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240 pages, Hardcover
First published October 4, 2011
"With electric technology," he [Marshall] writes, "we have to numb our central nervous system when it is extended and exposed, or we will die. Thus the age of anxiety and of electric media is also the age of the unconscious and of apathy." What an apt description of our own anxious, apathetic age, at once hyperconnected and remote. We are dispersed in space, able to send digital bits of ourselves all over the world. Our bodies are now extended -- scattered, really -- across innumerable devices, handhelds, phones, tablets, laptops, and desktop computers.
...digital technology takes us out of being where we are. You only have to watch someone talking on a cellphone as she walks down the street to see this displacement, this disembodiment, in action. She is there but not there. You can tell by how awkwardly she moves, as anyone who has tried to navigate around someone on a phone on a busy sidewalk can attest. She's also...in a kind of third, digital disembodied place. Digital technology creates this other sense of non-physical place.
In addition to this changed sense of space, our understanding of time is disrupted thanks to the asynchronous nature of so much of our communication. We scatter tweets or notes on friends' Facebook walls as though they were seeds, to be pecked at by birds whenever they happened by. The bodily experience of linear time dissolves in a media culture that is one of a perpetual collaborative, fluid, now-ness. Pgs 84-85
In the world of the novel, people carry something called apparats on their bodies at all times, which project their own personal details and allow them to see others': a mix of banal biographical facts, such as where a person went to school, with the hyperpersonal, such as sexual tastes and financial ranking. Shteyngart uses it to paint a picture of a society that distracts itself from confronting the existential fact of human mortality even as it uses technology to try to halt decline and death. It is a culture that treats the body as a hygiene project...The vision Shteyngart portrays really is of people walking around with their Data Maps displayed, much as people online now have an avatar that represents them. Pgs 112-113