of poems!

[r · Rating 3 out of 5]

Some really beautiful poetic lines and verses here.

[Audiobook Heaven · Rating 5 out of 5]

Great book, I listened to the audiobook version on YouTube. I will leave the link below so that everyone can enjoy it! https://www.youtube.com/watch?v=_RtEc...

[Chandravir Dev · Rating 4 out of 5]

“Lamp of my life, the lips of Death
Hath blown thee out with their sudden breath;
Naught shall revive thy vanished spark . . .
Love, must I dwell in the living dark?”

[Sowmya's book world · Rating 3 out of 5]

either i am not good at poetry or it was not a good one to start with :P

[Tasha · Rating 4 out of 5]

This is not the correct edition for this beautiful 100-page collection printed in 1928, so you may have to get yourself to the Portland Public Library to read it.

[Laetitia · Rating 4 out of 5]

Beautiful collection of Indic poetry by activist and poet Sarojini Naidu.